Clearing my (psychic) clutter, Day 2: Out of the closet

half-empty475

This is Day 2 of a 21-Day Saluteâ„¢ devoted to addressing the physical (and attendant intangible) clutter in my life. To read the entire series in reverse chronological order, click here. To read about this 21-Day Saluteâ„¢ thing, click here.

A very wise fellow you'll be hearing a lot more about over the course of this little Saluteâ„¢ gave me a great piece of advice for reframing my clothes closet quandary: if you were in a store today and came across this item, would you purchase it?

Bam. Straight to the heart of the matter, that goes, barreling through the familiar and venerable barriers of "...but I'll wear it someday" and "...but it's still perfectly good" and "...but I paid so much for it."

Or maybe it neatly sidesteps them, which is really the point of reframing. You don't exactly win by arguing with the Great and Powerful Oz; you can, however, really shift things around by sending old Toto around back to draw open the curtain for the big reveal. How you like them apples, Naked Emperor?

If there are two types of people, those for whom dressing is a burden and those for whom it is an everlasting delight, I fall firmly in the latter camp. I'm a performer and a rag-picker and a seer-of-potential: few things ring my bell like unearthing an expertly home-sewn, fitted denim duster with frog closures and passimenterie (for 12 bucks American!) that I can throw over a crisp white shirt and, well, anything but jeans, and look fan-fucking-tabulous with hand-sewn bells on. Except maybe my Kelly green, wide-wale dandy suitcoat (purchased new at a sample sale). Or any one of the six vintage leather jackets I seem to attract like other lucky folk do Kojak parking (mint & <$40 is to vintage leather jackets as pull-in at the door of the gig is to Kojak parking).

The problem, like anything else in this great world made up both of intangibles that really matter (love and ideas) and stuff that really doesn't (food and clothes are nice, but you get my drift) is in what constitutes enough. Or, as the alcoholic answered when asked, "How much did you drink?", all of it. If some great old stuff from a thrift store is good, more must be better. Plus, it's not like I'm breaking the bank, here: it's $5.99 for this shirt; if it doesn't quite work, I'll dump it back into the stream.

Which is great, we love renting and recycling, but even if you are the holiest of holies and put that sucka right back in the giveaway pile (and I have), there is still the little issue of time cost. What opportunities have I lost by spending this time dealing with a $5.99 shirt that may or may not work with those pants and that scarf, but that absolutely has just required a non-returnable measure of my attention.

Mea culpa. Mea maxima culpa.

Clutter has a weird gravitational pull to it. It pulls us to it and pulls itself to walls and floors and then the very piles it is made of. I've addressed my clutter time and time again, and it is only on this last go-'round that I feel like perhaps, perhaps, a corner has been turned.

Here is the one thing I can say with absolute certitude about things and my attachment to them: for as painful as the letting go can be (and boy, can it ever), the release that I feel just after, the opening in my heart that opening in my closet creates, is as close to the sitting-in-the-hand-of-God-0r-whomever that was the brief, temporary gift of my epiphany.

What one thing will I let go of today? What one thing will you?

xxx
c


Clearing my (psychic) clutter: a 21-Day Salute™

beardday_rgdaniel It is all very well and good to go on mad tears through your household, weeding out that which is no longer useful and beautiful, and passing it along to its next stop on the train, a person, a holding bin for persons unknown (a.k.a. Goodwill, Out of the Closet, the consignment shop, etc), the recycling station or the city dump. For anyone. I've not met a single person who doesn't feel new winds blow in where old stuff leaves.

For a sector of us, though, it truly awesome in the non-new-millenial sense of the word: huge, inspiring and, the part the hipsters and lazyfolk tend to blip over when bandying the term about over everything from naked ladies to a McFlurry, not a little terrifying. (Although both of those things can be kind of terrifying, if you're paying attention.) Because serious weeding or decluttering or whatever-you-call-it means addressing some pretty deep attachment issues for pack rats and clingers and other absolutely human folk whose response to a great and scary (or awesome) world is to stuff the cracks and fill the holes with stuff.

I get this. I do. While an almost irrational fear of vermin stops me just shy of hoarding, I feel a strong attachment to the stuff I imagine will anchor me in time and space. Or, as my alcoholic mother was wont to say when she'd show up to my place of work looking for money (to pay the rent, not buy booze, although in retrospect, I'm sure I was contributing to the Franzia fund, as well) and see her fancy-schmancy ad gal daughter with the corner office literally down at heel, sporting a 12-year-old shirt I'd bought new for five bucks, "You do like hanging onto things." And this was a lady who in her richer days had an entire room devoted to crap which we literally called "The Junk Room."

But this project of physical de-cluttering has had an interesting, not exactly intended tangential effect: noticing the less tangible clutter that clings to me just as tenaciously as the rest of it. Some of it is emotional (jealousy, or, as it was expressed to me recently, "lack of sympathetic joy"), some of it is digital (four Macs plus 6 hard drives, I'm looking at you) and some of it is mental.

Okay, all of it is mental.

This particular "salute" is about acknowledging the intellectual roots of my clutterphilia, and hopefully, addressing them in a way that will be helpful to you as well as to me. I have no particular expectations of curing myself in three weeks (although I live in hope!); as I say in the intro and new footnote to the main 21-Day Salutesâ„¢ page, these little exercises are meant to focus my attention on something, which in turn serves to kickstart a new program of...whatever. Looking on the sunny side. Cultivating gratitude. Or even more mundane, cleaning-type stuff like scraping a layer of filth off my apartment or tackling the hive of old photos and memorabilia that fills me with dread rather than love.

Fall, with its crisp weather (hallelujah!) and its new school year shininess is as good a time as any to start a project like this. And I'm hoping that shaking a few more things loose will make this year's sabbatical in the PacNW even more fruitful. It's all about laying groundwork, baby. Plus, I'm moving. There! I said it out loud. And while I've let a lot go, I've miles to go before I sleep in another place, unless a gigantic windfall blows in and I can suddenly afford two homes.

I don't want two homes, though. I don't want two of anything anymore, except original equipment like eyeballs and kidneys. (And boobies. Let's not forget, we're smack in the middle of breast cancer awareness month.)

One small thing I am going to add, rather than subtract, and that I would like your help with: treats!

They can be time-based or physical, but I would like to tie them, the additions, to the subtractions, in a way that's mathematically responsible (i.e., a sound ratio) and that honors these actions. So, for example, for every four bags of clothes or goods I haul off somewhere, I allow myself one coveted, precious object to remind me of this step forward. Or for every boxful of books, I allow myself an hour to browse for one new one. You get the drift.

I'm welcoming ideas now, to help me keep my enthusiasm up and my eyes on the prize, as it were. And I will likely ask for help on individual entries, as well. Because I have good ideas, sure, but lots of them are still buried under mountains of crap.

Let's get to it then: away with files and clothes, ideas and notions, bric and brac. With a little luck, enlightenment and fine ideas (and a few truly delightful doodads) will breeze in to take their place.

After all, nature abhors a vacuum. Of course, that phrase was coined pre-Dyson. But still...

xxx c

Image © rgdaniel via Flickr.

Scary monsters!

scarymonsters_denise_carbonell

This past weekend, as I noted in my monthly roundup, I performed at the lovely Jane Edith Wilson's Lit.Up!, a monthly event where writers and actors craft short, mostly humorous pieces (if this past one was any indication) and then perform them in front of a very lovely crowd to raise money for various charities.

For this month's theme, "Scary Monsters," I decided to write a story about a very scary experience I had here at The BF's house. Careful readers (or listeners) will note that there is a marked reduction in my use of the "F" word. The theater-esque space is part of Jane's "super-crunchy" do-gooder church, so while we were not banned from using a judiciously placed curse word, we were, in the words of one of the older church ladies, asked to refrain from making it "wall-to-wall 'motherfucker'."

How could you refeuse an invitation to perform at such an event? (P.S. The wall-to-wall-motherfucker lady approved of my little piece, below.)

The audio should play by clicking the big arrow in the embedded Flash player. If it doesn't, click here to listen on the podcast page.

For those of you who prefer to read your scary stories, or who want to compare how something "reads" to how I read it, which might be interesting or instructive, the text is pasted below.

I'd love your feedback, whether you read or listen!

xxx
c

THE STORY, AUDIO-STYLE:

THE STORY:

From the time I was 6 or 7, when I first learned about druuugs, I've had nightmares about being spirited away against my will.

The one I had all through childhood was set in Chicago, right across from the apartment I grew up in. Only this is a dream, so it's an abandoned, post-apocalyptic, Chicago-from-hell, with more Mies van der Rohe buildings.

In this dream I'm walking alone, trying to get somewhere safe, when out of nowhere two shadowy figures sidle up to me, one on my right and one on my left. Before I can scream, they stick me with a hypodermic needle to knock me out, but not before I realize, "Oh, my god! They're sticking me with a hypodermic needle full of druuugs and are going to kidnap me and do god knows what" (dot dot dot)...

In this other version of the dream, I'm walking in another urban landscape, some street in the San Fernando Valley, only again, with no people (just like a suburban street in the Valley).

