creativity

Blog! Scribble! Type! Go!

/ Get your juices going. Get the crap out of your head and onto the page/screen/sand.

To do it anytime is good. To do it often is great. To do it every day (to paraphrase Julia Cameron) is transformative.

What are you looking for?

I have gotten well, gotten happy, gotten love, gotten clarity. Writing is the reason, or one of the big ones.

Stop reading this right now. Go pick up a pen or a pencil or your keyboard and write about how reading this makes you feel, or about how it doesn't make you feel, or about anything you damn well feel like.

And prepare for your life to change.

xxx c

See more progress on: Write every day (posted spur-of-the-moment from 43 Things)

She of LITTLE patience

For someone who is awfully sanguine about big things, totaling my car, losing vast sums of Monopolyâ„¢ money in the tech stock crash, watching the business I've made my living at for 22 years crumble before my eyes, I'm remarkably unskilled at dealing with the little things. 'Little' as in my downstairs neighbor, sole proprieter of a driving school, consistently hogging prime parkage in front of our building with his fleet of raggedy-ass Corollas, especially on street-cleaning day, when he has a coveted parking spot in the garage already.

'Little' as in loud talkers on cell phones in public places, people who jump into a newly-opened register line out of turn, and anyone who is STILL sending out emails about magical marzipan babies, free money from Microsoft and $250 Needless-Markup cookie recipes without checking Snopes first. (Sweet baby jesus, sometimes I wish they would slap a 5¢ tax on every email.)

Or, literally, little: as in '1/4"', the amount (I discovered this morning) that my printer, for whom I developed an elaborate series of electronic proofs and written instructions as a safeguard against this very nonsense, was off in trimming my latest design job, a ruinous disfigurement that neither the person who picked up the postcard nor any one of the dozens of people who have seen them since have even noticed.

There are some similarities amongst the things that seem to enrage me. Solipsism is a biggie (this means you, you yellow-ribbon-festooned-SUV-driving turd-mistress taking up two spots at the mall, the curb and, o, the irony, the gas pump); it actually angers me far more than outright selfishness. Having my meticulous regard for your time and effort met with carelessness sort of makes me wish (or not) I was licensed to pack heat, too.

But it's erratic, this flaming anger. So erratic that in my rare rested, grounded moments, I actually find it hi-larious in others (ha, ha! look how pissed you are that that old lady who can barely see over the steering wheel unintentionally cut you off!). Yes, I realize this points to my own pettiness. If you would like more pointers, I can put you in touch with my writing partner, any of my three sisters, or The BF, although we might have to defer that until the honeymoon is over and he is no longer besotted by the idea of free sex whenever he wants it.

On the other hand, why should you pester them, when I have in my possession a fine, WRITTEN example of my ungodly low threshold for behavior that doesn't fit my idea of exactly what should be happening at any given moment:

Last night, too tired to do any real work, I spent some time cleaning up the hard drive on my PowerBook. In a collection bucket from my first stab at GTD* two years ago, I found this passive/aggressive, stream-of-consciousness gem, apparently written on this same P-book on a crowded, cross-country flight:

ok, if a woman were sitting in that fucking seat, there is no fucking way she'd keep typing some stupid fucking pointless email to someone she totally didn't even need to be emailing. but mr i gotta have all the fucking room in the joint, mr Ima big pig and I don't care i get everythning I'm supposed to get and some of yours too is taking ALL THE MOTHER FUCKING ARMREST and room besides. this is such an i'm sure TYPICAL aggro jesus fucking christ what is it with MEN and their motherfucking sense of entitlement.

The insane ramblings of a girl you'd really like to take home to mom, right? But wait, it gets better:

oh, this is so going into a screenplay.

Yesssss!

and it would be too hilarious, the me character getting angrier and angrier, the guy totally oblivious, writing his 10 fucking page email with 1000 word paragraphs that no one is gonna read--no FUCKING ONE, you LOSER! you big fat six-vodka-swilling loser!!! WTF???

