Soaking in it

soak_emdot

The non-goal-oriented are different from you and me.

Or, to leech off another work of literary genius, all non-goal-oriented people resemble one another; each goal-oriented soul is miserable in his own way.

Or, to cheese it up a notch, it was a dark and stormy unnamed-but-seemingly-interminable number of nights.

Over and over, I'm being told to be patient. That "it" is right there, the thing I'm looking for, that clarity, that understanding, that NNW (or SSE, or whatever) on the compass. Or around the corner. Or around the corner, down the block, past the highway, thumb out, hitching a ride on the lonely interstate, making its way to me. My job, and everybody has a job, as Frances the Anthropomorphic Badger's father told me so many years ago, is to sit tight and wait for it. To sit, period. To soak in it. I mean, I'm allowed to get up and use the metaphoric restroom or stretch my metaphoric legs: this isn't E.S.T.

Okay, I'm being a little dramatic. Let's chalk it up to frustration at being sick again because I ignored the warning signs again because, well, it was too much fun, grabbing at all those shiny objects around me. I'll be fine. It's just normal-people sick, not Crohn's sick, and I've scaled back. (Which was another helpful suggestion I received, to scale back. Really? Ya think?)

The universe will present you with the same lesson over and over until you choose to learn it. Occasionally, if you're really lucky and the universe is in the right kind of mood, it will give you a peek under the tent at eternity. In the meantime, do your job, even if the job of the moment is a kind of not-doing.

Do. Soak. Repeat...

xxx
c

Image by emdot via Flickr, used under a Creative Commons license.

Book review: Love, Loss and What I Wore

beckerman_darienLibrary

From cooking to painting, performing to parenting, the hardest thing to do is making it look easy, not sweaty.

Fred Astaire, easy; Gene Kelly, sweaty. Julia Child, easy; Martha Stewart, sweaty. (Which is weird, because the last thing Martha Stewart would want to be associated with is funk, while I doubt that it would have bothered Julia in the least.)

Memoir writing is particularly fraught: it's hard enough to tell any story simply and well, much less your own. What do you discard? What do you put front and center? How do you stay humble and true while being compelling?

The answer, I think, is mad craft in quiet, quiet service to great idea. Like a brilliant actor who disappears in the role to further the story or a team that wins with its defensive game, great writing is not about the showing its skill, but submerging it. Divas and sequins are fascinating in their way, but its the power to move you or the impeccable seams that hold up over time.

Love, Loss, and What I Wore, an illustrated memoir by Ilene Beckerman published way, way back in 1995, tells the story of a life through the clothes that were a part of it. Important clothes, like graduation outfits and wedding gowns, but also the random dresses, patterns, fabrics and colors lodged in a memory: of a beloved relative, a youthful friend, a time of life, a mindset, a generation. Clothes illustrate love and loss, class divisions and life stages. Two navy-blue dresses that take us from a tw0-parented girlhood to a life with custodial grandparents. Sophisticated evening gowns that don't quite bridge the divide so much as point to the differences between middle-class city girls and the privileged offspring of the (American, such as it is) gentry.

Most of all, it is delicious. A crazy word for a tiny book about an ordinary life told in storybook simplicity (with drawings!), but there it is. A delicious story you can lose yourself in, albeit for a very, very short period of time. It was suggested to me by a friend who perhaps knew better than I thought she did how I struggle with...everything. Well, maybe not everything, but I tend towards overthink and making things more complicated than perhaps they need to be. (I suspect Gretchen herself is a shining example of someone who makes it look easy, although, like most people who do, she'd likely shrug it off in that charming, self-deprecating way that all people who make it look easy do and turn the subject to something else.)

It is short enough to read cover to cover standing up in the store, and charming enough that you may want to take it home with you afterward.

Above all it is, as Gretchen suggested, a wildly inspiring example of telling a story in a unique fashion.

So to speak...

xxx
c

Image by Darien Library via Flickr, used under a Creative Commons license.

Feeling your way to fabulosity

legomaze_anvilon

I came across a couple of items recently about Jay Leno, which I particularly noted because (a) he's a person who doesn't typically blip across my news radar field, so twice in one week was a sit-up-and-take-notice red flag for this pattern-seeking monkey; and (b), one resonated with me rather deeply.

The first item was embedded in a conversation on the excellent Adam Carolla podcast, and confirmed what many before have said: like him or not, comedically-speaking, Jay Leno is a nice guy with his (gigantic) head screwed on right.

The second (whose source I cannot recall, but may also have been the Adam Carolla podcast, as I'm seriously obsessed with it these days) was something I'd not heard before but was not particularly surprising, either: that Jay Leno views his body primarily as a vehicle for carting around his brain. Which is to say he does not take exquisite care of of his body beyond the bare minimum of caloric intake and sleep, ergo (and this is my extrapolation/dialectic):

  1. Having been hit with the psychic whammy of being kinda-sorta shoved to the sidelines of the only game he's ever wanted to play...
  2. at a stage in his chronological life when the physical plant under the best of circumstances is already breaking down...
  3. he experienced some health issues which landed him in the hospital

It should be noted here that Leno himself has shrugged off the health issues as mere exhaustion, but the timing is interesting and frankly, there's nothing mere about exhaustion, especially when it causes you to cancel stuff and head to the hospital in a highly uncharacteristic fashion.

Here's the thing: I get it.

I mean, I'm nowhere near the level of a Jay Leno in terms of weight of the world on my back, or of work schedule, or of anything else (although my chin comes damned close). But I get the exhaustion thing and I get the body-being-a-brain-hod thing and I get the bifurcation of thinking and feeling. I am the person who cried for two years when she started doing the Relaxation Exercise in Method class, because, hello, you cannot start really moving a body you've been bottling stuff up in for 40 years without having some of the stuff leak out. Leaking happens under extraordinary circumstances, and for body-is-a-brain-hod types, moving the physical plant in certain specific ways is extraordinary. I also cried regularly and copiously during my initial six months of shiatsu bodywork therapy, and that wasn't even me doing the actual moving.

I am the person who got by because she learned to tune things out, which probably had a lot to do with being raised by two people who also got by because they learned to tune things out. The longer I live, the more I think most of us get by most of the time by tuning things out, which is not always a bad thing, I don't want pilots and firefighters and cops doing a lot of feeling at critical moments, and I think (haha) that they probably feel (haha) the same way. And that's fine.

What's not is me letting thinking become my default mode for dealing with everything. Just like FAST is not the only speed to do things at, THINK IT OUT, BITCH is not the only way to slog through a problem.