I walk kind of fast in my dreams, just like I do in real life because I have these really, really short legs, so I'm gaining on the only other pedestrian, this 1950s-era hipster dude, plaid fedora, narrow pants, dusty green suit coat, who smells just a little like bum.

I know he's not a bum, but I also know something's off. In the dream I think, "I should cross the street," but I'm afraid that'll be too obvious because we're the only two people. Plus he's African-American, and I don't want him to think I'm crossing because he's black, because I'm not, I'm just someone who's 5'2" with really, really short legs and no ability to defend myself.

And just I'm passing him and thinking, “Oh, it's all in my head,” he swoops me up in his arms and heaves me sideways, like I'm a stack of human firewood, and starts crossing the street toward an old Impala I somehow know is right there, just out of my vision, the way you do in dreams. And as I open my mouth to scream, he wedges his arm in there to muffle me and all I can taste is wool and fear and this certainty that god-knows-what is going to happen to me (dot dot dot).

That's the thing that always scares me the most: the "god knows what" (dot dot dot). Because you never know what they want from you, these scary monsters that jump you in stairways or stalk you in parking garages or troll the streets of quiet neighborhoods at night, looking for houses with the most cash and the least security.

The BF, whom I call that both because he is my b.f. and those are his initials, lives in one of those houses. It's a beautiful, rambling old place in a quiet, undisclosed location, by day.

By night, at least when I'm alone there, it turns into a creaky, gothic house of horrors straight out of a Stephen King novel. Which I learned for myself, by myself, the first time I slept there all alone.

The BF had gone out of town, on business or to visit his kids, so I did the logical thing and offered up his place to my ladies for our semi-regular get-together. It may be a little creepy, but it has a bitchin' deck that's perfect for drinking cheap wine from Trader Joe's while solving world problems. Plus, who ever hosts doesn't have to drive, which allows for more drinking of cheap wine.
When your ladies leave though, and it occurs to you that you're going to be alone in this beautiful, rambling old house with its creaky-ass floors and overly ample egress, well, by then it's too late. You're too full of cheap Cabernet to drive yourself home to your safe, snug, 1-bedroom rental with your nosy, across-the-courtyard neighbor who has the police on speed-dial, so you lock things up and go to bed. Naked. Because you are me, and I am stupid.

I have no idea what time it was when I awoke, suddenly and with my heart pounding, both because I don't sleep with my glasses on and because the clock is on the other side of the bed, which I can't roll over to because the reason I have awoken is there is someone in the hall just outside the bedroom, standing there, staring at me quietly.

I can't make out her face exactly, except to see that it's narrow and pale, and framed by long straight hair, parted down the middle. I lift my head slowly, carefully, almost imperceptibly (I hope) to get a better look. A woman in loose-fitting clothing, one hand lightly touching the wall, is watching me, dead still, like a hippie Modigliani.

And then, though I can barely hear it over the pounding of the blood in my head, I faintly make out whispering further off down the hall. She jerks her head away as I drop mine back on the pillow.

First? This is not a dream. In a dream, when things get scary, you wake yourself up, which BELIEVE ME, I tried to do here. Repeatedly.

So…this is bad. This is really bad. I'm lying in bed, still slightly buzzed, with no phone in arms' reach. Plus I'm naked, because I'm stupid, and my robe is at the foot of the bed. If I sit up to get it, she'll see me move and call to whoever is down the hall. If I reach for anything, she'll see me and maybe call to whoever is down the hall.

I'm totally, utterly fucked.

I decide to at least try for my glasses so I can assess the situation. I lift my head slowly, slowly. As the hall comes into my field of vision, she's there again, staring back at me. They must have made her the lookout. She leans in a little closer, maybe seeing me move, and, omigod omigod omigod, our eyes lock. We're staring right at each other. You could hear a pin drop, only not if you're me because now the blood is pounding so hard in my head I can hear nothing but my imminent death, galloping down the road to meet me.

So I did the thing I could think of: I went to sleep.

Now, I didn't actually go to sleep; what I actually did was lie back down and play possum. Let her fucking watch me. Let them steal everything in the whole fucking house that's not nailed down. I heard something go "thud" toward the front of the house, fine. Let it. Let them set the house on fire and leave me. I would not move until they were gone.

Only I guess all the worry and stress and whatnot finally wore me out because the next thing I knew, I was waking up and it was light out. I lay there for a minute, getting my bearings. I was alive; that was good. Still naked. Okay. The house was standing. It even looked like there was still stuff in it.

I put on my glasses and sat up to reach for my robe and as I did, I saw her again, in the hall! Only it wasn't her; it was me, my own stupid reflection in my own stupid mirror that I had stupidly leaned up against a wall in the hallway the day before. I leaned in; "she" leaned in. I leaned back, she leaned back. I don't know what the hell all the creaks and the thuds were. The usual old house groans and moans, I guess.

Since then, I've done a few things. The first is a lot of thinking. I'm pretty sure the dreams represent a fear of change in general and the unknown, in particular, but it's definitely me, afraid (especially after the sun goes down) of things over which I have no control. I'm working on it with my shrink, and with luck, I might vanquish some of these fears before the lights actually do get turned out on me for good.

But the other things I did? Were moving that damned mirror and getting a dog that sleeps in the room with me. Scary monsters may be imaginary, but it doesn't mean you don't fight them with everything that's real.

Image by denise carbonell via Flickr, used under a Creative Commons license.

Referral Friday: Jen & Charlie's Work Party

Referral Friday is an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

workspace_mathonan

Getting organized is hard. So is hewing to the right stuff and letting go of stuff-stuff. I know; I'm doing it, for the eleventy-billionth time.

And while I've read a lot of helpful books and blogs and even plain, old-fashioned articles on Actual Paper, the most effective kickstart I've had (outside of the crumbling of some relationship, which is always so delightfully galvanizing for me) has been the good, old-fashioned purging I did at a good, old-fashioned Work Party.

You did who in the what now?

Jen Hoffman has a little business called the Inspired Home Office, where she helps people create and maintain the spaces they need to get done what they need to. Charlie Gilkey is a self-described "systems guy" who helps people wrap their brains around what's getting in the way (literally and from a process standpoint) of them getting their Real Work done. You can see how this might work, but really, you have to experience it. Because honestly, I had my suspicions going into it that two and a half hours on a conference call was going to be weird at best and ungodly annoying at worst.

What happened in that two and a half (!!!) hours was a gentle moving towards clear, if that makes sense. We did a little talking, explaining where we were stuck and what we hoped to get out of the experience. They did a lot of listening, and a little reframing*. And then we played little games with our stuff. Right there and then, we did brief exercises that actually helped excavate our desks and floors and what-have-you from the piles of crapola that they'd been buried in, poor dears.

Because it was gentle and slow and fun, it was not scary and hateful and resistance-provoking. It's just a game, so you play! Only at the end of the game, you haven't just had fun, you've cleared your shit out and are all fired up about commencin' to work on their Real Purpose.

And in case you forget, that Real Purpose thing? That's why we're here at The Big Party, period...

xxx
c

Details for Jen & Charlie's Work Party:

  • Date: Monday, October 26, 2009
  • Time: ET: 2pm-4:30pm / CT: 1pm-3:30pm / MT: 12pm-2:30pm / PT: 11pm-1:30pm
  • Available space: Limited to 12 people
  • Last day to sign up: Wednesday, October 21, 2009
  • The price: $57

Photo by Mat Honan via Flickr, used under a Creative Commons license. Pretty inspirational note on that photo at the Flickr page, worth a look!

*That's what most good coaches and consultants are, by the way, good reframers, who get you to see things differently and in a way that helps you move yourself toward action. Freebie, on the house. I love you, too.

Poetry Thursday: Shit that don't fit

greenpartylaughing_ItzaFineDay

The two-wheeled
stationary
coat rack
that mocks your hatred
of exercise

The hideous lamp
you snatched
off the side of the road
whose torn shade
matches nothing,
including the base
that supports it

The heirloom
dining-room table
that seats sixteen
(with the leaves)
but far more efficiently serves
to remind you
of using rooms for the reasons
dead people say
you should

The 14 days
of MP3s
not played

The yard-high stack
of "information"
you have no need of

The books you bought
because the time you wanted
to read them
was not for sale

Throw them out
Give them away
Send them back
Pass them on

Because life is too short
and far too precious
to waste on too-tight pants
and too-small ideas
and all the rest
of that shit that don't fit.

Let go of the stuff
and ideas
will shyly float in
to replace it

We are made
for thoughts
and poems
and love
and the space
to enjoy them

How sad
we can't see that
for want of a way
through the clutter.

xxx
c

Image by via Flickr, used under a Creative Commons license.

Ready to set yourself free?

podcampaz_azchrislee

I've talked about books I wished existed when I was starting on my journey to this or that aspect of self-actualization, but I have not talked about the class I wished existed.

This is it.