In my defense, I must point to a certain self-awareness of my insane behavior. Additionally, I should interject at this point that approximately 95% of my family on Mom's side are either alcoholics, recovering alcoholics or married to alcoholics or recovering alcoholics, so juiceheads don't rate a whole lot of compassion from me. But back to our fascinating story, soon to be seen at a multiplex near you:

and in the movie/book/whatever, at the end he should even try to pick up on her. or no, she's irritated b/c he didn't. and she catalogues everything about him that she finds disgusting--the dry look haircut, the mock turtleneck, the fact that he TURNS OFF his laptop everytime he orders another one of his double vodkas. no, no--it has to be a book, a bridget jones type of chick lit book, this angry inner monologue that rages on. god what a turd. god how selfish. but you know, god, what an asshole SHE is for letting it get to her so much

Here's the worst of it: this is fully twelve months before I even thought about starting a blog, when the ONLY record of my thoughts was either squirreled away in a journal somewhere or nested deep within the folder trees of my various computers, and yet I know the reason I put that self-aware crap in there was to not look so bad to my public.

Oh, the shame.

Anyway, I've been grappling with what to do about this pettiness, this intolerance, this shameful, shameful aberration in my otherwise sterling character and I've decided that the only thing to do is out myself. To paraphrase the excellent Louis D. Brandeis quote I stumbled across in Freakonomics (review forthcoming), "Sunlight is a powerful motherfucking disinfectant."

So here I am, in all my ugly intolerance, petty nature admitted to all and emblazoned across the web (well, someone could pick it up) for all to see, like so much tatty underwear in the emergency room.

Fling your barbs, shovel on your scorn: I welcome the angry intervention of a thousand, nay, a hundred-hundred-thousand, souls if it means an end to the tyranny of pettiness.

By myself, I will not give an inch; with your help, maybe I can give that 1/4" that really matters.

xxx c

*GTD = Getting Things Done, a book and organizational system by demigod David Allen, which you can read all about on his website, Merlin Mann's website, or any one of a bajillion other similarly geek-worshipping websites.

TAGS: , , ,

Quotation of the Day: Share-Alike Edition

"Someone asked me recently, 'Meghann, how can you say you don't mind people reading parts of your book for free? What if someone xeroxed your book and was handing it out for free on street corners?' "I replied, 'Well, it seems to be working for Jesus.'"

, author Meghann Marco, in a conversation with Jason Kottke, on why she has no problem with Google Print indexing her book

TAGS: , , ,

Quotation of the Day: "Reason #1067 why advertising sucks" Edition

"I think my own addiction to narrow distractions while writing is a hard wire left from my days in advertising; if you aren't coming up with an idea, you check email to see what other crisis looms. I have found this a terrible and difficult habit to break." , former advertising creative director and current novelist Jeff Abbott, in the comments section of Paul Ford's 43 Folders guest post about "Amish Computing"

You win some, you lose some

Today's good news: the very talented people for whom I shot this finally locked in cast and secured financing and location, officially moving their feature from pre-production to in production.

The bad news? In true Hollywood fashion, the part I was supposed to be playing went to the location owner's girlfriend.

First disclaimer: I'm not really railing about the unfairness of it all, at least, not much. For starters, I'm told she's eminently qualified, with a bona-fide resumé to back her up. And I'm sure were the roles reversed (no pun intended), I'd have no moral qualms about taking the gig. Next, it's a small part, not the kind that makes careers or piles of money. Truthfully, I'd forgotten about the gig until my friend who called to break the good/bad news to me this afternoon, and I know he felt worse about it than I did.

At least, at first.

ActresssmallIt's been a difficult year, career-wise. Thankfully, I'll make my insurance (SAG requires its members to earn a minimum amount working union jobs over a 12-month period in order to qualify), but in a year where my expenses were much higher than usual, my bookings were much lighter and the spots that did air, paid little. I got outgraded on one, a nice euphemism for cut the hell out of the thing, and none of them are paying the Big Money that most civilians seem to think commercial actors make (and, in fact, that we used to make, at least sometimes, in richer times with less media fragmentation).