At a recent workshop I attended, I met many wonderful people and heard many inspiring stories and was treated to a few big surprises, but the greatest tool/takeaway/net-net I got was that maybe, just maybe, there was another way to get at that meaty nugget of Who I Am and What I'm Here For than making and executing another goddamn list. Maybe I could feel my way through it. Maybe I could look around at my environment and me moving through other environments and start taking note of what I was feeling when I felt the best. Danielle, the woman who led the workshop, shared the four feelings she'd identified for herself as ones that felt like True North, affluent (in all its various meanings), sexy, communion, playful, and suggested that we just start taking note of how we felt when we felt good: in various rooms of our homes, at various times of the day, with various people.

I'm sure there are a slew of exercises like this in all kinds of books that sit on my shelves right now, some of which I've likely read. Somehow, though, that was the evening when the message got through my thick skull: because I was ready, because the language she used was one I understood, because I'd paid to hear it.

But also, o, Irony Syrup on Obvious Pancakes, because I was exhausted. Sometimes, those of us prone to overthink need to be tuckered out enough to let things in.

I've started my list. I started it that night, in fact. There are feelings on it like "joy" and "safe" and "free". It's just a beginning, but I'm okay with that, too.

I will feel my way through this, I think...

xxx
c

Image by anvilon via Flickr, used under a Creative Commons license.

Referral Friday: 2009 reindeer and one Brad Nack

2009reindeer

Referral Friday is part of an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

A few months ago, on our way between picking up some Saturday morning coffee and steeling ourselves for the walk back up a big-ass hill, The BF and I dropped in on a local open-air art market. There were the usual crafty type things, jewelry and candles and whatnot, and there was one artist's stuff that stopped me dead in my tracks.

Brad Nack ain't your garden-variety artiste. He's a man with a past that includes such disparate items as sailing around the world with a crazy person and managing a pretty famous band, which activity I think technically makes you the crazy person.

After the gallivanting, he came back to what he was really good at: painting and being awesome. Seriously, what do you call a guy who sets a goal for himself of painting over 2000 paintings in one year...for TWO YEARS IN A ROW...just because? I call it awesome, and I know what's what, bub.

Perhaps it was in his blood: his father, Ken Nack, was an artist, too, studying with Fernand Léger in Paris in the 1940s. (Here's a nice snapshot I found of the two of them, Brad and his dad, not Brad's dad and Fernand Léger.)

Let's put aside the gimmick, if you want to call it that, of painting over 2000 reindeer in time for the holidays. (In case you're interested, I don't call it a gimmick: I call it a really cool project, and some smart marketing, to boot.) I like Brad Nack's paintings because they're technically great, they vibrate with life and humor (thank CHRIST) and because they remind me of a crazy cross between Paul Klee and a particular style of mid-century illustration I always dug. And, hell, it doesn't hurt that Brad Nack is such a cool guy. Well, seems to be, from the very small amount of interaction we've had. But you can tell, you know? You just can.

You can follow along with Brad's reindeer painting adventures on his blog, and contact him about claiming one. I suspect one of those suckers is going to end up chez communicatrix, and I love the idea of a whole bunch of us being connected by a whole bunch of paintings by one way cool dude.

xxx
c

reindeerinarow

Photos: (top) 2009 Reindeer Project paintings in progress; (bottom) four of 2008's Reindeer Project.

Poetry Thursday: Crowdedness and roominess

outofthecrowd_brtsergio

I hear
there is a magical place of ease
of grace
of flowingness
where one's mind is like water
one's desk is, like, clean
and shit gets done
by the bucketload
without the effort
ever feeling effortful.

I have bought
the occasional day pass
to this magical place
only to be called back
by sudden conflagration
or cold-sweat-panic
to the Land of the Exploding To-Do List

I love the idea
of me as Zen monk
as Mr. Miyagi
as Peaceful Warrior
but not enough
it seems
to do the heavy lifting
or the letting go
which is heavy lifting
of another color

So for now I will simply
observe myself
dealing with crowdedness
dabbling in roominess
and leave it at that
trusting that somewhere
between the waves
of crowdedness
and roominess
I will find my balance
or make my peace
with the lack of it

Which
I'm fairly certain
is just balance
of another color

Image by brtsergio via Flickr, used under a Creative Commons license.

Notes from the middle of activating

vortex_ahisgett

As I've mentioned before, in 2006, if any of you were alive back then, there's a frame in my bathroom that holds a magazine cover from the New Yorker with a picture of a glass half-full of what looks to be orange juice.

It's from 1995, probably none of you were alive back then, so it's faded now. The juice doesn't look very appetizing, and the water spots and toothpaste splatters aren't helping much, but for a few reasons, it's not going anywhere soon.

The first is that the issue date is January 30, 1995. That's the day my mother would have turned 59 had she not died the previous September, also on the 30th. The irony of that cover coming out on that day hit me like a wave of...well, orange juice. So there's that.

The other more far-reaching (and less sentimental) reason is an ass-kicking one. Every time I look at that picture and actually see it, which may or may not be every time I need to actually see it, I think about time remaining and the choices I can make about what to do with it.

I can think about how I'm still stuck or about how I've managed to move forward.

I can think about the ways in which I suck or, on a good day, if I'm feeling a mite brave, the ways in which I might possibly be considered to be awesome.

I can think about what I don't know yet or about all of the things I have the opportunity to learn.

You get the picture. (Ha ha.)

A fellow traveler and I had an impromptu conversation last week about being stuck and moving forward and how there's that time in the soup when, on top of a lot of patience, you need a lot of faith and a lot of help to see that you might at some time in the future not be in the soup. We were in our own, individual soups at the same time for a while, and it appears that he has made his way out, had a nice rinse off and change of clothes, and is on his merry way. And I'm happy for his merriness, in no small part because it reminds me that at some point, after enough patience and faith and help, I, too, will be out of this particular soup. (And into another, no doubt, but hey, that's a post for the Future Me to write.)

What's interesting about this time in the soup is that it seems to have lasted longer than previous soup-times, and, possibly as a result of this, I find myself more willing to try some outrageous (for me) things to see my way up and out of it. Like, for example, announcing on the same site where I send potential clients that I am, in point of fact, in the soup. Which doesn't exactly impair my ability to do for them, but does look a bit...inelegant.

And then there's the stuff I talked about previously, the opening up both to myself and to others in a way I may have thought of as silly or weak or too woowoo even for me. (And which, to be honest, I still do sometimes, I'm just doing it anyway. Nyah nyah nyah.)

