50for50

Recovery

I vastly underestimated my ability to do something "impossible." And I vastly overestimated my ability to recover from it.

* * * * *

It is curious, the formless form recovery takes.

When I was recovering from my Crohn's onset nine years ago, there was a constant tension between wanting to leap forward, back into life, and needing to fall backward into bed. Maybe this is how our crazy will to live manifests itself: as soon as we're assured that we're not actually dying, we're programmed to grab for the next branch to pull ourselves up with. Only it's not the logical branch—that one right there, just a few inches above us, with a groove that looks uncannily like a handle; it's that one over there on that other tree—at the tippy-top, a mere vine's-swing away. And so—well, there's a lot of falling and flailing.

What I want right now, for example, is to EAT THE WORLD—to "Mary Poppins" my way back to order and sanity, to launch the 147 new ideas that have floated into my head since this 50-for-50 madness began, and to experience the hell out of everything I've had to put on hold. I want to wrassle my Excel spreadsheets to the ground and merge them with MailChimp and fulfill all those perks, already. I want to write that first book I've been putting off for five years. I want to bake a freezer-full of SCD-legal bread, walk a labyrinth, drive cross-country, spend an hour on the phone with each of my friends, and digitize my tapes. I want to read the 25 books piled up in my to-read stack and buy 50 more (and still check out a couple every time I visit the library). I want to go paperless, speak Spanish, walk a mile a day, learn calligraphy, buy a sofa, move, adopt a dog, fall in love, host a dinner party, spend a month in Australia, plant a garden, and empty all my inboxes.

What my body wants, on the other hand, is to sit in a tub of extra-salty water with the lights out, a glass each of seltzer and bourbon beside me, and some soothing BBC porn streaming from my laptop a few feet away. (While I slowly, carefully shave my head.) (For the third time in two weeks.)

Two steps up, four steps sideways, and a backwards dip into the bath. It's quite a pas-de-deux I'm having with myself.

* * * * *

For me, one of the most insidious but helpful indicators of overload is the desire to acquire.

It can manifest as the desire for tangible goods, like books or gadgets or art, but just as often these days, it shows up as digital items—electronic file folders overflowing with stories to read later, eCourses I have no time to complete. I have showed Brooks Palmer my considerable and embarrassing hoard of paper and CDs, but I lacked the fortitude to share the rickety hard drives filled with busted fonts, crufty Quark files, and PDF manifestos.

And let us not speak of the overworked, underutilized Someday/Maybe list.

I have now read enough books about clutter and watched enough episodes of Hoarders to know that this itch to take things on speaks to some lack that these items can never, ever fulfill. When I am sane and well-rested, I have the discipline to resist all stores but the one that sells groceries, and to visit that one only when well-fed, and with list in hand. When I have rested my body I can exercise it, and when I've exercised it, I can make it sit still and write. When I have allowed myself to really feel all the things I am actually feeling—which I hate to do, because it almost always involves crying—I find a calm afterward that allows me to do or even just be, that transforms me from Ms. Pac-Man nom-nom-ing my way through random ones and zeroes to an actual human being who can listen to herself and others with something resembling compassion, who stands an honest-to-God chance of really being useful.

* * * * *

When things get really crazy, the only thing to do is get super-normal. I go back to the small, simple-not-easy things that ground me in reality, then let me inch across that ground. I make my bed. I wash the dishes. When enough days have passed where the dishes have been washed, I clean the sink. I buy groceries and cook meals from them instead of eating takeout. I walk, I work out to an exercise video, I hold Horse Stance for five minutes. I lapse. I write my morning pages. I recover. I lapse again (which I guess would be a relapse). I meet with my master mind group; they tell me to do what I know I must, the simple-not-easy things.

Fall off. Get back on. Fall off. Get back on.

* * * * *

I had an idea that recovery would take two weeks, and so I dutifully blocked them off on my calendar. It turns out that blocking things off does not a restful time make—you actually have to rest, too. But there is always something else to be done that looks more interesting, and, more to the point, that seems more productive.

As always, the first step to changing a behavior is realizing you have it; the next is noticing when, then why it's happening. You get to—or really, you have to keep living your life as you change. Recovery, a.k.a. living, is messy and non-linear. But much like life itself, it beats the alternative.

xxx c

Wanna make some art, lazy-man style AND help clear out your house at the same time? Check out my friend Leah Peterson's Group Painting project and contribute some earthly detritus. I'm releasing last year's three Nikki McClure calendars. Yay, art!

Image by Graeme Newcomb via Flickr, used under a Creative Commons license.

Unattached

Of all the questions I'm asked about the 50-for-50 Project, the one that comes up most frequently is definitely "Why the hair?"

Sometimes it comes up in the context of context—i.e., What the hell does shaving your head have to do with raising money for WriteGirl?—which I can understand. More on that in a bit, although since we've officially begun bean-spilling time, I may as well confess that the desire to shave (or at least, the desire to see what the hell was under all that hair) pre-dated the desire to do anything remotely selfless by a good eight years. I mean, what woman hasn't sweated through a grow-out summer or written that check for single-process color AGAIN or, hey, seen another bald chick and wondered to herself what it would be like?