So I'm living on savings, making money kind of an issue. But the other difficult thing has been the sharp drop-off in actual acting and creating that I've been involved in. I made a conscious decision a few years back to stop pursuing theatrical (film and TV) work, as the rate of return for my efforts had become deeply unsatisfying. For other reasons, some health-related, some personal and some completely random, I've basically stopped doing theater as well. My writing partner has had to take money work that basically makes her unavailable for working on our stuff, so the musical incarnation of #1 & #2 is no further along than it was at the start of the year.

As it gets harder and harder to land fewer and fewer jobs, I've thought seriously about dropping out of acting entirely, or at least, letting go of the notion until the competition thins a bit and I can play old ladies. And it's not just because I'm in a strange no-man's-land (pun sort-of intended), category-wise. I find myself uninspired by acting classes and happy to write...or design, or cook dinner, for that matter. As the old adage goes, if you don't have to act, don't.

I'm hoping that this is just me transitioning into the next incarnation of Colleen, Front and Center. Maybe it's really about me tiring of working for other people, the latest in a long series of moves to call my own shots. After all, I'm blogging online rather than journaling privately; it's hardly like I've lost the desire to get up in front of people and do stuff. (Unlike my retirement from copywriting, when I really and truly had, in the words of my old art director, lost the will to advertise.)

The thing is, it still hurts to lose the gig, even if it never really was mine to begin with. I know it's something I'll have to make my peace with, especially if I continue to make choices that put myself out there. And no matter what losses I sustain, since getting sick it's been much easier to clock my head a few degrees to the right and to see how much I have to be grateful for.

And there's always the idea that losing this opportunity makes me available for a better, cooler one.

But still, I want the job.

Or at least the opportunity to turn it down.

xxx
c

Alive vs. living

Let me state right up front that I am not anti-television. The fact that I was cable-free for five years post-divorce had more to do with my crack-like addition to television than any moral stance against or disdain for the medium. I just assumed that if more than two and a half channels were viewable on my TV set, I'd do little else save watch it. The good news? I know myself really, really well. The bad news? I know myself really, really well. Of course, I am now justifying my increased television viewing with my newfound desire to transform #1 & #2, the stage play (with music!) that I wrote with my partner, L.A. Jan, into a television series, a desire born out of a dream to tell our truth to the widest possible audience with the greatest possible efficiency. (When you're perpetually zonked by chronic illness, you quickly attune yourself to the fine art of maximizing efficiency.)

Given that dream, logic would dictate that, in addition to re-familiarizing myself with the medium as a consumer, I'd also be angling to learn the business from the inside out: i.e., getting a staff job on an existing television show. Any television show.

Only I'm not. And neither is Jan. And if we were on the fence about it before, which maybe I was, since, let's face it, TV is a really well-paying gig and I really understand the freedom that money provides, all it took was one day in the Quaalude of a sitcom spec-writing class we're taking to convince me that writing on someone else's show is not something I can pursue with the laser-like focus one needs to in order to obtain such a cush gig.

Again, please understand: I am no TV snob. I both love my TV, free, basic and premium, and I fully recognize and honor the very real skills required to write for a pre-existing show. I can even understand how it might be fun...sometimes. After all, in addition to fat residual checks, you're surrounded by smart, funny people all day and usually, there's really good lunch. It's a lot like advertising used to be back in the 1980's, only you're writing the stuff in between the commercials instead of the commercials themselves.

But it's just not me; I was in advertising (which I fell into and then fell asleep in) and that wasn't me, either. Writing copy and shooting commercials, even great copy and terrific commercials, felt like a simulacrum of the life I was supposed to lead, like being alive, versus really living.

If I fell into it, if I was plucked from amongst millions, if the smoked glass window of the limo rolled down and a long, well-manicured finger pointed at me me me to be lifted from obscurity to the high-profile, well-heeled life of a sitcom writer, well, hell, yeah, I'd do it. For a while, anyway. I may be crazy, but I'm not nuts.

But as for what I'll hurl myself into? What I'll go out on a limb for, contort myself for, put away childish things for? I'm afraid that for me, I'm looking at the big, nasty enchilada: my Truth. And it's all, in this case, the creation of my own work, saleable or not, or nothing. You're in or you're out. Live free or die.