Pam Slim's Escape from Cubicle Nation tour stops are the start-your-engines workshop you want if you are:

  • doing work you hate and can't see your way out of
  • recently laid off from a job and have no "plan B" but know you ultimately don't want to keep working for The Man
  • germinating some kind of idea but unclear about how to move forward with it

I know; I sat in on one in Chicago this July. It's an extraordinary day of support, discovery, encouragement and actual, bona-fide tools to help you get your shit together and get to work turning dreams into action. Pam, whose writing I have long adored, is even better in person. She's a presenter's presenter, fun and funny, charming and smart, and one of those people you're instantly comfortable with handing yourself over to.

She's also a freaky magnetic sort who attracts the best kind of people to her. I was blown away by the people who attended the Chicago event, although after watching her work her magic at South by Southwest earlier this year, I shouldn't have been surprised. The day is a mix of Pam teaching and people actually hunkering down to do the work. You'll come out of the day with the beginning stages of a map and a plan, plus, if past events are any indication, a whole new tribe of people who are fellow travelers to help make your journey easier and more enjoyable. (In general, that's been the most valuable takeaway of my favorite events, but you really do get vast quantities of good, actionable info here, too.)

You'll also get me, yours truly, taking you through the nuts and bolts of my branding process. This is what one-on-one clients pay a lot of money for, and you get it rolled into the cost of your day with Pam. Because really, this is all about you getting what you need to move forward with what you want, and Pam's stuff contains the most critical first steps you need to understand.

How much for all this wonderfulness?

  • Early bird registration is $138, increasing to $168 on October 19 at 5pm PST.
  • SPECIAL BONUS! Enter "Communicatrix" (without the quote marks) at checkout and you'll get an additional $20 off.

Best of all, seats are limited to 50. That means plenty of time to interact with Pam and me, ask tons of questions and come away with even more ideas. If you have questions, you can email me (colleen AT communicatrix DOT com) or Pam (pamelac.slim AT gmail DOT com) or, if you're into the Twitter, shoot Pam your questions there: she's @pamslim (shocking, I know).

Wait, when is it again? And where?

Well, I didn't say yet. But here are the details:

Wednesday, November 4, 8:30am – 4:00pm

The Belamar Hotel,
3501 Sepulveda Boulevard
Manhattan Beach, California 90266
(310) 750-0300

And to cap it all off, you'll be capping it all off: this is Pam's last stop on the tour for 2009, with no firm plans in place for starting up in 2010. In other words, if you're local and this speaks to you, jump on it. And if you're not local and it speaks to you, consider jumping on a plane.

Magic happens, but only when you give it room.

xxx
c

Image © Chris Lee, via Flickr.

ALSO OF POSSIBLE INTEREST!

...for the chronically disorganized: My PacNW trip got rejiggered a bit with the cancellation of a retreat I was looking forward to. Fortunately, this opened up my schedule to attend my friend and client Sam Carpenter's Work the System Boot Camp on November 16th & 17th in Bend, OR. You may have read about the breakthroughs I had upon reading Sam's book (before I even met him); since then, "WTS" has continued to enrich my life as it streamlines the way I approach much of the more tedious aspects of it (sorry, tree-huggers, but some parts of wax-on, wax-off are tedious!)

Since I'm coming anyway, Sam asked if I'd do a very short summary of some of the key aspects of branding yourself effectively, and of course, he was so charming (and effective!), I couldn't refuse. More to the point, if you put the word "Colleen" in the coupon code window upon checkout, you'll get an additional 30% off the insanely low price of $100 (and that price includes meals and a hard copy of the book).

...for the financially-challenged: Somehow or other, I wound up on a panel at this big Learning Annex free-for-all in San Francisco on Saturday, November 7. Its official name is the Learning Annex Make Money Expo. Suze Orman is headlining. I'll be on a panel talking about freelancing. I have no idea what any of this will be like. But hey, they gave me a coupon code for my peeps: enter "WEB" in the coupon code box at check out to save $35 smackers, which gets you a dazzling day of, um, money stuff for just $19. I mean, that's cheap, right? Plus we could meet! Maybe it's worth it to you to pay $19 to meet me and hear what I have to say about freelancing, right?

Book review: Simple Abundance

poolbreak_Tom@HK

There are some books you can sit down and write a smashing, relevant review about instantly upon finishing reading them.

Pam's book is one of those, as is Chris and Julien's. Whether or not I learn something new from them (and I did with both books), these kinds of books cover topics I know well enough to recognize that they'll be outrageously useful to someone coming to them for the first time: they're the kinds of books I wish I'd had at the beginning of my odysseys in self-employment and the social web, respectively.

Likewise, it's a fairly straightforward proposition to review a work of fiction or a biography or a memoir once I'm done. Not easy, necessarily, but simple: did I like it or didn't I, and why? I might write a slightly different review after a re-read years down the road, deeper, more nuanced, with additional insights, but it's unlikely that my opinion will fundamentally change (assuming that I'm ingesting the book with the requisite knowledge for basic comprehension the first time around. Or it hasn't happened so far.)

Books of prescriptives are a little harder to review wholeheartedly because, like products and services and classes, their true value often isn't apparent until way after the fact of consumption. The Artist's Way is a perfect example of this. It's an outstanding book, and perfect for a certain type of person seeking a certain kind of self-knowledge. But I wouldn't have been able to endorse it until years after the fact (and as someone who does it so frequently now, I'm overdue to write a formal review). Getting Things Done is another one. While the lights go on as you read it if you're the Right Audience for David Allen's great but really complex system, only implementation and time will tell if it's good for you.

Two things have come up recently that have me looking hard at books I've not only read, but consumed, and that have proven useful to me. It's easy, perilously so, to forget once you've trod the ground and moved on to other things how intensely you struggled with something when first you ran hard up against it. (Walking, anyone? Or omelet-making? Or driving stick?)

The first thing is the preponderance of talk in the air about decluttering or paring down or what have you. Maybe it's the economy, maybe it's a function of acceleration, but all of a sudden the zeitgeist seems to have shifted from acquiring stuff or organizing all the stuff we've acquired to getting rid of it. My new friend Lisa Sonora Beam and I were just talking yesterday about how the stuff, once gone, seems to let the ideas and emotions flow more easily (not to mention remove a lot of worry about dusting and insuring and suchlike). Andy Dick, of all people, was on Adam Carolla's podcast talking about getting rid of all his beautiful stuff and moving into an Airstream trailer in his ex's backyard to spend more time with his kids. (It's an especially good episode, by the way; check it out.)

I'll write a separate post about that at some point, perhaps, but let me say this about the simplification books: almost without exception, you should not buy a book on simplifying, at first. Even Leo, who wrote a really terrific book about the power of less and supports his family with his writing is with me on this: he gives his book away for free. Buying a thing to solve your problem with acquiring things is like cracking open a beer to troubleshoot your drinking problem: might feel good in the moment, but is getting you further from, not closer to your goal.

The second thing is how many people I'm hearing who are looking, looking, looking for meaning, at all points in the trajectory. Because I'm sorry to be the one to break this to you, but it's an ongoing thing, the looking, looking, looking. I've gotten much closer than I ever thought I'd be pre-Crohn's onset, and off-the-charts close compared to head-up-my-ass, ad whore me, wandering the streets of Westwood, filled with falafel and inchoate longing.

Simple Abundance: A Daybook of Comfort and Joy, by Sarah Ban Breathnach, was one of my guidebooks out of that particular hell of inchoate longing. It's an agnostic prayer book of sorts, a volume of 365 daily exercises, thought- or action-based, to lead you from some kind of confusion to some kind of clarity. Honestly, I think that almost anything done methodically and incrementally can be a tonic: a photo a day, a page a day, a walk around the neighborhood a day. (Probably not a beer a day, but don't quote me on that.) Bringing yourself back to the same activity lets you loop around the mountain again and again, slowly and deliberately, slowing you down and giving time and space for truth to bubble up and patterns to emerge.

The value of Simple Abundance at that particular point in my life was its gentleness and softness. I am (still) given to handling myself with a certain brusqueness: my shrink says I suffer from a chronic lack of entitlement, which is not humility (that's a nice thing that requires softness and awareness) but a brutality mindset. And the world doesn't need me being a brute any more than I do. It was, come to think of it, really humiliating (or at least humbling) at times, working the Simple Abundance book. Certainly I felt like a Class A jackass, and kept that sucker hidden away from sight like it was super-kinky p0rn. It got me where I needed to go, though, and, FOR ME, was a perfect follow-up to The Artist's Way. Or maybe prelude, honestly, it was so long ago, I can't remember.

While it's been in print a long, long time and has many adherents, it may not be for you. It's very fluffy-cozy-precious-tea, if you catch my drift. The cover is pink! With scrolly stuff! Before plunking down your hard-earned money, you should definitely page through it in the store, or at least peek inside on the Amazon page. And read the 1- and 2-star and 3-star reviews as well as the 4- and 5-star ones (that's a good rule of thumb in general, if you're not doing it already. You'll learn more from the full scope of reviews than you will the gushing ones).

There are lots of copies available used, as well. Perhaps there are a lot of haters out there, or perhaps, like me, it's a journey you only want to take once. For a while, I'd buy up a copy whenever I came across it in the field, then give it away when I came across someone who needed it.