But far more frequently, Why the hair? might be loosely translated as What are you, crazy? So few choose baldness (and let's face it, even the "bald by choice" crowd is more accurately described as "balder by choice") that opting out of hair is seen as extreme. Why would you do voluntarily what sick people are dragged into kicking and screaming? (And I'm speaking of our friends in chemo, not casting aspersions on military recruits, religious orders, or even right-wing extremists. Although, well, you know.)

* * * * *

The party line for "Why the hair?" vis-à-vis a fundraiser for Girl Empowerment came from my friend Daniel Will-Harris, another writer/performer/marketing hybrid-freak like me. Figures, right?

I was still casting about for a way to quickly sum up a logical "why" when I threw out the problem to him in an email exchange we had way back in mid-July, just two weeks shy of Launch Day. What he wrote back was so logical, so obvious, that if I'd had time to do it between the eleventy-seven constant items on my to-do list, I'd have kicked myself.

Because it's about what's inside a girl's head, not what's outside.

Duh. I mean, DUH.

Delighted, I tucked away this nugget in my filthy miner's pockets to satisfy curiosity in the metaphorical saloons of tomorrow, and did not think much more about the email—except, of course, to credit Daniel whenever I used the line, because I'm not an ass—until I pulled it up to check the date on it for this piece. And as I scanned it for the money phrase, I finally saw an equally important line below it:

How many men can you recognize just by their haircuts?

Sure there are thejoke haircuts. And, ironically, the very serious "Kojak."But really, how many?

Whereas I'll bet that with absolutely no help from Google Image Search, you could come up with five or ten examples of women identifiable by haircut on the spot. Hell, I think Jennifer Aniston and Madonna might be responsible for five or ten iconic styles between them. Every day on Pinterest, I find yet another worshipful gallery of wish-list hair styled created by yet another woman. And so we're clear on this, I'm not immune.

The more you think about it, the worse it gets: How many hours do we spend on our hair? And how many dollars? Even worse, how much emotion do we have tied up in it? How often do we judge—ourselves, our friends, complete strangers—on something as evanescent and arbitrary as hair? This person is [old/hip/stylish/frumpy]. To be [pitied/admired/envied].

Just how attached are we to our hair? Or, by extension (you'll pardon the pun), to any of our other external markers?

Like most things I write on my blog, when I say "we," I'm most definitely saying "me." When she did my chart, my first-shrink-slash-astrologer warned me that with Venus in Leo, my obsession with my hair wasn't going to end anytime soon. "You'll always need to be happy with your hair," she said.

Which is why I thought of her when I woke up last Wednesday morning and really looked at myself in the mirror for the first time. Could I be happy with my hair, I wondered, if my hair was no-hair?

Because unless I had completely lost my head along with the stuff on top of it, I was actually digging my no-hair, and was thinking of not-keeping it.

* * * * *

Trust me when I say that I have thought through the angles on this baby. I know that my no-hair could easily become as much of a "thing" as my hair ever was, if not more. Already, it's my new toy: I have endless fun in the store, trying on this or that, seeing what works with the not-hair.1 While I have no hair, I have no less vanity. Indeed, I may have more: I actually like how I look! And I am not at all embarrassed that I like it!

So (a), it's clear that I have not exactly evolved to a higher plane and, (b) it's bizarre as hell, but there it is. Me, bald equals me, pretty. Go figger.

But it's not all vanity. I've jokingly referred to the effect the shave has had on me as a "reverse Samson", and I wasn't kidding—I feel almost shockingly more powerful than I did pre-shave. Part of all this feeling good is doubtless a residual effect of accomplishment: raising more than $50,000 is a not-insubstantial achievement, and overcoming my fear of doing something I considered impossible is arguably a bigger one. (It's the lesson I hope anyone looking through all this for one will find, anyway.)

The thing is, I am not sure what the thing is just yet. There's so much to unpack about this experience that it could take me some time. More time than nature allows: hair grows fast. In a week, I've already gone from razor-smooth to sandpaper to velcro to enjoyable fuzz. Seriously—I'd be the hit of the rave these days, if they still had raves, and if I could be talked into going to one. My friend The Other Colleen, who was also bald for a time, warns me of weeks to come that will be filled with people wanting to rub my head like it was a Buddha belly or an especially soft cat.

For now, then—until I can figure this out, and until I can get some mileage from my surprisingly feminine new wardrobe—I'm sticking with not-hair. And when I find I have some answers, or perhaps that I've become a wee bit overly attached to turning heads (albeit for reasons of freakiness), or I'm through The Change, or I'm assured that it will grow in the luxurious shade of silver I'm longing for, then I'll probably grow it out again.

Maybe. Possibly.

Unless, of course, I don't.

xxx c

Photo by the amazing Josh Ross. Full gallery of his "photobooth" shots of the head-shaving is here. There's also a terrific series of "event" photos by the equally amazing Barry Schwartz. 