All this by way of saying the following: if you think change is easy, there's a very good chance you're not actually doing it. Remember adolescence? When your body did it for you? How that felt? Yeah. It's like that, only this time you're picking it.

Of course, being in pain doesn't automatically mean you're changing, either. You can feel horrible and not be doing a damned thing about it: how great is that?!

Fortunately, even the pain of changing doesn't feel like pain all the time, at least, as I've experienced it. There are moments of peace and moments of ecstasy and moments of regular, garden-variety joy. Kind of like...life.

So from here, in the middle of Big Change (which includes the Change, which again, is a whole nuther story), being stuck is a lot like...life.

More notes as I have them...

xxx
c

Image by ahisgett via Flickr, used under a Creative Commons license.

Spinning tops, Method acting, and surrender

spinningtop_zappowbang

It's been a whirlwind weekend of meetups, speaking gigs, and work work work.

Which is fine, because this morning, now that it's over, I'M GOING TO DISNEYLAND! Better yet, I'm going with tweens who actually want to hit Space Mountain and the log flume and the other scary-to-their-younger selves rides I've had to forego on the past few visits. So this is me, throwing a high sign from the freeway as we speed on down to the Happiest Place on Earth.

Oh, yeah, speeding.

I met some fellas at the launch of the weekend. Lovely longtime friends of a lovely new-to-me friend who invited me to come talk to her actors about marketing and the Twitter and what the hell could possibly be in it for a bunch of thespians. (Short answer: a lot. I mean, if anyone can pull off the Internet stuff, it should be entertainers. Exhibit A: Ze Frank.)

Like me, these friends had done time in several major cities, several more than I, in point of fact, New York, inclusive. And they watched me do my song-and-dance-and-PowerPoint-in-the-pants dealio from 5 to 6 on Friday evening (way longer and more leisurely delivered than the last time, when I served up that sucker in a half-hour), and afterward, over empanadas (which I didn't partake in) and sangria (which I did), expressed what I would call bemused alarm upon hearing that I am much, much more relaxed and leisurely in my pace since moving to L.A. and, er, aging into myself a bit, than I was Back in the Day in NYC.

And even more relaxed than I was while living in Chicago, where my nickname was "the White Tornado."

Which, you might be able to tell from my "aw, shucks" tone, was, okay, fine...is something I'm kinda proud of.

Which, you might be able to tell from my Big Confessional Approach (not to mention the title of this post), is something that just underneath, makes me a bit sad and worried.

"Sad" because I know how good it feels when I do make myself slow down (as opposed to having myself slowed down for me by the Governor, a.k.a. my Crohn's). "Worried" because it is a default setting I've been grappling with since I started grappling, with diminishing success as the years have rolled on.

At the beginning of 2009, a friend of mine told me this was my year. I assumed this meant my year to Hit It Big! because let's face it, I'm an American who was born in the middle of the last century to very ambitious people. As it happens, I'm starting to think this is my year to give up thinking crazy shit like "this is my year!" The way I'm starting to see it, every year should be my year, and your year, and everyone's year, just like every moment should be spent in the moment. So I've taken Steps to get myself there. A workshop next Friday. Some uncomfortable but necessary discussions around work collaborations.

And a class around money that I have fought harder than...well, than should be necessary for someone with free will who can just walk away. And as I've started working with the material, I'm getting why: these exercises, this work, this class is pushing every hot button I have at once. We're talking evil eight-year-olds-running-loose-at-an-elevator-bank pushing. Every time I've done the primary exercise, a little heart-opening sumbitch called "the Remembrance", I have burst into tears, slid into a series of wracked sobs and squeezed out every drop of salty water in me until I was a spent rag.

This, if I've never mentioned it, is how I spent my first two years as a "real" (non-sketch-comedy, non-goofball) actor: crying. I cried for two straight years, and then? I was kind of done. My instrument was tuned and supple, and I only cried at times when I needed to, which (thank Christ) was no longer all the time.

I fight so hard what it is that makes me human, it hurts a little just thinking about it. I race to cover up flaws I am sure will send others running from me even faster. I hide, I obfuscate, I dodge, I avoid. I throw myself into work work work to avoid sitting in the moment. I surrender, if you can call it that, at the point of a gun, extreme illness or total exhaustion, usually.

Fighting doesn't seem so hard, you see, if you're used to doing it. Surrendering, on the other hand, feels like the end of the universe.

Ah, well. This is my year, or all the moments of it left, to change that. And the funny thing is, I think if I really do surrender, it'll change pretty quickly. We shall see.

But not until Tuesday. Because today, I'm going to Disneyland...

xxx
c

Image by zappowbang via Flickr, used under a Creative Commons license.

Referral Friday: Kaldi Coffee & Tea

kaldi_atwatervillagenewbie

Referral Friday is part of an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

Yes, we have Peet's here in Los Angeles.

We also have nearly two outposts of Chicago-based Intelligentsia, a handful of local indie joints that ain't bad (albeit one among them that drives me batshit crazy with its goddamned preciousness, which quality should be kept OUT of coffee, thank you), and a robust locally-based chain that at least beats that national one.

Here's what I love: Kaldi.

I love the way it smells when you walk in. I love the crazy Japanese candies and snacks on display (they have regular baked goods, too, although as a non-partaker, I can't vouch for them). I love the mix of people who go there and how cool and dark it is inside and how funky-frozen-in-time the Atwater Village street is outside. I love that the wifi is free, even if I never use it.

But mainly, I love that every single time I go, I have gotten a superb Americano with perfect crema and no 'tude.

In Los Angeles, this is not easy. But when it happens, it is delicious...

xxx
c

Kaldi Coffee & Tea
3147 Glendale Blvd
Los Angeles, CA 90039
(323) 660-6005

Image by atwater village newbie via Flickr, used under a Creative Commons license. There ain't always a cookie contest going, so caveat, and all that.

Poetry Thursday: Waiting Wright

waitingforgrownups_makelessnoise

I got an email from a friend
addressed to me,
"Colleen Waitwright."

Which is wrong,
Wainwrong,
which has been another of my many, many nicknames
along with
Wainer
and C-Dubs
and C-Monster
and one I hate
which I'm not going to tell you
right now

I stared at the typo in my name
and added another in my head:

Right.

Wait. Right.