Here's the thing: if it speaks to you, even if you're a hardass and embarrassed by the speaking, go ahead and get it. Put it in a plain brown slipcover and lock it away in a secret cupboard, if you have to, but do it. We hardasses need to do tricky end-runs around ourselves with some of this self-improvement stuff, but we need to do it. Because your hardass gifts are of severely limited use to anyone if they're not tempered by a little softness and understanding. And I'm here to tell you now, they will turn on you at some point if you don't stay the (gentle) boss of them.

xxx
c

Image by Tom@HK via Flickr, used under a Creative Commons license.

Singers who move well

threeptmaneuver_Arbron

As the weeding out of the old, outmoded or less-than-"HELL, YEAH!" continues, startling things have begun sprouting up in the freshly emptied spaces.

Ideas, for starters. Crazy, wild tangles of ideas, some related, some seemingly random (I suspect that patterns for much of this will only start to emerge further down the road).

And not just for art projects or even business projects, but for processes and actions and ways of thinking. I work in metaphors a lot of the time, this whole notion of weeding and gardens to describe the clutter-clearing phase I'm in is a good example, and the metaphors are flowing more easily. So are the ideas for system tweaks, including everything from a better way to handle the recycling to how to order my errands so I actually do them. (Hint: simple stuff like having a capturing mechanism for every idea and then actually capturing it has made at least as big a difference as the excellence of the capturing devices themselves, although I'm finding it true that elegant tools you want to use mean a greater proclivity to use them.)

All that is marvelous. Anyone who's ever cleared out a sock drawer of singletons knows how this sort of thing goes.

What is not so marvelous, or, what is marvelous AND terrifying, is the nakedness and the lightness one feels along with the roominess. Because part of the process of clearing is asking some really tough questions about what's serving and what's not, what's valuable and what's not, what you have time for and what you do not. Choosing one thing means not choosing something else. At its best, there's a certain wistful sadness to it; at its worst, you can end up with startlingly nasty, super-judgy feelings about someone else's choices. (Cartoonist/essayist David Kreider calls this tendency the Referendum, and so beautifully, you really should jump over there and read it. After you're done here, of course.)

The other thing that gets a little gnarly in the decision-making process is, as you get down to the very, very precious stuff, the top of tops, say, your three favorite things to do in the whole, wide world, which one you choose. Because you can kid yourself all you want, but the number of people who are stupendous at one thing and then equally stupendous at one, or two, or, god help us, three, thing(s) is so small, you have a better chance of turning into a leprechaun tomorrow than becoming one of them. Fred Astaire had a thin, reedy (albeit charming!) singing voice and passable acting skills for the style of the day. He was also one of the greatest dancers who ever lived. Gene Kelly had a far better singing voice than Fred Astaire and even, I'd wager, superior acting ability. He was also one of the finest dancers who ever lived, but he was no Fred Astaire. There's a sweaty, exertive quality to Kelly's work that is nonexistent in Astaire's: with Gene Kelly, you could see how hard it was to get there; when you watch Fred Astaire, it looks like the simplest, most natural thing in the world.

At a certain point in the musical performer's career, she needs to decide: will I be a singer who moves well or a dancer who can carry a tune? You can get steady work as either. You may end up being so good at both that to the casual observer there is no difference but trust me: the truly great know what they are the very best at. (Or, paradoxically, they are insanely humble and profess to be middling at both. It's a weird but real exception I've found to that rule.)

I have finally stuck my flag on the hill of writing. It's terrifying because no matter how good I get (and I'm a lot better than I'd ever hoped I could be when I was really, really, really bad at it), I'll always know that there are writers I will never be as good as. But jettisoning some of the other stuff that I've been hanging onto to stoke my pride, this idea of me as an actor (yes, I toy with thoughts of going back) or a designer, makes it a littler easier to justify the insane logging of hours required to get as good as I can at this writing thing.

You have to give up something to be really great at anything. And you have to do it full-out, and now; deferring is a sucker's game, more mental clutter that gets in the way of you realizing the full potential of Whatever It Is that you're good at. (And by "you," I hope it goes without saying, I mean "me.")

More and more will fall by the wayside, I know, with no guarantee of future success as many define it. If I define it as full pursuit of the awesome, though, and I follow through, then I could get hit by a bus tomorrow (although I'd prefer that not happen) and die 100% fulfilled. Not the hackneyed "doing what she loved," but pursuing it. Pursuing the shit out of it.

Maybe you already know what your Thing is. Maybe you need to go through some kind of excavation process to find it. I'm always recommending The Artist's Way for creative types who need to unlock their inner whatever. The Creative Habit, which I reviewed here recently, is another great, less woo-woo choice, although it's also geared toward artists. If you know of fantastic books written for those outside the creative arts field, I'd love to hear about them in the comments section.

Me, I know. My job in the immediate is to clear as much room as possible to facilitate the work of writing. That means plotting out the handoff of my few remaining design clients, wrapping up whatever projects I have outstanding and instituting a really strict and sensible system for deciding what to take on next. The aforementioned "Hell, yeah!" strategy of Derek Sivers and the corollary "No-Brainer Scenario" of Victoria Brouhard are two tools I'm playing with right now. Again, other strategies that may have escaped my attention are welcome.


Image by Arbron via Flickr, used under a Creative Commons license.

Referral Friday: BuyOlympia.com and Nikki McClure

Referral Friday is an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

IMG_0610

Nowhere are my whack-job Virgo tendencies on better display, metaphorically and literally, as you can see by the photo, above, as they are in my picky picky picky set of criteria for a great, functional wall calendar.

  1. It must be stunning, because it is going to be displayed prominently on my wall.
  2. It must be simple, because it is going to be displayed on my wall all year. I use my digital calendar to write stuff down in; I want a wall calendar to show me the date, period.
  3. It must be compact, because it is going to be on my wall, which I like to use for other stuff besides two square feet of What's Going Down When.
  4. It must be easy to read from four feet away, because my eyes ain't gettin' any better.
  5. It must be matte, because glossy paper is for magazines and bad motivational posters.

I fiddaddled with all kinds of calendars over the many, many years I've used them, but once I discovered Nikki McClure's, I stopped looking.

Her woodcut papercut* illustrations are both stunning and simple, wearing well over the year and years after. I've saved most of my Nikki McClure calendars from previous years because they're too beautiful to pitch or even recycle.** The sentiments are thoughtful, not cloying, the design is perfection and the paper is delicious. I could eat that paper.

Toward the end of last year, it struck me that, just like having the previous and upcoming years printed alongside the current in one's checkbook in equal weights, you know, back when we still used checkbooks, it might be useful to have such a set-up on the wall, so I could at a glance see what's going down, what's coming up, and, if necessary, grab a day/date from the previous month. Production people scope out a few months at a time on those heinous but useful dry-erase calendars; wouldn't the same thing be nice if it was, you know, nice?

A year later, I can happily say that it is. I no longer have to fire up my electronic calendar while I'm pacing around with the phone, or jump to a different program when I just need a quick date. It helps when I'm writing thank you notes, it helps when I'm writing in my notebook (I date the pages of stuff I'm working on), it helps when trying to get a basic handle on where I am in time and space (this will sound crazy to more organized people, but may make sense to ungrounded, arty-farty visual types who are perpetually in danger of floating off into the stratosphere if they become unmoored.)

So a couple of months ago, I wrote to the fine folk at BuyOlympia, showed 'em my rig, and asked if they could perhaps offer a specially priced three-pack for other OCD types. They talked to Nikki, everyone agreed, et voila! Here it be.

As they point out in the item description, a perfectly fine use of the three-pack would be to keep one and gift two friends with the other copies. Let's turn the world onto these wonderful calendars, and keep Nikki in linoleum blocks and carving tools until she drops! Or, if you're not into Colleen's Overzealous Ordering of Time in One Place, you could have a calendar for key rooms in your house. I swear, just like a clock, it's nice to be in eyeshot of a calendar.

Especially one that is essentially art masquerading as a useful item. Because as we all know, when in doubt, buy art...

xxx
c

*Sorry! I knew this, I swear. But Ms. McClure emailed me herself to remind me that they are cut with an X-Acto from a single sheet of black paper.

**And they're still (mostly) sitting around. Hawk-eyed McClure fans out there will note that a couple of birdie illos made it into the frame, but boy, I'd love to pass along what else I have to an interested party. If that's you, email me your contact info and what you like to make. I'll ship off what I've got to the first one I get. Thanks for your emails, Nikki McClure fans! They've been snatched up by a lovely reader who will use them to decorate the walls of the apt. she's newly moved into.

Image by Colleen Wainwright via Flickr, used under a Creative Commons license.

Poetry Thursday: What consumes you

gothanachronism_Paul_Stevenson

In my youth
I thought
I had to be dark
to be interesting

Which
for a girl
who was lighter
than helium
and
whiter
than 14 Presbyterians
having high tea
at the Ritz
was problematic.

Not
exactly true
but proves a point:
how black
or blue
can a child of privilege
with a naturally sunny
obviously buoyant
basically optimistic bent
be?

Dark
as it turns out
is a relative thing.