Because that soporific sitcom spec-writing class? It now follows hard on the heels of a pilot-writing class, the most kick-ass, off-the-charts-caffeinated class it's been my pleasure to take for a long, long time. Same teacher, same room, totally different vibe. We're a ragtag crew, this small mess of us with dreams of disseminating our dreams, but we are plugged into the juice and we will not take "no" for an answer. And man, oh, man, is that ever exciting to be around.

Will we all make it? Doubtful. Will any of us make it? Hard to say. The odds are certainly against us; each of us, I'm sure, has had no end of helpful advisors telling us that our time would be better spent traversing the traditional routes. But that's not for us: the few...the proud...the insane. Keep your overhead low and your sights sky-high.

I may never again know what it's like to stay in a great hotel or sign a mortgage stub or even order off a menu with impunity. I may be forever relegated to a boho lifestyle of purloined treats consumed off the premises with fellow losers.

But it's okay. Because I've been alive and done those things.

And believe me, living is better...

xxx c

On the other side of fear, there's a small ink drawing

ink sketch of phoneA year, no, probably closer to two years ago, I was at The Art Store (no, seriously, it's called "The Art Store") buying sumpin' or other, when I saw the sign on the locked glass case: "Koh-i-noor, 50% off." Now, if art stores (like computer stores and office supply stores) are to me as hardware stores are to most guys and jewelry stores are to most girls, the Rapidograph case is like where they keep the specialty-use Mikita saws or the anything if you're at Tiffany & Co. I could buy one of everything at the art store (or The Art Store) whether I needed one or not, but Rapidographs...well, shit, son, you need y'self at least five of those. For your different liiiine widths and whatnot...

To my credit, I did not slap down the Visa then and there; I actually left the store and thought about it for a week. (After making sure the sale would still be on, of course.) Then I came back, paid the man, and trotted off with my shiny new box of SEVEN, count 'em, SEVEN Rapidographs like the panting dog that I am. Upon reaching home, I immediately propped them up on a shelf to admire them in their pretty new case...and never touched them again.

Until yesterday, that is. I did under duress what I would not let myself do out of mere desire. Because while discussing a particular design job I'm working on right now, I threw out an idea that required drawing. By me. Now. (Idiot...idiot...)

For someone who grew up with a pen in her hand, I'm not a very good draw-er. I guess the problem was that I was using it to write at least as much as to draw. Because for every time I'd long to be Hilary Knight, I'd want just as fervently, or more so, to be Kay Thompson. R. Crumb, Edward Gorey, Aubrey Beardsley; Dorothy Parker, Charles Bukowski, Joan Didion. So many twisted, miserable lifestyles; so little time.

Ultimately, I decided I was a better writer than I was an artist. And since I couldn't be a great artist, I would go with my strong suit and let the drawing go entirely.

It's a shame, this idea I've held so long: that we can only do One Thing. That creativity can't express itself through multiple, if imperfect, outlets. That I must be truly great at something to earn the right to spend time working, or even playing, at it. I've probably missed out on a lot over the years because of it. But lately I've been finding that I enjoy dabbling, a little cooking, a little sewing, a little guitar-pickin', a little blogging. I'm finally loosening my iron grip on perfectionism as a way of life, and wouldn't you know, life's getting to be more fun. Messier, scarier, and even dirtier (all this fun leaves little time for scrubbing grout with a toothbrush), but a lot more fun.

So I must pause, briefly, to thank those brave, multitalented souls who came before me for putting themselves out there, for exploring their truths via their eclectic, complex selves, so fearlessly and inspiringly. Evelyn Rodriguez, a.k.a. The Zen Mistress of Business, who is a constant reminder that binary thinking is not not nearly as activating (not too mention fun) as a crazy cocktail of influences. Hugh MacLeod, who's crackerjack marketing-smart AND a draw-er of some of the funniest, filthiest cartoons ever AND doesn't see a disconnect with being both. My new bud, Michael Nobbs, who introduced me to peops like Trevor Romain and Danny Gregory, all of whom made it possible for me to believe that great art and great writing weren't mutually exclusive, that they could reside happily within the same sentient being, that one might actually inform and enrich the other.