Something I don't do
or haven't tried
except in fits and starts
and more of the former
than the latter

We all of us must needs wait
some for the change of an hour
some for the change of a circumstance
some for the end of a sentence

Harder than you think
when you're itching to say something
while someone else
is already doing so

The same morning
I got an email from another friend
about waiting

Until the time is right
Until the means meets up with desire
Until you have caught up with yourself

I am afraid
I will never catch up with myself

I am afraid
there's a party going on at all times
that I am missing
if I hold
if I nap
if I rest
if I wait

So I make myself go
when I might do better
to make myself wait

From now on
I will make myself wait
until the time is right

After all
my name,
the Wright part,
is about making things

Maker of Mills
Maker of Carts
Maker of Wagons

Or,
if you are my family,
Maker of Goyishe Surnames

I can make of myself
what I like
and I've come to a place
of liking waiting
and the idea of doing it right:
the right thing
in the right time

Like this:

I have waited
to the end of these words
to tell you
what I don't like being called

Which is "Coll."

Stop
and wait
before you use it.

xxx
c

Image by makelessnoise via Flickr, used under a Creative Commons license.

What's that old saw about God and plans?

planningsession_worldislandinfo

Okay, so I'm not a believer. But this week, just a few days in, is close to making one out of me.

Plan to write your newsletter (new issue out today!) in two hours? It'll sprawl into four, and then you'll realize it's not what people need or want to hear so you'll push it aside and have to write a new one, which, because you're already freaked out about the sea of lavender your GoogleCal looks like these days and how many things you've promised and how little time there is to deliver and OH, YEAH, how you're three months away from being 48 and three months and 12 years away from being 60 unless the old universe really feels like throwing you a curve ball in the form of a city bus. (Horrible story here for anyone in need of instant perspective.)

Plans as we make them are kind of like serving suggestions of life: yeah, the day might look like this...if it was styled by Martha and executed by Oprah. Pardon, Oprah's people. Pardon, again: her battalion of people.

But I am neither of those ladies and have no army and at least some of it has been by design. Not that I'd have reached those kind of heights, but the track I was on back in advertising was laden with promises of minions down the road, the mythical, magical Shoemaker's Elves who made shit happen while you slept. I didn't want that, or at least, I didn't want all the stuff that went along with that. So I left it for this vida loca of self-determined overwork and anxiety.

Wherever you go, there you are, right?

I'm not abandoning the plan, though; I'm adjusting it. I moved some blocks around today. (You can't make more time, but you can drag around the blocks it's made of.) My intention is to pay attention, to really observe where my time is going, what I like (and don't like) spending time on, what's a joy and what's not, what stays and what gets shunted from day to day. Like meditation, or what I've heard of it, because I still don't have the ladyballs to put that on the calendar, the point is to see what's happening, not judge or correct it. That will come later. The judging, I mean. (Haha, not really. Okay, yes, really, but I'll try not to overindulge.)

The looking, it's what changes things. You can't change an unlooked-at thing any more than you can keep it from changing while you avoid it. I would rather undergo a bit of temporary discomfort to get a handle on where I really want to put my energy than piss away the time until 48 or 60 or that bus come to get me.

God is having herself a good laugh right now, at me and my craaaaazy change tactics. It's cool. We all have to find our own way; being a craaaaaazy nerd about it might just be mine. It'll force some issue, that I have confidence in. Eventually, if I stick with my planning and my paying attention, something will give; hopefully, it will be the Next Right Thing, revealing itself. Maybe it will be me paring my possessions down to 100 and adopting a monastic lifestyle. Maybe it will be me chucking the bespoke life for something more conventional (if anything conventional exists at the end of this experiment).

Whatever it is, it'll probably be annoying and startling and life changing, as per usually, as they say on the internet. But it'll be there, and I'll move on to the next thing, whatever that is. So yes, my plan is to hew to my plan until such a time as I'm liberated from something as pedestrian and tedious (and lavender!) as plans.

And then? I'll probably do it all over again. Although, you know, nothing's written in stone...

xxx
c

Image by World Island Info via Flickr, used under a Creative Commons license.

And just because it surprised me, I'm linking to the attribution for the quote alluded to in the post title. (Woody Allen? Really?)

Back to schedule, not back-to-back schedule

climbing_psd

I've long joked that I have two settings: "full-bore" and "off." Modulation and moderation, while lovely concepts, have always existed just outside of my grasp.

Okay, that's crap. They've existed as concepts, period.

My own journals only reach as far back as freshman year of college, the ones extant, anyway, but still, you can map the signs of today's all-or-nothing Colleen. The endless, earnest lists filled with things to purchase, in order to fulfill some very specific and lofty role I'd conceived for myself. The Big Plans and Serious Resolve which make their semi-annual appearance at the end of an old calendar year and the beginning of a new academic one. And then, of course, reboot after reboot mid-term, when something inevitably went awry.

I've learned my lesson about such foolishness as saying "never again!", at least, I think I have. (See how I dodged that one? Progress!) I've definitely learned it in the area of relationships, where I was once foolish enough not only to literally utter the phrase "Well, I'm done!", but to do it out loud, in front of a witness. Who, as I recall, actually took a step back from me.

I've also learned a fair number of tips and tricks about making work work. Accountability is a huge help, but the source must be frequently refreshed, because my modus operandi, honed by years of service as the child of parents with high expectations, is to choose stern taskmasters, then win them over with circus tricks and the old soft shoe. Doing the hardest (or most important) work in the hours I'm freshest is another big one, as is providing myself with the right space (quiet, usually, and fairly neat, and often private). And giving myself some time and room to putter, since puttering seems to release some sort of magical creative chemical in my brain.

What I've finally accepted that I suck at is figuring, as in "figuring out what I'll want to do outside of the moment of commitment" and "figuring how much time it will take to do whatever I've committed to." I'm coming around to the idea that contractor-type calculations, figure it out, add 30% of the cost and double (at least) the time, may not be conservative enough. Time after time, I've found myself back in the rather uncomfortable position I'm in currently: owing a lot of people I really like a lot of stuff that seemed like something I'd not only love doing, but have all the time in the world to devote to.

To steal and pervert a line of Will Rogers', hoard time: you ain't gettin' any more of the stuff.

At my most calmly productive, I was mapping out a daily schedule for myself down to the fifteen-minute segment, a trick I picked up from my friend, Mark, one of the more successful and productive and still not insufferable people I know. I didn't have to think about what I had to do next: I just looked down at my calendar and it told me. It kind of sucked, but it kind of rocked, too. The rocking part was obvious: holy CATS, did I get stuff done! And did I feel good at the end of the day for doing it! The sucking part seems obvious, lots of me rebelling in you are not the boss of me fashion, but I'm not sure I really got at the root of it. Maybe it wasn't me wanting to fly free; maybe it was me being afraid of what would happen if I actually succeeded. You know, that whole Marianne-Williamson-by-way-of-Nelson-Mandela thing (or was it the other way around?).