You can adjust
your vision
to prisons
of every variety,
from plush-lined, air-conditioned luxe
to pits dug out
from dirt
you displace yourself
at the end of an insistent,
dispassionate
lash.

Or so I've heard.

I have said before:
my darkest days
took place in full daylight
surrounded by blessings
and love
and riches so bright
their shine shames me still.

And my brightest days
I spent
shedding blood
the hard way
amidst people
who were on their way out
for good.

Dark is neither glorious
nor foul
it is just the opposite
of light.

You can try it on
in your youth
to mimic the burdens of elders
and other, less fortunate souls
like children dressing for Halloween.

But not for too long
and only for play.

Dark exists always
to remind us
of the choice of light.

The sometimes hard
choice of light
that people in times
and circumstances
of such blackness
we cannot imagine
chose
time and time
again.

Today
I do not dress for Halloween
nor do I pose in black.
Too much real pain
to play dress-up
unless it serves
to illuminate
or charm
or coax a laugh
from the darkness.

And so, my friend,
I say to you:
I see your darkness
and raise you a candle,
a glowstick,
a toothy grin, in a pinch.

Be dark
if you like
but remember:
the light
is always there
on the flip side
or the end of a tunnel
or what have you
when you are ready
to turn into it.

xxx
c

Image by Paul Stevenson via Flickr, used under a Creative Commons license.

What's up and what's gone down (Sep 2009)

arnoinrepose

A thus-far monthly but forever occasional round-up of what I've been up to and what I plan to be. For full credits and details, see this entry.

Colleen of the future (places I'll be)

  • The Monthly Los Angeles Biznik Meet-Up at Jerry's (Wednesday, October 14, 5:30 - 8pm) Every four weeks, some of L.A.'s finest independent biz folk gather for cocktails, conversation and oversized plates of deli food. It's awesome, and it's free. (Well, not the drinks or the deli food.) Just register (free!) to become a member of Biznik, then sign up (also free!). Easy-peasy, Cousin Weezy!
  • Lit.Up! (Saturday, October 10, 8pm) Yes, after more than a year of semi-retirement, I'm hauling my performer ass out to my friend Jane Edith Wilson's monthly show and doing a little piece I call, well, I don't call it anything yet. But it will be something, if previous engagements of this variety are any indication. Only cuss-free, since this one is at a church. Click here to view flyer.
  • BlogWorld Expo (Thursday-Saturday, October 15 - 17, Las Vegas) I'm not speaking; I wasn't even planning on going, since I'm kind of overloaded with networking-type stuff right now. But then I won a weekend pass in a contest The Mac Observer held, and shazam! I'm going to Vegas to hang out with some nerds! If you're going, too, give a holler.

Colleen of the Past (stuff that went down)

Colleen of the Present (ongoing projects)

  • The Virgo Guide to Marketing I'm just over halfway through a year-long project where I work on my marketing daily and blog about it weekly. People seem to dig it, as well as the podcasts I record weekly. Go figger.
  • communicatrix | focuses My monthly newsletter devoted to the all-important subject of increasing your unique fabulosity. One article per month (with actionable tips! and minimal bullsh*t!) about becoming a better communicator, plus the best few of the many cool things I stumble across in my travels. Plus a tiny drawing by moi. Free! (archives & sign-up)
  • Act Smart! is my monthly column about marketing for actors for LA Casting, but I swear, you'll find stuff in it that's useful, too. Browse the archives, here.
  • Internet flotsam And of course, I snark it up on Twitter, chit-chat on Facebook, post the odd video or quote to Tumblr, and bookmark the good stuff I find on my travels at StumbleUpon and delicious. If you like this sort of stuff, follow me in those places, I only post a fraction of what I find to Twitter and Facebook

Please let me know if you find this kind of curation at all useful, and/or if there's a better way to handle it. Thanks!

xxx

c

Photo of Arno J. McScruff housed on Flickr, where I also occasionally stick pixels.

Book review: Move Your Stuff, Change Your Life

redribbon_Muffet

My favorite example of the conceivably-possible, magical woo-woo powers of feng shui has to do with two checks for $10,000 each and my kitchen, which, according to the Black Hat school of feng shui* (as differentiated from the compass school) is my prosperity corner.

It was the summer of consternation for me: a devastating breakup, the role of a lifetime and, though I didn't know it yet, the onset of Crohn's disease. I was miserable and looking for distraction; somehow or other, during one of my many forays down the self-help aisle at my local bookstore, I discovered Karen Rauch Carter's Move Your Stuff, Change Your Life.

Serendipitously, the heartbreak had already spurred me to begin what all (good) feng shui experts agree is the first step to chi'd-up house: throwing shit out and cleaning what's left from stem to stern. Earlier that summer, I'd bought a mini-steam cleaner and started cleaning my filthy carpet on my hands and knees in obsessive, 12" squares. When my back threatened to give out, I dismantled every jalousie window in my place (curse you, 1950s designers!) and cleaned not only the glass slats themselves but the hardware, with Q-Tips. Lots and lots of Q-Tips.

I wouldn't suggest going that far (unless you're as OCD as me and whoever invented Q-Tips), but it bears stressing: clean first. And throw a bunch of stuff out. Otherwise, like layering perfume on top of stank, you stand to compound any confusion that already exists.

Once you've got things relatively clean and clear, you can start having some fun with stuff: moving things around, sprucing up, adding "cures" where you feel like they're warranted. A red ribbon tied discreetly around a pipe, to prevent good fortune from going down the drain, a candle (fire element) to bolster my Fame and Reputation bagua, a slip of yellow construction paper behind a bookcase in my Health area. Carter's position on applying feng shui to one's life is that the process should be fun and joyful, not serious and scary, and all of her advice, including cures (to correct shitty shui) and admonitions (to pay particular attention to this or that) is served up in a light, breezy tone. Occasionally, too breezy for me, she veers into cornball territory every so often. But she is charming and authentic and lovely, so we forgive her that.

We also love that Rauch does not advocate breaking the bank to get some money flowing back into yours. The book has lots of suggestions for moving stuff from one part of your house to another, or just rearranging things in the room. The only things I actually bought for my feng shui adventure were some lengths of inexpensive red ribbon (that good-fortune-down-the-drain thing did kind of freak me out) and lavender contact paper. My Prosperity/Abundance corner is square in my kitchen, plus I'd never put down my own contact paper in the drawers when I moved in, so, you know, ew. It was time.

I've told the story at least a hundred times, often just before giving away yet another copy of Rauch's book to another friend in need of lover, cash, luck or just diversion: within two weeks of starting my Feng Shui that Kitchen! project, two gigantic residual checks, for $10,000 each, floated into my agent's office on the same day. My agents had been leaning on the producers, since they keep track of this sort of thing, but something finally broke in that 14-day stretch.

Magic or happenstance? Honestly, I didn't care. I had a clean and lovely kitchen, a ginormous deposit in the bank and the satisfaction of participating in a little white voodoo. It's hard even for a woo-woo-friendly soul like me to say, "Oh, sure! I sprinkled fairy dust around my apartment and Chinese leprechauns showed up at the door with a pot of gold."

On the other hand, I do know that what I turn my attention to tends to flourish and what I ignore becomes a static, sticky mess. And that when I create room for something, it does tend to show up. So who knows?

Ultimately, I see feng shui, and especially Move Your Stuff's user-friendly, no-pressure serving-up of it, as a great framework from which to initiate change. In the book's first chapter, Rauch quotes physicist and feng shui-er Barry Gordon as saying that feng shui is "'the intelligent use of intention through environmental metaphor." He goes on then at length about quantum mechanics and a lot of other stuff that makes my head hurt, but the money graf is this:

Every thing, even the sticky front door that doesn't open all the way, has meaning. Every thing, every action is intentional, sometimes conscious, sometimes unconscious. Feng shui brings the unconscious in our environment back into consciousness. That brings the beliefs and feelings back into consciousness. Then we have choice and can create our universe consciously.

First, attention. Then action.

Then checks in the mail, perfect health and a handsome man to play ukulele in your goofy video.

xxx
c

Image by Muffet via Flickr, used under a Creative Commons license.

*Here's a pretty reasonable description of the various schools from a page without too many doo-dads on it. Amazing how many feng shui pages have crappy feng shui themselves.

Working toward siesta

siesta_masternet82 If each week got its own word, last week's would be "painful."

Painful overcrowding. Painful frustration with not being able to get enough done. Painful sense of shame over both of these.

Worse, even as I built this week on my calendar over the past month or so, I knew it was going to be painful, because I could see the over-scheduling and overcrowding and lack of room developing before my eyes. And while I couldn't anticipate the exact nature of the failures, which balls would be dropped, which plates would come crashing to the ground, I have been at this long enough that I knew I was making trouble for myself.

The key culprit was the addition of a two-day conference a few weeks ago. I'd already built up a hefty week of commitments when I decided that it would be fun to go to this one. Several people whose work I follow and whom I'd like to meet at some point were scheduled to be there, along with a few other people I already know and jump at the chance to see whenever they pass through town. Sure, it was two full days away from work, but really, what could go wrong?