You guys make it a little less scary to post this picture. And the idea of picking up a sketchbook at The Art Store positively thrilling.

xxx c

How to Make a Happy Accident

screencap of the evidence room theater's webiste I remember how I learned of the word "serendipity", a very sexy upperclassman who introduced me to many carnal pleasures, including the famed NYC shop's frozen hot chocolate, but when called upon to provide a definition, I've always drawn a blank. So imagine my surprise when, as I'm looking it up for the, 20th, 30th, 100th?, time,  a mnemonic catchphrase (serendipitously) pops into my head: the happy accident.

Though I've used the phrase for years, I'm pretty sure the connection was the result of a literal (happy) accident I had last week that netted me $200. I say "netted" because the dings on my fender were so minor in comparison to the ones the bumper already sported (what can I say? people like my rear end), there's no way I'd ever pay to have them buffed out. Which I told Ari, the kindly and honest Escalade driver who hit me; he insisted I take the $200 anyway.

Now, $200 is no small potatoes for me. I could probably think of ten or fifteen ways that money could be put to excellent use off the top of my head. In fact, I did: bills; groceries; 1/4 of rent; long-overdue cut and color (my sole New Year's resolution is to find a reasonably priced, kick-ass salon on the EAST side).

The funny thing was, nothing I came up with felt right. I enjoy serendipity but I actually place a lot of stock in vibes: when I've listened to them, I've generally done right by myself; when I hear the voice and do it anyway, I generally find myself up the creek without a paddle. As chance (or serendipity) would have it, I'm reading Trust Your Vibes: Secret Tools for Six-Sensory Living, a great book by Chicago-based intuitive Sonia Choquette right now, so I not only got a little reinforcement for going with the inner flow, I actually had concrete instructions:

I believe that the more you practice getting quiet, the quicker you'll sense your vibes. It doesn't matter what approach you use as long as you get quiet. Choose what suits your temperament: My mind becomes quiet when I fold laundry, organize my office, or go to the gym; Patrick paints and gardens; my mom sews; my dad putters on gadgets; my brother Stefan washes his car; one of my neighbors loves to work in the yard, while another walks his dog. All are valid ways to connect with your spirit.

I know she's right, right? I also know that patience and trust are huge parts of the equation, and neither is my strong suit. However, 43 years of living and ten years of copywriting have taught me that the answer rarely comes when you're yelling at it to hurry the hell up, so I let it go and went about my business.

Sure enough, in pretty much the first moment I'd really forgotten about the money, the perfect solution popped into my head: give it to Jen.

You see, about a month ago, I fell in love. In my obsessive quest to find out more about my new love, I stumbled upon an intriguing tidbit that bore remarking upon, so I did. The writer was apparently intrigued enough in turn to check out my site, where she found an entry discussing a particular piece of graphic design she had also admired, along with my 757th apology for the hideous graphic state of the Evidence Room website.

And so she emailed me, offering her services. To code the whole damned thing. For free.

Understand, please, that I started the redesign on that site over two years ago. I knew how butt-ugly it was; so did the rest of the company, who were politely but insistently pushing me to fix the problem NOW, or they'd fix it for me. We'd been burned so many times on the coding end that I was hours away from giving in and letting another designer do his own redesign of the site just to get the damned thing fixed.

But then came the magical, mystical email from Jen, someone I'd never met, someone I didn't know from a hole in the ground, and I paused. "Let it go," I told myself; "Let it go for the night," and I went off to see a play. And when I came home, there was an email in my inbox with a link: Jen had built an entire test site from the Photoshop sketches I'd sent her earlier that day. I didn't just find a web person; I found the web person, someone whose generosity and work ethic were so firmly entwined with her taste and abilities that she was going to do this amazing job for free.

Only she wasn't, of course: she was now going to do it for $200.

It's funny how an amount that seemed so great all of a sudden seemed so small. It's all about a shift in focus: when I relax and let go, a half-empty glass becomes half-full; a so-called tragedy becomes a gift of epic proportions.

You can't chase the happy accident. But if you give yourself time and room and lots of love, you might just find yourself having them a lot more often.

It is my Christmas wish for everyone I meet.

After all, I already got my Christmas present.

xxx c

ADDENDUM: My new buddy and coding goddess, Jen, blogged about the incident from her perspective. Made me all hot in the face and tight in the chest, so it must be good. Thanks, Jen.