In the spirit of scientific experimentation, I'm giving it another whirl, 2.o-style (i.e. with free online tools, not ugly, expensive Covey paper products). I spent the better part of 90 minutes of Sunday afternoon mapping out this week, slotting in the hard appointments and then the Quadrant 2 stuff and then all the rest, until I was looking at a screen which more closely resembled a really, really badly fragmented hard drive than a modest solopreneur's Google calendar. I also had the closest thing I've felt to an anxiety attack just afterward, but that might just as well be a function of too little sleep filled with too-weird dreams fueled by a late-night screening of one of the strangest movies I've ever seen.

All I can say is that we shall see. And by "we," I mean me and anyone reading along here. Or here, or here. I'm covering my bases on this, since all y'all join me at different nodes.

I make fairly few requests here (at least, I hope I do, as a staunch proponent of the 95/5 rule, my, such a lot of rules in a personal blog post!), but I will make one now: what do you do, or have you done, to keep yourself honest? I realize the answer will be different for every human on the planet, and that you may look at this whole post uncomprehendingly (and boy, do I envy you right now if you do). I think, though, that if you're reading this, chances are good that not only have you been down this particular stretch of road, but that you have stories to share, and stories of a personal nature are my favorite way of taking in new information.

Either way, I trust you will wish me luck, as I do you with your endeavors.

Oh, what a week we'll have...

xxx
c

Image by psd via Flickr, used under a Creative Commons license.

Referral Friday: PresentationCamp L.A.

attendees of presentationcamp LA

Referral Friday is part of an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

Okay, so strictly speaking, this isn't me putting the word out about some small business or entrepreneur*.

So if nobody profits from nor can you buy anything from PresentationCamp L.A. (other than a $10 admission ticket), why the hell am I promoting it here on Referral Friday?

Because PresentationCamp, like all BarCamp**-type "unconferences", is about people who really give a shit about what they do getting together to help each other get better at what they do. And if that doesn't have "entrepreneur" written all over it, I don't know what does.

This one should be no different, except that instead of a group of people getting together to give little presentations and foster little discussions about...whatever, we should have us a fine crop of people who just nerd the hell out on presenting: speaking, crafting great presentations, storytelling, etc. Maybe discussions will spring up around the use of humor or props or improv; maybe we'll talk mind-mapping or how to present yourself well in a job-interview situation (which could come in handy about now) or how to put together a presentation quickly. These, and MORE!, are ideas we've been floating out there.

All I know is that if it's 1/4 as fun as the one that Cliff Atkinson went to up in San Francisco earlier this year, it's gonna be a hootenanny. If you are somewhere on the continuum of digging on presentations, you're gonna meet your people. Like me!

The details are below; if it's not for you, but you know someone who it is for, please, pass along a link to this page. Or tweet it, or Facebook it, or whatever the hell. And if your business, small or otherwise, wants to get in front of 100 SERIOUS presentation nerds, please contact me (communicatrix AT gmail DOT com) about sponsorship. Any amount or in-kind donations welcome!

Final thought: while part of the reason I decided to get on board early was my always-intense desire to TALK TALK TALK, I honestly don't know if I'll present anything. Part of it is being busy, dealing with sponsorships and logistics and suchlike, but another part is that desire for ME to TALK TALK TALK has somewhat receded. I will if what I think I have to add is something other people want to TALK TALK TALK about, but ultimately this thing, it's way bigger and way cooler than one person getting up and doing a dig-me thing: this is about everyone becoming better communicators.

And we all know how I feel about that...

xxx
c

DETAILS! DETAILS! DETAILS!

PresentationCamp L.A. | June 20, 10am - 6pm
@BLANKSPACES
5405 Wilshire Blvd. |  Los Angeles, CA  90036

Buy tickets now http://presentationcampla.eventbrite.com/

Image © Don Campbell via Flickr. More photos by Don Campbell of the very first (!) PresentationCamp, at Stanford, here.

*It's also, as you can see from the title, about a Los Angeles-based event, although participation is not limited to citizens of our fair city, and so far we have people coming in from as far as New Zealand (albeit because of a handy layover on the way to somewhere else, I mean, really).

**You can read all about the genesis of the BarCamp model on the wikipedia, which is, as my pal and former writing partner, Rick Crowley, put it so well, "the greatest repository of information that may or may not be true."

Dirty little secrets (A poem about hating poetry)

angrymonkey_dboy

I wash my hair
once a week
nominally because my stylist says,
"That's what the New York girls do"
but mostly because
I am lazy.

I pluck my eyebrows
in the the rear-view mirror
and stump hard
for the bright white sink
with the bright white light
because these days
the rogue hairs
and the dried yolk
are harder to spot than they used to be.

I sit atop a thousand little secrets
that I hold
because of the shame
because of the fear
because of the habit

I move forward
when I pull them out from under me
one by one
flinging them hither and yon
like jewels
or monkey poop,
depending

You can make something beautiful
or something silly
out of almost anything
if you try

Even yourself
Especially yourself

Most of the trying
is in the letting go
and the rest
is just finesse

Like poetry

Which
to be honest
I do not like
nor do I write

My dirty little secret

This
is not poetry
This
is just prose
made smaller
and flung hither and yon
like jewels
or monkey poop,
depending.

xxx
c

Image by dboy via Flickr, used under a Creative Commons license.

The Whore of Babylon has some books she'd like you to buy

wassuprockers_jonfeinstein

I read a lot of books. Not as many as I did when times were simpler and Internet access spottier, but still.

In my ongoing quest to (a) point all y'all toward the good stuff and (b) make some goddamn money, it occurred to me that I might neatly combine those two things with a page of links to reviews in all the various places I write them, along with affiliate links so that if you want to support me and my crazy habit of taking stuff in and writing about it, you could. Hence, this "Books! Books! Books!" page.

So we're clear, I buy a lot of books second-hand or check them out from the library. I also buy new at indie booksellers where I can, to support, and I hope you will, too. I <3 Powell's in Portland, Elliott Bay Booksellers (Seattle), and Vroman's, Chevalier's and Small World here in Los Angeles). I used to love Barbara's in Chicago, Scribner's in NYC...well, sadly, I could go on and on. QED, right?