The quick answer is "just about everything": traffic, last-minute client emergencies, too-high temperatures, too few clean socks. (Seriously, how many outfits have been a major fail and days an uncomfortable wash for lack of a little clean laundry?) I detailed the business-type version of the agony and subsequent ecstasy over at my marketing blog, but here, where I can let my hair down a bit more, I'll confess: Day One was far, far worse than I could begin to describe (because while I'll talk about anything here, I stay away from something like World's Worst Case of PMS over there).

On the other hand, Day Two was far, far better than the scope of a marketing blog allows for describing. Because here's what lies on the other side of hell, in virtually every circle I've rounded to date, that too few people talk about: heaven. Fucking glorious, in excelsis Deo-style heaven. It's release after tension, explosion after accumulation, fabulous belch after McDonald's Extra Value Meal #9. I felt freer and happier than I had in some time, because after having it shoved in my face so that I could not look away, I finally realized that I have a problem and the problem is me.

Hi. I'm Colleen, and I'm a workaholic.

I work (almost) all the time. Ask The BF, or my poor ex-husband, The Chief Atheist, or any other partner I've been with. Ask the Jans, Chicago or L.A. varieties. Ask my family, ask my nosy across-the-courtyard neighbor, ask anyone I've ever worked for, "Slacker or workhorse?" and I can almost guarantee that you'll get served up the latter.

Note, please, that for a long time, this was a badge of honor: that I, Colleen Wainwright, could work longer and harder than anyone around me. That I would be Last Man Standing. That all y'all could eff off and go grab a slacker Coke because I WIN THE PRIZE.

Now I know not only that is this all about wiring (Virgo!) and some really messed-up conditioning (love dangled as carrot for a job well done), but that it's kind of a stinky prize. The prize, she is stinky! And not in the good way, like Arnie. I learned this after I got knocked upside the head with the Crohn's seven years ago, but UH-OH, I forgot. I learned this again when I got knocked upside the head again earlier this year, but UH-OH, I am a dumbass and forgot again. Work-life balance, in my case, means that I now work at home so I can wear comfy clothes and spare myself the kind of hateful commute I found myself in last week. It also means that I have moved my work closer to my life's work, which is certainly awesome but can also be used as a smokescreen. Because baby, I don't care what your life's work is: if you don't take time to cook yourself good food, eat it with delightful people and otherwise recharge your batteries, your life's work will be cut as short as your life. Period.

So.

The first step, according to Bill & Co., is admitting I have a problem I'm powerless over. Which I do, and I don't. I'm not an atheist, exactly, but I'm also not a God person, exactly. My neat sidestepping around this one is that I do see myself as some kind of vessel for something, the collective unconscious, the Big Soup, what have you. And the job I have identified for myself-as-vessel (or, in my specific case, Joyful Conduit of Truth, Beauty and Love) is first and foremost to keep the vessel in good working order. That kind of covers all the bases, the learning and getting better/stronger/faster parts, and the rest UP, dillmeister parts. I've been making steady progress on Part A, but have acted retardidated, as my friend, Justin, likes to say, about Part B. You are witnesses. Thank you for listening. Coffee and (SCD-legal) doughnuts in the back, although you'll have to step outside to smoke.

My plan for dealing with the rest of this B.S.? Many-pronged, with redundancies. Lots of experimentation, because really, I have no idea what will work at all, much less best. Here are some things I've already put in play:

  1. Daily Walk (a few months) So far, I'm only doing this in the morning when I stay at My Country Home. It's good for the dog and good for me and good for the environment, since 5 days out of 7, we're usually walking to the neighborhood TJ's to pick up groceries on foot. Love this, it works like gangbusters and keeps me established as Arnie's favorite human. (What? I told you I was competitive!) Recently, I added hills and carrying lumpy objects, per Mark Sisson's RX. (Good site, by the way!)
  2. Implementing systems (several weeks) Since reading Sam Carpenter's Work the System and having the lights go on, I've taken very seriously the notion that systems are what help make for sanity, and that I need to get my shit into systems now. Paradoxically, this is a little more work up front: I'll stop in the midst of something I'm doing to note an idea for systems, or to iron out a small bit of one if I can. Eventually, like anything else, it'll become second nature (thanks, Merlin, for the Dreyfus model, my new-favorite term). Oh, and full disclosure: I dug on Sam so much that we wound up chatting a lot, and then he wound up hiring me. But trust me, I ain't selling you nothin', here: he's giving away the book for free on his site.
  3. Breaking for meals (several weeks) The heat wave we've been, er, enjoying, has screwed this up a bit, but I've taken to taking my morning and sometimes noon meals outside on the patio, with an actual book. It's part of the reason for the increased number of book reviews on this site, as well as some sanity.
  4. Consolidating my shit (years, but hard-core over past few weeks) I'm taking time each day to weed through stuff. I'm also putting my money where my mouth is, signed up for a terrific jumpstart teleclass from Charlie Gilkey and Jen Hoffman called the Work Party, and I'm going to a de-cluttering workshop next week where I actually have to bring a bag of clutter to go through. Public humiliation is a big motivator for me. I also finally upgraded my 4-year-old laptop, and am committing to making my brand-new MacBook Pro my main machine. This will mean clearing out my old machines and selling or donating them (or at least two of them), which I will do methodically and non-crazily (see #2).
  5. Retreat! Retreat! (coming up) I'm committing to spending the time on this year's trip to the PacNW on me. That means input, help, reflection and, god help us, recreation.

And here are the things I'm working toward (because hey, workaholic overachievers have to have a goal, even when the goal is relaxing!):

  1. Streamlining focus I like too many things. I have the curse of being semi-okay at a lot of them. It's my blessing and my curse, moving me forward but never quite the kind of ground I'd like to cover. Everything I've ever read about success says that a key ingredient is focusing. For whatever reason (impending death?), I'm finally taking this seriously.
  2. Taking Sunday off It's shameful, my utter lack of disregard for the usefulness of time off. I haven't managed a full day off for a long time (road trips don't count!), but I'm getting closer. Is it embarrassing to be "getting closer" to doing something normal? Yes. Yes, it is. Remember? Public humiliation is a strong motivator for me.
  3. Hiring an assistant I'm a ways off from this. I don't make the kind of income yet to justify this. Hopefully, clear-cutting commitments and focusing like a laser beam will help here, but I'm open to windfalls, a personal Medici or other solution. Have your girl call my, oops. Never mind.
  4. Moving The BF and I have been working toward me moving in. Having one household, not two, should seriously reduce my stress levels. Plus, I think a change of venue is good. I've been in my current place for 10, count 'em, 10 years, and the building has changed vastly over that time, mainly for the worse, I'm sorry to say.
  5. A daily "spiritual" practice In quotes because, as noted already, I'm not a god lady. I don't really even want to call it a contemplative practice, because then my mind immediately leaps to yoga and meditation, and I'm not or a yoga lady or a zazen lady. Not that I couldn't be, it just doesn't draw me closer to where I know I need to go now, which is less work and more groundedness. I really like the Remembrance, which I learned from Mark Silver; I also like what I've read and experimented with thus far re: chanting, which I discovered via Adam Kayce.
  6. More music! I started off the year with such good intentions. Music makes me happier. It both relaxes me and stimulates a different part of my brain. Plus then I get to make more crazy shit. Which is always good, right?

I do realize that there's a certain irony in an 1,800-word blog post devoted to the subject of conquering overwork. Trust me, I've dealt with this, too, from within the friendly confines of a system, with an eye toward keeping that precious, precious Sunday free. Although I will say that even with my Sunday Experiment, I reserve the right to write everyday, whether that brands me a workaholic or not. There's a wonderful story about Charlie Chaplin and some contemporaries frolicking at the beach, South of France, or somewhere delicious like that, and at one point during the day, he took his leave to go back to his room to work, because he felt that that's what writers did. And I do, too.

But we're experimenting, here, so I'm playing with different things. I hope you will indulge me, and perhaps encourage me, and maybe even play along, if you feel like it.

As always with these kinds of entries, any thoughtful suggestions, resources, inspiration or just plain old sharing is welcome. Have you dealt with this? How?

For the love of all that's holy and the few hairs left on my head, how?

xxx c

Image by masternet82 via Flickr, used under a Creative Commons license.

Referral Friday: Biznik

Referral Friday is an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

biznik091609.27

I am the first to confess that I did not "get" Biznik when I first encountered it.

What was up with the cute name and the forum boosterism? Seemed pretty at odds with a saucy tagline ("Business networking that doesn't suck.") Mostly, why were these people all so goddamn friendly?

biznik091609.18

It took a month-long trip up to Seattle last year to see the light: Biznik, the site works because it's designed to develop Biznik, the real-life community. These are not people who just hang out on the Internet all the time (although some hang out a lot of the time, I'll tell you); these are people using the web, and specifically Biznik, to cultivate relationships that they then take offline, a.k.a. "meatspace," a.k.a. "the actual three-dimensional world." The easy-to-use interface that lets them sort and connect and reach out and share helps like-minded people save time and shoe leather and agita by doing a lot of the heavy lifting of maintaining relationships, which is really the small, upkeep-type stuff that falls by the wayside without these tools.