Why I Wish I Was Ella Fitzgerald

At some point during the show last night I was perched on the bar, talking to my friend, Nick (he was bartending and the bar is at ass-height when you're on stilts) when the conversation turned to guitar playing. He's just picked it up and I started earlier this year and he's into the same cowboy kind of stuff as I am, only even more so: he's a Hank kind of purist and I'm more of a Lyle/Lucinda/alt-country fan. (In fact, I'm listening to the remastered Waiting for Columbus right this second, which I purchased at extraordinary savings through the super-cool YourMusic.com, every single-disc CD is $5.99; doppios are only $11.98, which, of course, is $5.99...x 2!!) But I digress. As usual.

You see, Nick's enthusiasm for playing got me all fired up again about playing. It also made me realize it wasn't so long ago that I was playing every day, wasting all my time on pop-up-ridden tabs sites, teaching myself new strums and chords and songs; today, when I picked up Lucia (she's from São Paulo, via a theater dumpster and a couple of generous friends) for the first time in god-knows-how long, I realized that, urp!, my hard-won callouses were gone! I was playing with virgin pads! What the hell happened?!?

Well...the show, for one. And my show, #1 & #2, for two. And this blog, of course. Oh, and a bunch of design work I couldn't say "no" to. And, and and and.

I've come to the conclusion that I always digress. Digression, or parenthetical leanings, or split focus, or whatever you want to serve it up as, has always been my bête noire. Or maybe overabundant appetite is really my bête noire and digression is my modus operandi. All I know is, there's something a little bit wrong with a chick who is cheating herself on much-needed sleep and letting the clock tick away on a friend's (Christmas!!!) design project deadline and taking up valuable gee-tar playin' time because she just has to find the key combo for the circumflex-ê glyph (option-i e on a Mac) to write a blog entry about how she no longer has the time for, you guessed it, guitar playing.

I have a sneaking suspicion that a part of my problem is a lingering addiction to perfectionism. I've let some things go (come eat off my baba ghanoush-encrusted, hair-strewn kitchen floor tonight if you don't believe me) but clearly, not enough. I mean, the bed is unmade right now and I've been out of it for a few hours, but its state of dishevelment is bothering me. (I was talking to my Scary-Movie Companion and  fellow-sufferer in Virgo Never-Enoughness, Dorie, about the whole perfectionism issue after the show last night. Two healthy bourbons each and we still didn't make a dent in the problem. So more on that in another post.)

But the other problem is I have been cursed with just enough ability and/or interest in a number of things to make them equally rewarding and cumulatively disastrous. I doubt Ella Fitzgerald had this problem. Not that she wasn't a rip-snortin' chess player or a killer in the kitchen, but come on, those gifts knew their place; they couldn't hold a candle to the pipes. So Ella didn't stay awake nights wondering how she was going to finish the patter song for her one-woman show when she really wanted to blog her feelings about the shift in the way businesses are marketing to their customers, or whether she should market herself as an artist who does PowerPoint or a former copywriter who does graphics for artists, or even how she was going to see four shows in the two free days she had left to see them. Or maybe she did, but somehow I doubt it: I've gotta believe that a super-talent on the scale of Ella Fitzgerald's voice or Vincent VanGogh's painting or Eleanora Duse's acting demands its due, period. Maybe there's room for stamp collecting or swing dancing or some other hobby, but it knows its place.

I'm not saying life as Ella or Vincent or Eleanora was all sunshine and roses; biographies on plenty of great talents show that genius and happiness, while not necessarily mutually exclusive, do not ordinarily go hand in hand.

I'm just saying there are over-booked days when I wish I could (just) act/write/sing/design the hell out of one goddam thing, and leave it at that.