1Slim, clingy, simple, and dark, for starters; "patterned," "structured," and "outré," my former go-to looks, now make me look like a tiny lesbian court jester. Not that there's anything wrong with that!

Start with the end in mind

http://www.youtube.com/watch?v=Bcj0rnmIiz4& This post is #50 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Roughly 18 months ago, I began thinking of how I wanted to mark my 50th birthday.

The easiest part was eliminating what I did not want: a fancy trip, a lavish party, and above all, presents and cards and stuff stuff stuff. Aside from a few mission-critical hardware upgrades, and possibly a new traveling suit, I'm loathe to acquire much in the way of stuff.

So I started thinking of what I wanted to feel like on my birthday. This was far less complicated, although it was still easier to talk about how I did not want to feel: empty. Wistful. Lonely. Small. Powerless. Afraid. Sad.

And then, a few months later and entirely by accident, a thought was planted in my head: SELFISH. I realized that more than anything else, I did not want to feel selfish—not on that day, not on my birthday, not ever again. On the other hand, my previous forays into volunteering had been "enh" at best, disastrous at worst. Let's just say that my blessings, while considerable, did not include a dominant follow-through gene.

So I decided that I would use what I did have to do what I could do, and then some. I could write. I could employ all of my old marketing and design and advertising tricks in the service of good. I could test the sturdiness of this (ugh) "platform" I've built over seven years of life on the Internet by seeing if it could hold up under the weight of a ginormous (double-ugh) "ask." Yeah, theoretically I'd been building it to promote something of my own I could sell in the vague-but-foreseeable future—a book, a service, a something—but what the hell? Based on my previous track record and actuarial projections for a chronically ill middle-aged woman living in toxic Los Angeles, I could easily die before that happened.

Besides, as The Youngster used to tell me, "Don't save 'happy'."

The pieces fell into place almost magically after that. When I decided that the tangible thing I'd do was to raise money for some cause already out there doing good in the world, the number $50,000 floated into my head. It felt insane—until I spoke it aloud to my friends Jason and Jodi Womack who said, "It's not insane, and we'll help you make it happen." And said it with such conviction and such love that for the first time, I believed it might actually be possible. When I anguished over which of several worthy nonprofits to do this in support of, my friend Bonnie, whom I had introduced to WriteGirl, and who had subsequently become a mentor to an actual WriteGirl (she has a much better follow-through gene), reminded me of the "no-duh" choice.

Ideas for perks floated into my head, and friends ass-kicked me (nicely!) into making the terrifying-to-me requests for help. Jill Murphy materialized out of nowhere, while I was, as she put it, freezing my butt off under a strategically-placed vent in the PDX airport; equally out of the blue, my friends Jennifer and John Lehr graciously offered their home—their home, where they live—for the party.

I cannot begin to list all of the people who helped right now without running the risk of omitting some, but when has that ever stopped me? My friends Lisa and Heather shot and edited a fan-fucking-tastic video. Gabriel built a website. Overnight. My friend Jean and her partners Greg and Philip at Smile donated 50 copies of TextExpander. Jim Coudal sent me so many Field Notes, I had to stop seven times on the walk home from my mailbox, the carton was so heavy.

Friends stepped up, more and more of them, with alacrity and remarkable cheer, to offer help as I explained this Big, Scary Thing that I needed to do. Dyana and Donna. My friend Julie and her sister Gillian. A dozen people offered to do supporting projects: Mike Monteiro and Erika Hall and the whole Mule Design team, who indulged me with a special run of my favorite t-shirts, and then threw in half the proceeds from an entirely different set of t-shirts, to boot. Danielle LaPorte, who did a special "telejam" for her people, working together to raise a staggering $3295. Bee and Geoff hung themselves out there and created work to be auctioned off. Tim made art you can still bid onClaire and Mary & Dave sold their art. Pace and Kyeli raised over a thousand bucks and sang a filthy song with me. (Which O-Lan mixed, even though she was not supposed to be working. Because she is awesome.)

Ten designers created desktop wallpapers, 50-count-'em-50 lady writers contributed beautiful interviews, and a partridge in a motherfucking tree, stick a fork in me 'cause I'm DONE.

As promised, there will be a series of more thoughtful, detailed, and specific follow-ups on what I learned doing this Big Scary Thing, so that hopefully, you can use some of it to go do your own Big Scary (and, I hope, totally different) Thing. But for now, let me leave you with this: that thing you think you can't do, because it's impossible?

Maybe it isn't.

xxx c

P.S. Forgive me for making you do this, but there is some really big, fat, juicy effin' news toward the middle of the above video. I know, I know—you hate watching videos (unlike that other guy, over there). But trust me, it's more fun to hear or see it than read it. I know, because I about fainted when I was told, before I started screaming like a teen girl at JFK in 1964. So for you, a cheat: hit play, then advance it to 1:20. You won't be sorry. And THANK YOU.

Fulfillment

a whole bunch of very special Field Notes books This post is #49 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

At some point, you must release into the world the work you have labored over privately.