So on Biznik, you can write an article about your area of expertise or interest, then publish it for a pre-selected group of interested people to read. You can read other people's stuff and start conversations about it, or chat on message boards, or use any number of other tools, search, email, forums, groups, to get to know them, sifting and sorting online so you're not walking into a room cold when you do finally venture out. Rather than certain other networking sites where people go just to sleaze off the land and skim off what they can, you're building something cool every time you connect on, and then off of it.

biznik091609.12

A caution or two if you decide to jump in.

First, give it time. Like any new spot, it takes a while to get the lay of the land. Click around, see what's up, get comfortable. Read the "about" page and skim the FAQ to get a feel for the way things work there. And for a view from someone who's been there/done that, here's a very illuminating "best practices" post from my former coach/mentor, Ilise Benun, who PUSHED me into Biznik.

Second, give it attention. Most great things in life get that way because you apply yourself to them, and this is no exception. I didn't start "getting" Biznik, much less getting much out of it, until my trip to the PacNW last year, where, after going to several events and co-hosting a few, I finally got the hell out of it.

I know that no one has time to waste on social networking (unless they're playing those damned word games on Facebook, in which case they appear to have all the time in the world). Ultimately, what I love about Biznik, other than the fine, fine people I've met through it, is the idea of what it could become: a built-in network of awesome people you can tap into anywhere you go. Toastmasters runs on this model: as a member you are warmly welcomed as a guest at any Toastmasters meeting you attend, anywhere in the world. Show up in Beijing or Manchester or Sao Paulo and POOF!, you've got insta-community.

biznik091609.21

With enough of us onboard, I can see Biznik becoming a mini-version of this for indie biz types as they make their way around the world, helping to connect the people and passion that, in combination, make great things start happening.

Photos of various Bizniks by various other Bizniks grabbing Dyana Valentine's camera.


Leaping again and again until we all get it right

10ladsaleaping_DragonDrop

Can you throw yourself
in, again
and again?

Can you rip wide the wrapper
safety-sealed
for someone's protection
and let spring forth
what will?

Butterflies, maybe
or dirt
or blood
or a full-court dance-press crew
of pirate gremlins
playing mad fiddle music
and tapping out code
with their crazy, nonsensical, wooden-shoe
dance?

I was so afraid
for so long
of opening up
for I had no idea
what would spill forth.

Wisdom, I hoped.
Lunacy, I suspected.
Venom, surely, from the hordes
of slathering
hostile
standers-by
I was sure.

In case you hadn't noticed
I am still here
with most of my parts
and some of my dignity
and so, for that matter,
are you.

I was so afraid
of the meter
that I clung
to the prose.

Yet here we are,
together,
basking in something,
not quite normal
not entirely strange
and maybe just a little bit
marvelous.

Jump
jump
jump with me

We will catch our own breaths
with the thrill
of it all
or we will fall
with a thud
to the hard, hard ground.

I have news for you:
it was there anyway.

Leap
leap
again
and again.

No choice
but to leap
again
and again...

xxx
c

Image by DragonDrop via Flickr, used under a Creative Commons license.

Advancing and retreating (and an invitation)

backonmyfeetsamuelgordon

Earlier this week, I alluded to my definition of a vacation, which differs quite a bit from a lot of other folks', and whichdiffers greatly from how I was raised to look at vacations.

It wasn't like we were the EnormoSlackers of the Fat Midwest: on summer and winter holiday from school, I was expected to keep up with my reading, and usually to take some sort of additional class to better myself.* When we stayed in the city, we went to museums and the library as often as the beach, more, when it got really hot. (And in Chicago, it is definitely the heat, at least as much as is it the humidity.)

But as a child of divorce, there tended to be a bit of the indulgent stuff on Dad's part: spring breaks in Scottsdale (his favorite) filled with banana splits, miniature golf and trail rides; winter weekends skiing in Wisconsin (for practice) and Vail (for real); a 16th birthday trip to New York City. When, as an adult, I took "vacation" vacations, they ended badly: one horrifically sunburned week in Ixtapa leaps to mind, as does a trip to a posh resort in Montego Bay that felt more like Whitey Internment Camp (it was for our own safety, they swore!). The final nail in the coffin was the most hateful week I've ever spent in the most beautiful place I've ever seen, aka "The Wainwrights Go to the Big Island." I still have nightmares about that one.

My preference has always been for a kind of working vacation: me, somewhere else, doing some kind of work. It can be a different kind of work, or even the "work" of unplugging, giving myself some time and space to let new things bubble up. That's what Seattle was about last year, and that's what this year's slightly shorter trip to the Pacific Northwest is about. I take myself places like conferences and meetups to bump braincells with nifty people, many of whom I've been somehow exposed to online first. I think that's the finest use of the Internet, a virtual sort to bring the right people together in real life.

This year, to give it some structure, I'm building my trip around a four-day (FOUR DAYS!?!?!) retreat outside of Portland: my (online, for now) friend and colleague Mark Silver's Path to Profitability Retreat. That's an affiliate link, so you know, and one of the rare times I'd even consider linking to anything I'd not yet consumed myself. But over the past few years, I've derived such huge value from Mark's stuff, culminating in my great success using the Heart-Centered Websites thingy (more like "the Miracle that got me off my goddamn ass") and my recent head-opening with the Heart of Money teleclass (which I will now and forever shamelessly flog, as doing it actually did start making me money, and kind of scary-fast), I'm pretty much sold in advance. Plus he wisely offers the best money-back guarantees in the business, so I never feel like I'm really risking much.

I share this for a couple of reasons. First, because investing in myself, while terrifying, has made the past couple of years the most professionally and sometimes personally rewarding ones I've had in a long time. And second, because I have a secret hope that some other Right Person who's meant to come to this place outside Portland will be tipped by this confession I'm making, and decide to come, too. Not that I don't think the retreat will be filled with all kinds of right people: I'm woowoo enough to believe that there's a reason when I showed up at Danielle's FireStarter session a ways back, the room was packed to the rafters with rockstars. Maybe you & I are supposed to work on our crazy shit together at this hippie-dippy outpost outside of Portland. Maybe not. You'll know, I know.

Finally, I realize that this is one of the more profoundly uncool posts I've written in a while. Maybe since I started writing the crazy poems. I'm sure that every time I let my seams show, people leave. But that's cool. And even if it wasn't, I'd have to get down with it, right? Might as well argue with gravity.

But to slow just a wee bit the wild, wild beating of my heart, feel free to let me know how you're letting your own freak flag fly. Or what and how you're investing in yourself. Or even your feelings about vacations. I get that I'm a little intense; maybe I'm missing something with the whole vacation-vacation thing.

This is me, advancing...

xxx
c

*Or, once, an unintentional course of learning rather gothic in its horror at a genteel girls summer camp.

Image by Samuel Gordon via Flickr, used under a Creative Commons license.

Book review: Ignore Everybody

macleodctrix08

There are three people and/or things directly to blame for me starting a blog way, way back on November 1, 2004:

  1. a severe onset of Crohn's disease, which served both to jar things loose and make me unafear'd (or less afear'd) of looking like a jackass;
  2. my friend, Debbie, who is so discreet her web footprint is almost invisible, and so modest she's probably already mortified at being called out here (hi, Deb!);
  3. Hugh MacLeod, insanely great writer and generous creative mind who also draws cartoons on the backs of business cards

I was introduced to the goodness that was Hugh back in 2003 by a smart but annoying troubadour during my 18-month tenure as the Whore of Babylon. Hugh's blog was by far The Troubadour's biggest gift to me; I was instantly hooked both by the mad and intricate drawings that came from Hugh's Rapidograph and the buckets of cold, clear water he splashed over the screen with his keyboard. The Hughtrain, his manifesto on marketing, remains one of my favorite WAKE THE FUCK UP, PEOPLE! screeds on the nexus of old tenets and new tools. His blog posts were a refreshing mix of smart, funny and flat-out curmudgeonly. And the cartoons, well, they made me laugh. Hard. And think, at the same time. And slightly after that, wish I could draw well (I'm still trying, as you can see by the little illos on my monthly newsletter). And yes, hate him. Just a little.

But it was his "How to Be Creative" series that hooked me hard and eventually turned me into the drooling fangirl obsessively linking linking linking to Hugh's shit. "How to Be Creative" was as comprehensive in his way as Twyla's is in hers. There's theory embedded in there, and stories, and even how-tos, if you're not a lazy slob.

Ignore Everybody (And 39 Other Keys to Creativity) is the book that (finally) sprung from that amazing series of posts. It's inspiring and infuriating, and it's both of those things because it's true as hell. Hugh has lived his way through these 40 rules and has the experiences and the output (and doubtless the battle scars) to show for it.

The book itself is an example of Rules #1 ("Ignore Everybody") and #16 ("The most important thing a creative person can learn professionally is where to draw the red line that separates what you are willing to do from what you are not.") As he says himself in a story illustrating Rule #5 ("If your business plan depends on suddenly being 'discovered' by some big shot, your plan will probably fail"*), Hugh was offered a deal years before to turn his series into a book, but turned it down because ultimately, he couldn't stomach the terms. This book, he says, is exactly the book he wanted to make, with exactly the cartoons to illustrate it.