And now, back to Lucia. Or the Christmas project. Or...

xxx c

My creative process, defined (by Cy Coleman)

The music world sustained a huge loss with the death of Cy Coleman last week. He wrote some world-class jazzy pop tunes (Witchcraft, The Best Is Yet To Come) and collaborated on a number of hit musicals (Sweet Charity, City Of Angels, Barnum, On The Twentieth Century), winning a slew of Tony awards in the process. A couple of things interest me about Coleman. The first is his apparent comfort level with collaboration. For practical reasons as well as icky, glory-hogging ones, I've always wished I was one of those artists who could go it alone, but the truth is that my best work has come out of working with others. Having created those hits with someone else (a variety of partners in his case) didn't make him any less-so; it just made the work even more so.

I'm also intrigued by what seems to have been his unassuming, charming nature. It's not something I grew up expecting to find in a great talent, although as I've met more of them, I've come to realize that the Difficult Genius stance is as much of a cop-out as Tortured Genius or Starving Artist. In his capacity as journalist, my multi-talented friend, Rob Kendt (one of many great friends who pitched in on my play, #1 & #2), interviewed Coleman last year. In a recent blog entry devoted to Coleman, he recaps highlights of that interview, coming up with a few great quotes, the first of which is about the importance of looking forward, or at least, not looking back:

I asked him whether he'd been approached about doing a major Broadway revue of his hits, and he said he wasn't very interested: "A lot of these things happen because the composer goes after it. I'm just one of those people who don't want to go back and look at all that; it's over. I just keep moving and looking forward; it's my nature. People ask, 'What's your favorite song?' I say, 'The one I'm writing.' They get very disgusted with me."

There's also one of those neat artists-helping-artists stories where La Fitzgerald takes on the role of wise elder further along on the path:

"I played Bop City opposite Ella Fitzgerald and Illinois Jacquet. Ella said nice things to me; she was a very sweet woman. I had to follow Illinois and her doing 'Flying Home'; I didn't even have a drum, I had guitars in my trio. And she said, 'Cy, calm down. You're never going to play louder than me and Illinois doing "Flying Home," so why don't you just cool it, do your thing? They'll come to you eventually.' It was sweet advice, the best advice I could have possibly gotten at that time."

And finally, a terrific quote on the mystic chaos that is the creative process:

"People ask, 'When you see a beautiful sunset, do you go home write some wonderful thing?' I say, 'No, I'm more like Beethoven: opus 1, 2, 3, and 4.' But that's not true exactly; I'm affected by things, but it has to come into my blender and then it comes out.

"For example, in The Life, the duet at the end between the two girls, that's a killer. I was in Scotland looking at the fog and the ducks flying and a melody came to me. Now, it's a very raw, R&B kind of score, but I decided to use that melody; it had a very rural feeling. There was a purity there."

Funky Scottish ducks. You gotta love it...

xxx c

To do: #1. Make list

Wherefore, this compulsion to make lists?

I wish I could say it was purely motivated by my lifelong, Virgo-esque pursuit of efficiency, but that thesis was shattered when I found that I derived exactly as much joy in composing a "have done" list as I did a "to do" list.

It's got something to do with order, alright (pun intended); the more chaotic and random life seems, the greater my desire to exert some measure of control. Here are the steps I'm going to take to ensure that: (a) I buy my house before I'm too old to tend the garden I want surrounding it; (b) my cupboards don't have three more jars of duplicate condiments moldering away in them; (c) I have clean underwear next week.

But clearly, the truth goes deeper than that. Because at some point, I can no longer resist the urge to tell the world, or the person next to me, or hell, myself, for that matter, that these are: (1) the best cover songs ever written, (2) my favorite 20 movies, (3) the blogs I think are worth visiting.

And what, or who, is left off: (i.) the best- or worst-dressed lists; (ii) the bazillion incarnations of red or blue lists; (iii) the most-viewed TV shows of last night lists; is as telling as who, or what, makes it on.

For me, lists are a way of getting at the truth, albeit in code. I have an intention to buy a house, therefore I make a list. I have fascination with cover songs, movies and the Internet, so I make a list. I don't have enough time (or courage) to write essays declaring my love, so I make lists.

Of course, I'm not alone in rockin' the list. Lists must be inherently fascinating to most humans or they wouldn't have such a presence on late-night talk shows, Apple's fascistic music delivery system and people's personal websites.

Which reminds me...

To do:

  1. make list of lists I want to make
  2. code lists with links
  3. upload to blog

xxx
c