It will have smudges and smears and imperfections. It will not be all of what you had hoped for in some places. It will be more than you ever dreamed of in others.

But as you let it go—as you ship it, in the parlance of the day—you will feel one very specific, very glorious thing:

Fulfilled.

xxx c

Never forget

I am finally old enough to start understanding certain things that I used to think I understood. The line about those not knowing history being doomed to repeat it, for example. I've made too many of the same mistakes more than once because of my failure to process them properly. That's not much to offer by way of wisdom. As to comfort, I have even less.

So I simply wish that the people for whom this day is especially difficult find some small bit of peace. I will continue trying to make myself worthy of the sacrifices others have made on my behalf by leaving things better than I found them, by showing gratitude for each bit of each day, and by remembering with an eye toward not repeating the past.

Peace on Earth, good will to all.

xxx c

50-for-50: Frequently asked questions

[youtube https://www.youtube.com/watch?v=-IQZhGoLqBs] This post is #47 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Eventually, when this is behind me, I'll write up a more organized list of FAQs. But the video above and the list below take care of some of the things I've been getting asked a lot now that are sort of time-sensitive.

1. Party invitations

If you have given money for a party invite and have not received one from us (they're coming from Pingg.com), contact me IMMEDIATELY: colleen AT communicatrix DOT com. I will forward your email to Jill Murphy, who's taken over party stuff so my head doesn't explode before we can get the hair off of it. But yes, all the invites have gone out.

2. Perk fulfillment & thank-yous

We—or rather, I—will be fulfilling perks after the close of the campaign. Probably at least a week after, because I seriously need a week to just recover. Since I'm doing it myself, it may take a while, but you will get your stuff, digital or physical.

As to thank-yous, I didn't promise I'd do this, but I want to. Again, it will take a while. Please be patient! I can only do so much, and I have taken two months off of work to do the campaign, so I have to work, too. Because boy, Anthem Blue Cross gave me the OPPOSITE of a birthday present. Okay. 'Nuff said on that one.

3. How I did what I did

I've started getting a number of requests for information on how I organized, ran, prepped, etc. the campaign. I will be sharing everything I learned over the next couple of months. Maureen Anderson interviewed me (and separately, Keren Taylor, director of WriteGirl) for The Career Clinic radio show; I'm going to do an interview for IndieGoGo's newsletter and a Q&A via Skype with Don Stanley for his Social Media class at University of Wisconsin-Madison, which hopefully, they'll post for other people to see.

I will also be writing things up myself, so please subscribe to the blog and subscribe to the newsletter to make sure you get those. You can unsubscribe whenever you want—I encourage it, in fact. But if you email me asking for the info, you'll just get a reply to look for the info here. It will become recursive and annoying, and neither of us wants that to happen.

Again, please be patient. I'm pretty overwhelmed now, and I cannot help but think I will be more so once it sinks in that I am a 50-year-old lady with no hair.

4. T-shirt fulfillment

The "Old." shirts are printed all at once, then shipped out by the printer. You should receive your "Old." shirt sometime in October, if you ordered one. (And no, you can't order one now—orders have been closed.)

5. Yes, I'm donating the hair

To these people. They seem nice, and they are definitely NOT blowing their money on web design, which makes us simpatico.

6. When is the last day to contribute?

September 13, 2011. After that, you're welcome to donate money to WriteGirl, and I hope you will. But to say you're a part of this crazy little project we're all working on together OFFICIALLY, kick in here by Tuesday. Early. Because I may or may not have set the campaign to run out before 11:59pm Pacific.

Okay! That's all I got for now.

Catch you on the flip-flop!

xxx c

Frrrrriday Rrrrroundup! #68: 50-for-50 edition

desktop wallpaper designed by spencer cross This post is #46 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

The Reverend Molly, who found her way to 50-for-50 via Sugar, shared this absolutely beautiful (and also, very interesting and helpful) piece on what it's like to live outside the cultural norm—in her case, sans hair.

Not only was Sugar stunningly generous in devoting her entire weekly column to 50-for-50, she specifically articulated what was so meaningful about this whole project for all of us in a way none of us, myself included, have been able to.

A beautiful (what else?) story from interviewee Leah Reich about her experiences growing up in a small Colorado town, and what it means to have someone believe in you.

A gorgeous tribute by interviewee, client, and good friend Judy Herrman about why we undertake bits of certifiable insanity like 50-for-50. And living.

This piece mistakenly says I've already shaved, but let's not hold this against them. Because an awesome plug is an awesome plug, and hey, Donna Barger did do a bang-up job with the Photoshopping!

Finally, I love the support from the gentlemens, too.

Image inside the frame by Spencer Cross, awesome designer, dog-owner, human being, and founder of kernspiracy designers' group. You can get it in a luxurious, desktop-sized image of inspiration with a $15 contribution to the 50-for-50 project on IndieGoGo, through September 13, 2011.

And on the 50th day, they partied

http://www.youtube.com/watch?v=fsvNxTJlI9E This post is #45 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Yes, you have to work hard.