Having gone through a heady back-and-forth myself with a big NYC agent earlier this year, this cheered me greatly. Yeah, I was probably a dumbass (or a hard-head) in most people's books for not making some changes that would move me closer to my dream of being a Writer Who Speaks.

In my book, though, it would have been in wild violation of Rules #27 ("Write from the heart") and #26 ("You have to find your own shtick.") When something is going to chip away at your soul just enough to bother you, there really isn't another choice.

To answer that question (cheap) people repeatedly bring up when it comes to books derived from blogs, yes, a great deal of what you'll find in Ignore Everybody is easily found on Hugh's blog. Frankly, if you're that hard up, I'm guessing Hugh would be cool with you reading the material online for free and just missing out on the tweaks and finessing that make this a book-book. But if you're really enmeshed in the struggle to be creative, don't you want an ally at your side, your literal, actual side, while you whack your way through the marshy swamps that lie between you and your cherished prize?

I did. I do. No one is getting my copy. Not until Oprah drives by in that long, sleek limo, rolls down the window and beckons me in...

xxx
c

*Or, as I call it, the Limo Analogy.

Card design ©2008 Colleen Wainwright; Card redesign ©2008 HughMacLeod.

Shedding what no longer serves

arrows_visualpanic

I am deep into purge mode these days. And I'm not alone in this.

Not that we're ever alone, with almost 7 billion souls on the marble, chances are good that whatever you're going through, you've got some fellow travelers somewhere. But suddenly, or perhaps it's a creeping sort of suddenness, I see people all around me letting go of their shit. Moving on from relationships and jobs and systems that just aren't working for them anymore. I have no idea if this is A Thing or another manifestation of Yellow Volkswagen Syndrome or both. I'm almost certain that, like my friend and fellow Virgo, Adam, it has something to do with marking the passage of another year the way some of nerdlier types mark it: the end of the summer, the beginning of the new school year.

I love the idea of filling my life up with learning, which is why I've always gotten a little schoolgirl-giddy for back-to-school time. New books! New clothes! New gadgets! All wonderful things, especially in a simpler, less stuff-filled time, the 1960s, when everything had a higher acquisition cost: it took you longer to find the stuff you wanted and it was more expensive to buy when you finally found it. Even the rented stuff, like library books (remember card catalogues?) and flat-out free stuff (remember life B.C.L.?) And at six, or even 16, that cost was insanely high: no wonder I clung to every new bit of input so ferociously; who knew when tiny, carless, broke me would get another shot?

Stuff is abundant now. Forget how easy (and cheap) it is to get almost anything you might have a passing thought about wanting: these days, physical stuff seems to breed in stacks and piles. It's as though they embed crap-sprouting seeds in all that cheap crap from China we started glutting ourselves on a few decades ago.

Yet the oldsters among us, those raised by and around Depression-era survivors, without whiz-bang search and delivery tools like the Internet, are still operating in scarcity mode.

Save the rubber bands, the recipe clippings, the Shirts to Clean the Car In.

Save the orphaned Tupperware and gym socks, the never-quite-comfortable shoes, the stop-gap Fat Pants.

Save it save it save it lest you find yourself, what? Unable to wash the Toyota for want of a selection of 25 shirts in which to do it?

With each previous purge, I've filled up the empty space with new stuff. Nothing wrong with that, provided it keeps moving through: the Catch-and-Release Planâ„¢ for books; the assimilate, not accumulate method of information consumption. But too often, it's been just tiny, greedy, scaredy-cat me, stockpiling crap against some kind of dreadful winter sans stores, power and people. When really, if it came to that, who'd want to stick around anyway?

This purge feels different. It feels both urgently needed and centrally right in a way that it never did before, as though I am on the brink of getting somewhere big, but can't fit through the tiny passageway with all this stuff clinging to me. So I am shedding it in a way that works for me: quickly, then slowly. Or slowly, then quickly. Stuffing great heaping loads of things into opaque blue bags, the better not to be be eyeballed again before they're sealed and trotted off to Goodwill. Finding good homes for a few cherished treasures that no longer serve. Asking hard questions not only about each and every item that touches my hands, but that floats past my eyeline: does this serve? When it inevitably no longer does, will I be able to let it go with relative ease?

Some things that have helped me to get here, I think:

  • Removing myself from my mess. The trip to the Pacific Northwest last year was central to this shift, even if the high-intensity purging didn't start happening until recently. I see huge value in the occasional long-ish retreat from everyday life, now that I've done one. Others, like my friend Chris Guillebeau, remove themselves more regularly, via travel. (More on retreats soon, as I've another one coming up.) Note: I see both retreats and travel as very distinct from vacationing or holiday. They're vacations/holidays because they're a break from routine, but that's about it. This is not pina-coladas-by-the-pool stuff.
  • Getting serious clarity on some short and long-term desires. Nothing fires one up to actually get shit done like white-hot desire for a specific thing, or even a white-hot dose of truth. I do not know what exact shape my next living situation will take, but I'm almost certain it means moving somewhere that pets are allowed and quietude is in greater abundance. (Do they let people live in the library with a small pet?) Reducing my possessions to what really serves right now clears the way for further reductions as the goal gets even clearer.
  • Support, support, support. Almost two years ago, at the start of 2008, I decided to shift my goddamn paradigm to one of "Help is everywhere." And since then, it has been. Help has turned up in the form of accountability partners, coaches, mastermind groups, teachers, classes, products and, yes, books. Help is so much everywhere that I've now started to trust there will be a net when I leap, or a hand extended when I need a leg up. The unexpected bonus in all this? That I have become a trusted source of support in various ways for all kinds of people I never imagined might find my help useful. This makes getting up in the morning a delight. Well, most mornings. And it's been the handful of magic beans that started my new business. Huzzah!

I am wired to cling, I think. But I no longer fear it, because I know it.

Add to that my deep understanding that help truly is everywhere, and it becomes much easier to shed what no longer serves. What you cling to tends to cling right back. I cling now to the moment, and to my bigger truths, and to my growing belief that the glorious, chewy center of the entire bleeding universe is love love love.

Let go of my old books, and there is room for new ones.

Let go of my old way of thinking about myself as a writer, and there is room for poetry.

Let go of my old career, and a new one springs up in its place. (A little slowly, that fucker, but whatever.)

What I ask for now is support, in a very specific way: what are you letting go of, and (if you're so inclined) how? And, if it's started to happen yet, what do you find it being replaced by? Are you scared? Are you exhilarated? Are you both, or neither, maybe some other thing I've not even thought of, because I'm still clinging to my way of looking at shedding?

We are in this together, more than we know. We will explode with awesomeness once we get down with this, more than we can possibly imagine...

xxx
c

Image by visualpanic via Flickr, used under a Creative Commons license.

Bonus links!

Referral Friday: 20x200

monteiroreferralfriday

Referral Friday is an ongoing series inspired by John Jantsch's Make-a-Referral Week. For more about that, and loads more referrals for everything from cobblers to coaches to gee-tar teachers, start here. Pass it on, baby!

I think if you are a writer, especially one who wants to sell books, you should consume as many books as possible.

I think if you are a seller of products or services, you should buy other people's products and services.

And I think if you are a living, breathing human being, you should buy art. Go look at it, too, in museums and galleries and such. Make some, while you're at it.

But buying art is some of the most joyous of energy-exchanging you can experience. To look at something whose sole purpose is to wake you up or to tell you the truth or to make your heart sing and say, "Yes! Yes! I support this! Yes!", that, my friends, is better than diamonds, or sunshine, or the finest small-batch bourbon swirling around in your glass before it heads down your gullet.

Especially diamonds.

I get that some people are a little freaked out by the art-buying process. I remember getting dizzy, the first time I spent real money on a painting, $1,000, in 1986.

The dizziness passes, and you're left with the most wonderful feeling in the world, easily accessible ever after with a mere tilt of the eyes upward, or even a pause of remembering while you and your baby are separated.

Jen Bekman, curatrix of the 20x200 project, makes it easy-peasy to buy art. Artists offer their works at various price points, small, medium and large, and there are dozens of galleries to choose from. We know I'm a fan of Mr. Monteiro's, so I started with the print shown above. You should start anywhere you like.

But start. Please start...

xxx
c

Poetry Thursday: Enough room

rickshawoverload_zapthedingbat

You either give yourself enough room
or you give yourself enough rope.

Your choice
every day
even when it doesn't seem that way.

You choose
the new project
or the space to let the old ones breathe.

You choose
crowded or airy
light or heavy
even or wobbly
caff, half-caff or decaf.

You you you
no matter how much you want
it to be
them them them.

God hands you a can of paint
for to spruce up a wall
or a chair
or a hall
or a door

Is it Her fault
you use it
to paint yourself into a corner
again?

No matter.

There is rest there, too,
where vectors collide.
And much time
to ponder
the thrills of a full plate
as you multitask
and learn
precisely how much fun it is
watching paint dry...

xxx
c

Image by zap the dingbat via Flickr, used under a Creative Commons license.