But sometimes, it's easier to buy through Amazon: for gifts, for people in remote towns without good bookstores, for the 3 am shoppies. Also, for making me a few bucks (via affiliate links) which I then pump back into the economy. (Here's a direct link to my Amazon store, if you're a rural, gift-shopping, insomniac. Or also want to shop for SCD supplies.)

Short answer: buy when you can, where you can, as you can, to support authors. If you can support your local economy, too, awesome. But if you can only afford the library, there's no shame in that. Read away. It's what most writers probably want, when you get right down to it.

xxx
c

Book links on communicatrix-dot-com

Quick links to critical pages referenced in this post

Image by Jon Feinstein via Flickr, used under a Creative Commons license.

Referral Friday: Ask Liz Ryan about your resume

addyliz_ryan49_t600

Referral Friday is part of an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

The job market is...interesting these days.

Or so I hear.

And in times when something like the job market is defined as something like "interesting," you want someone to help you make sure you're putting your best foot forward in it. That person, I can say without any reservation, is one Liz Ryan.

A former HR exec at a Fortune 500 company, Liz would seem, on the surface, an odd person for a creative nutjob like myself with a cuss-filled, oddity-ridden website like this here blog to be recommending. But here's the thing: Liz ain't no corporate drone; she's a sharp, forward-thinking, social-media-getting gal with the best sense of humor outside of this here time zone. In other words, she is completely artist-friendly. In fact, she's got her own big streak of hambone, in addition to the razor-sharp wit, she's a bona-fide opera singer in her spare time.

How's that for a crazy hobby?

Anyway. Liz does all kinds of work for very fancy, probably non-artist types: corporate workshops, big-wig executive coaching, and high-flying speaking gigs (I salivated when I saw that client list, I swear, I love getting in front of suits and mixing it up). But she also offers two services for regular old regular people who are trying to stand out in a buyer's market: resume critiques and resume overhauls. Neither one is cheap, but I can all but guarantee they're a good value; I've been watching Liz do "resume spruceups" for years now on her popular mailing list, and how she manages to turn incomprehensible business-speak into summaries so crisp and compelling, I want to hop on a plane and go meet the person...well, it's Jedi-knight-level magical. (She also offers a by-the-hour consult option if you just want to ask the oracle.)

If you're not ready to buy, or if you're such a ninja that your own resume is already spectacular, I'd still suggest you join her popular online community, the Ask Liz Ryan group on Yahoo. 25,000 members strong as of this writing, it's a powerful resource for information on a wide-ranging bunch of issues at, as she puts it, "the intersection of work and life."

Including some phenomenal advice, and even an occasional example of how to spruce up your own dismal resume, from the maestro herself for the immensely reasonable price of bupkus.

Ask Liz Ryan
637-B South Broadway #222
Boulder, CO  80305

Phone: 303.440.0408
Fax: 866-630-0409

Photo © Colorado Daily

Poetry Thursday: Life on ice

watervole_crackers93-on_workexperience

Some days
seem to move like glaciers,
slowly at top speed
imperceptibly in low gear
never getting there
wherever "there" is

Some days
seem to spread out from under you
like five-star rinks
freshly scrubbed by Zamboni
glassy-smooth
and ready for action

The trick, then,
is knowing two things:
which is which
and that neither is better

Slow days
for taking in
Zamboni days
for flying by
Natural ice
for anchoring your world
Man-made ice
for strutting your stuff

All days are just days
whether they fly by
or inch along
whether they're filled to the brim
or deceptively empty
not good
not bad
just days
to live

All ice is just ice
thin or thick
rough or smooth
enduring or evanescent
not good
not bad
just ice

Except maybe Vanilla

Then again,
even he
has his moments...

xxx
c

Image by crackers93-on work experience! via Flickr, used under a Creative Commons license.

Rassum frassum!

scream_dariuszka

While my default happiness setting is far, far higher than it was pre-epiphany (and my fuse far longer), I'm not immune to the occasional public outburst nor am I unwilling to pull on my stomping boots at a moment's notice.

When it's happening all the time, it's a bad thing. I know, because: (a), it used to happen to me all the time and it was, indeed, a bad thing; and (b), I lived long enough to see three otherwise reasonable and gentle men devolve into red-faced, screaming poopoo-heads when confronted with such INTOLERABLE HORRORS as someone asking a question they deemed inane, someone doing something in traffic they deemed inane, and television.

No, really, television. Because yelling at the TV, that gets shit done.

Here's the part that's good about me acting like a gigantic ass on an ass tear (rhymes with "bare," not "beer"): it means I'm getting better. In fact, the first time after my Crohn's hospitalization that I knew I was going to be alright was when I leapt out of bed and roared at the attending nurse for...I forget. It was stupid, and in fairness to me at the time, my brains were right scrambled on mega, mega-dee-degga doses of full-bore steroids. (My doctor had to come in and have a little talk with me about how steroids work...and don't.) (And yes, I apologized and was nice afterward. Well, nicer.)

When I first get slammed with a Crohn's flare, I'm weak as a kitty and, provided I am not completely sleep-deprived, pretty meek and grateful. There's a little inappropriate anger ramping up to the flare which is about me, pissed off at being inconvenienced again, but mostly, I'm good. When I'm really, really sick, I'm great. Grateful.

Then, when I start to get better...ta da! It's rassum frassum about the littlest thing. Maybe it's pent-up rassum frassum, me letting loose because I'm angry at myself for being weak and getting myself sick in the first place and screwing up all the things I wanted to do that I couldn't because now I was sick, dammit. Not really sure about this, but it's a good thing to meditate on.

Yeah, I know, meditation. Again.

I didn't want to get into that in this piece. Hell, I don't want to get into it at all. I made a promise to get back into yoga three weeks ago and the furthest I've gotten is transferring my yoga mat to the car. And that's without even unrolling it first to see if anything started growing in there during its four years of non-use.

What I wanted to address was indicators lights vs. wailing alarms we learn to accommodate, even as we, I, become less accommodating to my highest self and other people, period. You know how that battery first goes on the smoke alarm and you're all over it, but there's no 9-volt handy and you keep forgetting to put it on the list, or you put it on the list but you keep forgetting to bring the list with you to the store, and a year and a half later you have someone over and they're, like, "What's that beeping?" and you're, like, "What beep, oh...yeah, the smoke alarm just went out and I need to get a new battery."