But occasionally, you have to stop working to rest. Or relax. Or, occasionally, to celebrate.

And by "you", as The Youngster used to say, I mean "me."

I'm still working—hahaha—on all of these things: learning to rest, relax, and (occasionally), to celebrate. Last night, for example, I sort of relaxed while my good friend and even better sport Heather Parlato painstakingly coconut-oiled my scalp, so my soon-to-be-barren dome wouldn't look all scabby and gross after the shaving. We caught up on gossip during and I had a rosé-wine spritzer after, so I'm counting it in the "fun" column.

I hope you are putting things in your own, personal "fun" column. I hope that occasionally, your "fun" column runneth over onto the other side of the page. Fun (or even "fun") is a necessary component of human existence—even the existence of steadfast and earnest, workaholic writers.

Or so they tell me.

xxx c

P.S.  As per the looooong video above, I would love it if you decided to come have some fun with me on my birthday, this Tuesday, September 13. Owing to my nervous-Nellie conservatism about too many people at my host's house and plain old bad math, I initially released far fewer tickets than I probably should have. This has been corrected. Please buy one! I have to spend all this money on the food and drink anyway; a few more heads will make the party more fun, and still be wildly cost-efficient. Yay, efficiency!

The lost days of summer

http://www.youtube.com/watch?v=Uo5mIyLVb20 This post is #44 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Between the hacking, the ungodly heat (with humidity, which is downright baffling out here in the desert), and overwhelm born of dreams you barely dared to dream actually coming true, I lost a day. Or two. Or something.

At least, I lost the outward-facing part of them. Because sometimes, the things you make to put out in the world aren't ready to live there just yet. (Especially when it's 450 degrees in your apartment and your brain has been simmering in its own juices for three days.)

It is my longstanding policy to write about things only when they are useful, and experiences only when I have enough of a handle on them to be at least somewhat illuminating. I have a year-or-so's worth of fumbling, stumbling garbage posts which, I think, prove the wisdom and prudence of adhering to such a policy.

So I "lost" a day. To you. But this day is not really lost. In addition to being, like any day, part of the rich fabric that makes blah blah blah, I also learned a Very Important Lesson about myself which should make things better/stronger/faster moving forward, and which (of course, duh!) I will share just as soon as it's been properly assimilated.

In the meantime, a word about someone else.

I met Michael Bungay Stanier at the World Domination Summit this year. I'd been a fan for a long time—he's a really smart, really funny fellow who shares terrific resources for busting through creative blocks—but I fell for him hard in Portland. Because in addition to being really smart and really funny, he's really, really true-blue. This is something you can maybe fake online, but that you cannot ever fake in person.

Michael is taking a brief break from doing all of his awesome business-type stuff to promote a very special cause: ending malaria. To be precise, he's edited a book full of terrific essays from a variety of other smart, big-hearted people (and written a bang-up one himself), the proceeds of which go to buying mosquito nets to help fight malaria. You've heard of this simple fix before, no doubt; what's kind of sad-making is that this simple fix has not been widely-enough deployed to actually fix malaria. But we soldier on, right?

$20 of each sale goes to the cause. That's the FULL PRICE of the Kindle version, and all but four or so bucks of the print edition. I've read a dozen of the essays so far, and can vouch for the quality. No fluff, no tossed-off nonsense.

And yes, I paid for my copy. Or, as I like to think of it, I bought a mosquito net to protect the girl who might turn out to be the woman who writes an epic poem that makes some warrior decide to lay down his sword, or the woman who finds a cure for malaria, or maybe the woman who becomes the mother of the guy who finds a cure for malaria. (Hey—it could happen. There are some smart guys, too.)

I know that between giving for this and giving for that (not to mention the heat of what's supposed to be fall), we're all burnt crispy. But this is a book that you're buying to help you, too. It's a book full of actual, helpful, actionable tips and tools you can use to start changing your life in ways that will help you to make the world a more awesome place. So if you don't want to buy the kid a mosquito net, buy your selfish self a book. It's all good. They'll take care of the mosquito net anyway.

xxx c

Visit the End Malaria Day website

Hacked!

[youtube=http://www.youtube.com/watch?v=ijirOr2ad1s&w=475&h=297] This post is #43 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Apparently the Evil Salesmen of Illegally Obtainable Wood-Making Pharmaceuticals (and you know who you are) will stop at nothing to shill their effing crap.

Yes, even subverting the process of helping high school girls become strong, productive members of society. (As opposed to, oh, say, Sleazy and Morally Bankrupt Salesmen of Illegally Obtainable Wood-Making Pharmaceuticals. AHEM.)

We spent the better part of Monday—Labor Day, ironically!—trying to put Humpty together again. We've decided our efforts are better-placed posting interviews, prepping the big head-shaving extravaganza, and, most importantly, raising as much money as possible for WriteGirl by Tuesday, September 13.