Uh-huh. Or maybe you're a real Virgo and you always have a backup wardrobe of batteries, but there's a mole you ignore, or a gently-tightening waistband you too-hot-dryer rationalize away, or whatever. As my friend, Mark Silver, put it so succinctly in his most recent newsletter (which you should subscribe to, because it's one of the few good ones, especially now that it's finally HTML, and hallelujah!), "Humans have an almost infinite capacity to tolerate pain and suffering, thank goodness." (As an ellipsis freak, I might have swapped out the comma for greater humorous effect, but then, I am a clown and he is a gently witty Sufi master, so really, it's pretty perfect.)

I can catch myself in my rassum-frassums, which I guess is an evolutionary step forward, albeit an incremental one. I'm not sure how early I'm catching them, though, and how much collateral damage I'm creating along the way. The BF was raised on a farm in Indiana, which is to say he's a bit of a stoic when it comes to sucking it up; I think it was a good two years until I saw him blow his stack, and even then, it wasn't much of one. Sanguine, that's him. Or knotted up inside, perhaps. When you're that stoic, it can be hard to tell yourself, I'm guessing.

Me, I don't have to guess. If something's really wrong, it should be noted and dealt with. If the something that's wrong is me, it should be noted and dealt with even faster.

Oh...and whatever you do? Don't pour coffee on the problem...

xxx
c

Image by dariuszka via Flickr, used under a Creative Commons license.

Capers, deprivation and working it like Julia Child

miss-april-99-cent-show

Did you read Julie & Julia? I did, and I enjoyed much of it heartily. Not precisely for the book itself, which is a perfect example of marvelous voice and great story minus adequate time and editing, but for the way it brings to vivid, crazy-passionate life the joy of throwing yourself madly into what you do.

If you are within arms' reach of 50, you might remember Julia Child that way, too, the wild, delightful, not-quite-right lady who dug in and made do and generally got down with her food as an extension of herself. Julia was her food, and her food was Julia, and it was all infused with a kind of messy, art-infused passion you just don't see in a Rachael Ray (who has energy, but fueled by the sell) or a Martha (who has passion, but confined by control) or a Giada (who has the sex-ay, but is, unlike dear Julia, gloriously unhampered by the plainness that plague mere mortals). Big, wild, plain-faced Julia burst through the screen and grabbed your heart because she was all about life, and just used that food as a vehicle to deliver the goods. (Also, she was funny, which goes a long way towards making things work.)

What's more, while Julia brought fine, French cooking to a land whose food at that time was neither, one got the sense that she'd do the same kind of I-love-life cartwheels cooking up a burger or a baked potato as she would any of the fancier items in her repertoire. My own memory is shot (thank you, 1980s!), but YouTube continues to fill in the gaps and offer sound backup to my theses, as in this clip where Julia waxes rhapsodic about roasters with a lineup of actual, dead chickens. Good lord, no wonder a nation was transfixed by her! Even an idiot girl of 10 who had to be tricked into eating Dover sole by being told it was tuna fish in a different shape could dig that fusion of Method truth and vaudevillian showmanship.

I have been thinking inordinately about food and joy and showmanship of late because finally, and really, given my diagnosis and my age and how ill I fare when my fare is less than fair, it probably is final, I am back on the diet I use to manage my Crohn's disease, the Specific Carbohydrate Diet. As I've said before, it's not that it's the worst diet in the world, and I'm happy I was dealt the Crohn's card instead* of something that wasn't so easily managed by diet, lifestyle choice and exercise. It's just that...

Well, French fries. And rye toast. And Coca-Cola. And chocolate, especially those Fannie May dark chocolate creams.

It's like meeting three awesome friends in the first grade that you spend an entire lifetime goofing off and carousing with, and while, yeah, maybe some mornings after you wonder if you shouldn't spend quite so much time with them, you still wouldn't want to tell them that you'd come to a point in your life where the relationship wasn't serving you, that you'd grown apart and that while it wasn't them, it was you, you still needed them to understand that you could never, ever hang out ever again. Especially since, given their popularity among throngs of total strangers, you were likely to run into them for the rest of your lives on a regular basis. Awk-ward!

I was talking this over yesterday with my friend, Lucy Rosset, a.k.a. Lucy of Lucy's Kitchen Shop, where many of us SCD-ers buy our SCD-legal supplies. I told her about my backsliding and my shame and how yeah, I knew pizza was a hoodlum but he was so hawt, I couldn't resist. And Lucy agreed, but then she turned the conversation toward cool stuff we could eat. And all of a sudden, dontcha know, we were talking smoked salmon bites and salade Nicoise and dolled-up sandwiches with bacon and avocado and all manner of other delicious "legals" nestled together in the same small space of almond or cashew toast and damned if I wasn't fired up to get all Julia Child on my food, to love up what I had, the gizzards and ends and weird parts, instead of bemoaning what I couldn't. It was Lucy who got to the heart of it: we can't have everything, but we can put crazy attention and focus and creative thinking into what we can, and, in addition to making our food taste a whole lot better, exercising that creative muscle has a wide-ranging, beneficial effect on everything we put our minds to.

It's a nice kind of a practice, in these strange economic times, to focus on what's true and before me. It's a nice kind of meditation for an artist, to work with the materials she has, and to come up with something beautiful out of it. I have seen nothing less than magic worked with no more: fairy worlds from duct tape and plastic, empires from WordPress and persistence, re-written futures from collaboration and creativity.

We never have nothing. And what we can do with it?

Now that's really something...

xxx
c

*Dear Universe: Please feel free to not deal me additional cards. Thank you! Love and xxx, Colleen.

Photo © LAist and/or Ken Roht's Orphean Circus and/or photog Jim Hickcox. God bless the Internet! Share nicely!

Change and the kitchen sink

sink02

While I learned a great deal during my 10-year* stint shilling cars and corn chips for The Man, so much so that I've finally realized I wouldn't trade the experience for anything, I've often wondered whether eight years would have done it...or five...or even three.

It was supposed to be three, after all: my initial "plan," such as it was, was to use the three years in advertising as kind of a high-level day job while I figured out what it was that I really wanted to do. Strangely, or not, three years stretched into five and then eight, when The Chief Atheist finally talked me into chucking it, an act of kindness for which I will be forever grateful.

Of course, we do things as long as we need to, even if that seems overly long by some external form of measurement such as the Loved Ones' Yardstick. While it was, I'm sure, patently obvious to almost any outsider that I overstayed my welcome in advertising (or acting, or almost every relationship pre-Surfer), it was anything but to me. Change is easy and obvious unless you're the one who has to do it.