So, heyóif you want to stick it to those Godless and Child-Hating Salesmen of Illegally Obtainable Wood-Making Pharmaceuticals, how about doing one of the following:

  • Donate! (always a good choice, especially if you haven't yet)
  • Tell someone! That person sitting next to you, maybe, or some friends on Facebook, or that cute guy in line at the coffee shop. (Hey—could be a win/win!)
  • Alert the media! Not about this stupid website hacking—about our 50-for-50 Project, where we are banding together in a massive uprising of communal effort to CHANGE THE WORLD for the better. Because hey, a bunch of regular people raising $50,000 in 40 days—yes, that's 10 days ahead of schedule—to make the world a better place is the kind of good news we could all stand to hear more of.
I hope to be back to our regularly scheduled hoopla soon.
xxx c

Ritual

[youtube=http://www.youtube.com/watch?v=3DaAJcNnF9Q&w=475&h=297] This post is #42 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Every morning, I get up and make myself a cup of weak tea. On the days where will wins out, I make the bed and dress myself while the kettle boils; on days where it doesn't, I anxiously check my email for Letters In The Night, new missives there to cheer, rile, entertain or tweak me.

Afterwards, with breakfast, I have a cup of coffee. Strong, but espresso, so in my head, it's okay with my gut. (It's not, but that's a story for another day.)

Then I brush my teeth and take my meds while the kettle boils again. I drink the second weak cup (with honey, when the will loses out) while I sit at my analog desk, read my morning's motivational stuff, and write a few pages longhand, Julia-Cameron-style.

* * *

We passed $50,000 yesterday evening, September 3, 2011, at 8:10pm Pacific Daylight Time. It's a thing I knew would happen, though I had no idea of how. And of course, the answer is complex, like most things: a mix of work and many hands making that work lighter, and a sprinkling of fairy dust, I suspect. I will, at some point when this is all behind us, debrief myself, analyze it, and share what I've learned, as well as what "process" I had, so that we may all benefit.

For now though, this: we have reached $50,000. We may congratulate ourselves on that. But we are not done.

* * *

This morning, that glorious Southern dollop of inspiration Patti Digh came up with a brilliant idea: what if we could each forgo our Starbucks runs this week and toss that money into the kitty?

I'm all over that one, with one problem: I'm already so cheap, I make all my caffeinated beverages at home. So I've come up with an alternate sacrifice, a different change in routine, which I hope my fellow cheapskates can use to join in the fun:

For the balance of the campaign, I will forgo my morning email check to do some writing, to take some action, that will benefit WriteGirl.

I will, in other words, suck it the fuck up and try to be the change I want to see in the world. Because as much as I want to see each and every person out there who lands in my inbox, my first job as a writer is to take care of the writer. And write.

And yeah, I'll be hustling for dollars, too. BIG dollars. Bigger than I dared dream aloud until now. But more on that in time.

For now, enjoy that last Starbucks, and the rest of the Labor Day weekend. And then let's DO THIS THING.

xxx c

aka "Baldy"

There is no "over", only "done"

[youtube=http://www.youtube.com/watch?v=AUviehKRNjY&w=475&h=297] This post is #41 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

We were a hair's breadth from reaching the $50,000 mark when I said, okay, I typed into Facebook, that I hoped I'd be able to get the above video posted to the web before this whole thing was over.

Whereupon my wise, slightly-elder friend and font of inspiration Patti Digh said, okay, typed back into Facebook:

It's never over, sugar; it just ends.

(She's from the South, see; she can get away with that "sugar" stuff.)

And she's right, and about more than crazy birthday fundraising schemes: you don't stop writing because you're done with your book; you start writing a new book.

We're now past the $50,000 mark. So much happened in a few hours, I'm fairly overwhelmed. It's a good thing I didn't wait until now to make today's video, and not just because there's no light left.

Know this: I am grateful for every step of this journey so far. I am grateful to every single person who gave, passed along word, promoted, lent a sweaty hand, and cheered.

And this part has ended. But it ain't over. Not by a long shot.

xxx c

Frrrrriday Rrrrroundup! #67: 50-for-50 edition

[youtube=http://www.youtube.com/watch?v=Sp1uuZUaTfY&w=475&h=297] This post is #40 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

My delightful friend (and 50-for-50 interviewee) Maureen Anderson sent out another flare about our little to-do. Bless her heart, as they say south of the Mason-Dixon! And look for another sure-to-be-groovy radio interview yakfest featuring us, very soon!

Wherein we make the relaunch of the Roving Robin Report. Which we still cannot say three times fast.

What if you got a typewriter but didn't know what to write?

Danielle LaPorte, amazing supporter of women and girls and dreams that she is, pulls out all the stops in support of 50-for-50 and WriteGirl. GET IN ON THIS CALL. I did!

50-for-50 gets a sweet plug just above a sweet cake in my friend Beth Goldfarb's excellent newsletter.

A wonderful essay about the importance of writing over the course of a lifetime.

Another lovely post about WriteGirl's model and 50-for-50 from a mother and biology teacher.

Anna Rascout-Paz takes the baton from Naomi Dunford speaking out against terrorizing women and for empowering girls.

My friend Kate takes some time out of her new-mom schedule to plug 50-for-50.

Patti Digh does a good round-up. She generously included the 50-for-50 interview with Amy McCracken in this one. (Then again, what an interview!)

Building on the "you cannot focus on two things at once" advice put forth by David Robinson in his conversation with colleague Patti Digh.

Yet another wonderful, big-hearted artist has been inspired by WriteGirl to give to the 50-for-50 Project. For every piece of art you buy through the morning of 9/13/11, Jill Lena Ford will donate half the money to 50-for-50 for WriteGirl.

Big love from the GeekMom, who not only gives 50-for-50 a shoutout, but yours truly thanks for creating a non-boring campaign. Aw...the pleasure was mine!

More nerd-mom love for WriteGirl from CecilyK in the MomCrunch column at Babble.

Lisa Baldwin comes with a great idea: pool resources to buy a writing community WriteGirl poem.

Did you post about 50-for-50 and did I miss it? I would not be surprised, the days pass by in a hazy blur of frenzied activity, internet-related and otherwise. Please do let me know! I would love to highlight it here!

When numbers are enough

[youtube=http://www.youtube.com/watch?v=MJF2kaittOU&w=475&h=297] This post is #39 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

$45,390 (so far).

796 funders (so far).

Can't count the tweets, Facebook posts, Google+s. Really can't count the private emails, phone calls, and one-on-one conversations.

Sometimes, not often, but sometimes, numbers speak as loud as words ever could. And when that time comes, like now, writers need to know when to shut up and be grateful. For numbers.

xxx c

 

Starting

[youtube=http://www.youtube.com/watch?v=NUdWR1lOvPA&w=475&h=297] [A video that has exactly ZERO to do with this post!]

This post is #38 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Forget the long hours, the unbelievable amount of writing, and the constant low-level anxiety about not raising what I'd set out to raise: the hardest thing about this whole campaign by far was sitting down to write the defining, outward-facing piece.

I've been turning various pieces of this idea around in my head for well over a year, more like a year and a half. I'd drafted rough copy, made lists, secured help with various pieces of the production and (my usual least-favorite thing) asked for favors in the form of goods and services for the perks. I'd even shot a video, with the help of good friends. And still, writing and then hitting "publish" on that IndieGoGo site was the killer.

I'm not sure why this should surprise me. I go through the same thing when the long shadows provided by time finally disappear and I can no longer put off the actual writing of that column, that article, that presentation. And delivery, whether it's a "send" or a step up to the mic in real time, never gets easier. Not even as I get more adept at the writing. The bar just moves up a notch.

It will never, ever be perfect, whatever it is. It will never even be as good as I want it to be, most likely.

But one thing is even more certain than that: if I don't start, it won't be. And that is no longer acceptable.

And so I start. Again.

xxx c

 

The missing step in writing

[youtube=http://www.youtube.com/watch?v=_V0luOs1aYk&w=475&h=297] [A video that has exactly ZERO to do with this post!]

This post is #37 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

My struggles with that mythical circus balancing act known as the Brothers Work-Life are legendary and ongoing. And experts agree that in my case, the smart money is generally on Work.

Still, I make inroads. At a recent meetup of my master mind group, I was praised not just for taking the time out of this nonstop fundraiser-fest to do some exercise, but for exhibiting the knowledge that doing so was a significant achievement. Because while the first step to lasting change is noting where you are, and close behind it is setting an intention, then moving towards it, one frequently overlooked step is acknowledgment.

Or, they are also steps which stand there, unmoving.

There are two ways this has to do with writing. First, please remember that this delicious brain of yours that hooks the words together cannot keep doing its work without rest, without play, without a little care and feeding of its housing.

Second, at some point in your work, pause. Not just to rest the brain and the body that are working so hard for you, but to complete a cycle of work. This practice is baked into my favorite values-centered goal-setting system, Your Best Year Yet, the very first step to setting next year's goals is reviewing the previous year's accomplishments. And disappointments, but whatever. Other systems use a variation of this forward/backward technique, and I finally get why:

Completing cycles of work equals better work.

Live and learn.

xxx c

Sisters are doin' it for themselves

[youtube=http://www.youtube.com/watch?v=Odyd-jrlCCA&w=475&h=297] This post is #36 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Not to dismiss the efforts of my writerly gentlemen friends, but yes, I think it's important to especially promote the writing of women and girls, as well as the tools and practices that get them writing. Anyone who has been a girl who is in class with boys (or, sadly, a woman who is in meetings with men) has at some point experienced the horrible feeling of turning invisible. The more girls (and, subsequently, women) learn to trust in the truth of their own voice and perspective, the more they feel the strength make themselves heard, not fucked with or over.

And so, WriteGirl. And so, Rock Camp for Girls, WriteGirls more musical sister.