What I've wondered over and over, both here on the blog and endlessly, in my head, is what makes it so hard. Yeah, yeah, I know: fear of the unknown. Fear of failure. Fear, period.

But there's something else that's stopped me over and over that's less about fear and more about cluelessness: the way in which I wanted to change was so big, I literally had no idea of how to go about beginning. It was easier to lie in the arms of the devil I knew than to go on a hunting expedition for the devil I wouldn't know if he walked up and stabbed a pitchfork in me. So I didn't: when I finally leapt, it was into this manufactured idea of me as screenwriter, not into the adventure of finding my real, meaningful work. I was not much into organic growth and walking the path back then.

I've been revisiting the idea of change and resistance to it recently not because I'm uncomfortable walking the path career-wise, to the contrary, I've become almost frighteningly comfortable with not knowing what the hell my destination is from a work perspective. No, these days the change roadblock is all about how to move forward with my primary relationship from a logistical standpoint. The BF and I have been discussing cohabitation, which at this juncture would mean me moving in with him, as he has the big, fat, honkin' house and I have the small (albeit delightful!) rent-controlled apartment.

House for apartment? Quiet for noise, roll-over commute for 11-mile pain in the ass, fresh air and a view for stank and the apartment building next door?  SOLD, you say!

Not so fast, I say. While I'm all for the amblin' path with my life's work, complete with dead ends, misfires and back-tracking, there are additional physical realities involved in a move, and irreversible ones at that. Should I find this particular route is out, so am I, at least, priced out of Los Angeles' still-insanely high rental market.

And why would this route be out? Putting aside my neuroses and my ferocious desire to cling to Several Rooms of One's Own, there is the not small (for me) matter of horizontal vs. vertical space, and what should reside there. For me, the answer is "as little as humanly possible" and "fill 'er up", respectively; The BF, on the other hand, sees every flat surface as available storage space, and has some strange phobia prohibiting the installation of shelving. I shit you not.

Moreover, everywhere I turn, I see Opportunities for Improvement: a better way of managing everything from food prep to reading material; he just sees his house, and, most likely, me unhappy with it. (For as gifted an actor as I could be on stage, I am hopeless at hiding my actual human emotions, especially when confronted with three years' worth of spent oatmeal tins in prime kitchen storage space. I may actually have cried a little when I saw those.)

The point is, we were talking BIG differences. A BIG difference in clutter thresholds (we are, amazingly, about even when it comes to tolerance of actual filth). A BIG difference in privacy needs. A BIG difference between what I needed to feel secure about thriving in a space and what I saw spread out before me.

Until, that is, the kitchen sink.

It is new, the kitchen sink (see above). It is white and it is shiny and it reflects light like a maniac, like a sumbitch, like that three-sided tin foil thing my mother used to stick under her Bain de Soleil-ed face back in the '70s. (I have a thing about light that's only grown worse as my eyesight has, too.) As a purchase, it was not strictly necessary, the previous, stainless-steel sink held water and soap and dishes perfectly well, albeit a little less glamorously. It lacked a spare outlet for the housing of the new water filtration system we'd agreed on to replace the ecologically and financially expensive bottled water delivery that preceded it, but as The BF pointed out, he was more than capable of drilling a hole right into the countertop to accommodate the bastard. Only I didn't want to accommodate the bastard; I wanted it properly seated in its rightful place on an actual sink, where overflow water could be caught in an actual drain, not mopped up from the counter by hand. I am a girl, and I like things nice. I also had a need to be seen and heard and accommodated in some way. To his credit, The BF saw, heard and made an outstandingly generous accommodation. (For the record, that quick, cheap home improvement project is rarely either. And cast iron sinks are heavy.)

I am still thinking about how it might work (or might not), me giving up my little place and moving into this big one, but it does not feel as big or impossible now because we did one small, okay, medium-to-medium-big thing. Which, if I examine it carefully (and you know Virgos, we examine the crap out of everything), was really one medium-to-medium-big thing following some other, smaller things: me, test-driving a shared workspace in the office and extended stays on a bed not my own. Him, respecting my 12 square feet of horizontal desktop and finding me a smallish rug so my feet didn't hit cold floor in the morning.

The small thing is the David to big, bad Change's Goliath. Or, to put it two other, equally hackneyed ways, the journey of a thousand miles really does begin with one step, and doing one thing different(ly) really can alter your entire world.

You do not, as it turns out, need everything and the kitchen sink. Sometimes, the kitchen sink itself is more than enough...

xxx
c

*A small side note: the extra couple of years as an ad ho may or may not count, since I really was using it as a "day job" at that point, dropping in for a month or two to make my nut for three or four, and lather-rinse-repeating as necessary until my new vocation, acting, required my non-stop presence here in the City of Angles. (And no, that's not a typo: you'd know it if you lived here, too.)


Referral Friday: Superhero Designs

__seaglass__-colorful-beaded-glass-and-lucite-jewelry

Referral Friday is part of an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

Many, many moons ago (thank goodness), my friend, Uma, took very, very ill.

A whole world full of people took up the cause of getting her home and getting her better, and I'm happy to say that while she still has her struggles, she's doing better than any of us, including her now-husband, whom she married to the ringing cheers of friends and family, could have dreamed of during those dark first days.

It was during those dark first days when I thought of Andrea Scher and Superhero Designs. I'd first seen Andrea on a panel at the second annual BlogHer event, way back when it was still a smallish gathering of ladies and lady-friendly folk. She talked about her business, which was making jeweled necklaces, and her family and her blog, and through it all she emanated one of the most loving, quietly joyful, wonderful vibes I've ever felt. She was funny and self-effacing, but it was more than that: Andrea is one of those vehicles through which The Good Stuff moves, and she does what she can to keep it moving and herself out of the way.

The wonderful story behind her jewelry is that everyone is a superhero, and the necklaces help channel superpowers, to wit:

They will protect you from harm
attract people to you
and create magic in your life

I have held one in my hand, this green one, called "Chlorine", and watched Uma hold it in hers, and I believe this is true. And believing, well, that's 99% of it, right?

Besides, they are gorgeous. The one Andrea wore around her own neck that summer's day reminded me of candy, only what I imagine magical candy from heaven must be like.

There are beaded pieces and now pendants, all handmade. They are perfect, joyous gifts for one's own neck or the neck of a loved one.

Hey, you love me, right? And I love joy.

Hmm....

xxx
c

Superhero Designs
Beaded and pendant jewelry with superpowers.
$99 & $49

Oh, and you can hire Andrea to take pretty pictures, too! The shots above are ©Andrea Scher, natch.