And so, The World-Changing Writing Workshop, which is open to men, certainly, but was created by two very special freaky and awesome ladies for the benefit of people who might not feel the courage to be heard without the right encouragement. As I've mentioned earlier, all of my proceeds will go towards 50-for-50 for the rest of the campaign, and half of Pace & Kyeli's, through today. (You can also get a pretty sweet deal on it through today. Just sayin'.)

We grow up believing in what we see, and we see what the people who came just before us created. I'm sorry to have created so many distressing images for girls and women via my participation in the advertising-industrial complex, and am working hard now to empower this next generation to grow up smarter and stronger than I by creating a better environment for them to soak in. I agree that the Internet has opened up vast opportunities for women and girls; yes, there are still wretched, unhappy creeps who single out women for attack, but we will not be silenced. We will write and we will talk and we will fight. We will not stand down, we will create and share and spread the tales of adventures and derring-do to nourish the next generation.

And you can take that shit to the bank.

xxx c

Why most writing stinks

[youtube=http://www.youtube.com/watch?v=EGQLTZFhF9s&w=475&h=297] [A video that has exactly ZERO to do with this post!]

This post is #35 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

I've been thinking about this video conversation between Patti Digh and David Robinson since I watched it last week.

It's short and worth a watch, but in case you're more of a reader than a watcher (like I am), the takeaway is this: you cannot do two things at one time. Specifically, you cannot make anything good while you are simultaneously, not to mention paradoxically, worrying about what people will think of what you are making.

David, you see, comes from a theater background, and as such has spent many years watching actors try to do just that. Because if there's one thing an actor cares more about than the choice he's making on stage at a given moment, it's what you think of him while he's making it. And if there's one thing anyone who knows anything about good acting will tell you, it is impossible to be fully in the scene, to do your goddamned job as an actor, when you are doing anything besides being fully in the scene, worrying included.

I never really "got" this as an actor, which is why most of the time, I wasn't very good as an actor. My success in commercials is easily attributable to my extensive background in TV advertising; I'd been "acting" the commercials I wrote for art directors, bosses and clients for 10 years before I made dime one really acting in them. TV, film, and theater were problematic, though, because no matter how hard I worked at the acting part, you could always smell the want coming off me.

Writing is no different. There are many rat-bastard writers whose work you love to read because they are good writers, writing their truth.

There are also some very nice writers who love their audiences: Patti Digh herself is one of them. But she will happily tell you to eat sh*t and die (my words!) if you don't like what she's written. She is unwavering in the courage of her convictions, which is as it should be: they're not really values unless you're really willing to hold onto them.

For the love of all that's holy, and your writing had better be included in that, hew to your path. Screw the "like" buttons and pandering and other tedious bandwidth-wasting circle-jerkery. Whether you're writing about marketing or macramé or your love of the baby Jesus, stand for what you stand for. The opinions of others have exactly zero to do with your truth. Will this make you less publishable? Less-retweetable? Possibly.

Or not. There is something about single-minded focus linked to passion that is quite compelling. Watch who you watch and learn.

xxx c

Writing by hand

[youtube=http://www.youtube.com/watch?v=ivq2aGJDxiM&w=475&h=297] This post is #34 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

You don't need to convince people who use "journal" as a verb of the value of writing things down longhand. (Although some, you must convince of the the value of editing before taking things public.)

The Keyboard People can push back, though. "I can think faster than I can write longhand," they say, or "I can't read my own writing."

Both of these things are true for me, and yet I have filled two cubic feet with chicken-scratchings on paper anyway. Because despite what I carelessly tossed off many years ago, the point of writing a journal by hand is to write a journal by hand. Period. That your journals provide a "map of you" is a kind of bonus-extra, a by-product of the true point, which is spend time quietly with yourself, being exactly where you're at.

What can I say? You live, and hopefully, you learn. But in case it's still not clear, I suggest you spend more time walking, and less time looking at your maps.

xxx c

 

 

Frrrrriday Rrrrroundup! #66: 50-for-50 edition

This post is #33 in a series of 50 dedicated to the art and life of writing, in support of the 50 for 50 Project to benefit WriteGirl. If you like it, or if you think it could have been improved by a better writing education for its author, please give generously. And pass it on.

Marion Agnew posted this absolutely gorgeous piece about the need to turn art outwards, and how the 50-for-50 Project fits into that scheme. Of all of the posts written so far, probably the piece that best expresses why I was moved to go for it with 50-for-50.

I love it when the Industry people join in on the action. Amanda, a former agency type who hails from the East Coast but has settled in with us crazies out here, gives a lovely plug for 50-for-50.

If you have not yet beheld the six-handed awesomeness of 3x3x365, Thursday's post, which includes a loving token from Amy McCracken, is a really good reason to start. (But please, do NOT miss Wednesday's pig brains.)

Nissa Sompels, a pipsqueak of not even 30 years, contributes to 50-for-50, then muses on what birthdays might best be used for.

In other news, we made the Friday Chicken! And as an example of the very best kind of good stuff!

Did you post about 50-for-50 and did I miss it? I would not be surprised, the days pass by in a hazy blur of frenzied activity, internet-related and otherwise. Please do let me know! I would love to highlight it here!