The Quotidian Ones

What's up & what's gone down :: December 2010

cat looking back at itself in mirror

A mostly monthly but certainly occasional round-up of what I've been up to and what's in the hopper. For full credits and details, see this entry.

Colleen of the future (stuff I'll be doing)

  • December L.A. Biznik Mixer at Jerry's Famous [Los Angeles; Weds., December 8] , Last one of the year, but I promise you there's nothing "holiday" about it. If you're L.A.-local or in the area, please join us at the monthly mixer I co-sponsor with my pal, Heather Parlato. Join up here (free membership, which is nice), then sign up here.
  • The Love Fire (A poetry event orchestrated by Akka B.) [Ojai, CA; Fri., December 3] The lovely Akka B. graciously invited me to read a poem at this lovely event. Very excited, as it combines several of my favorite things: poetry, reading aloud, Akka B/awesome friends, and Bart's Books!
  • L.A. stop of the Unconventional Book Tour [Los Angeles; Fri., December 10], I'm a big fan of Chris Guillebeau, so whenever he's in the vicinity, I try to make it out. You know the book is great, then come out to Book Soup to meet the man behind it. Sign up at the Book Tour website for updates on other details.
  • Women's Business Social [Ojai, CA; Thu., December 16] My friend Jodi has been hosting these for almost two years now, helping the ladypeople give a big, fat "Eff you!" to the crap economy. This month's meetup is back at my favorite Ojai spot, The Ojai Valley Inn & Spa. Schwank!

Colleen of the Past (stuff I did, or that was done to/with/about me)

  • No-Fail Framework for Marketing Yourself :: As a sort of ramping-up for a series of talks I'm giving to the ASMP next year, I wrote this piece on marketing 101 in the new era for the ADBASE blog and magazine. If you've been reading my stuff for a while, you'll recognize the thinking straightaway, but the article gave me a chance to write about it more cogently and clearly. (You may need to Instapaper it, though, that's some seriously light-gray type they use on the blog!)
  • Greatest gallery I've been inducted into :: Nothing else to say about that.

Colleen of the Present (ongoing projects)

xxx
c

Image by madnzany via Flickr, used under a Creative Commons license.

What's up & what's gone down :: November 2010

cat looking back at itself in mirror
A mostly monthly but forever occasional round-up of what I've been up to and what I plan to be. For full credits and details, see this entry.

Colleen of the future (places I'll be)

Colleen of the Past (stuff I did you might not know about)

  • TEDxGreatPacificGarbagePatch I attended as an audience member, not a speaker, because I know squattale about the issues. But this info-rich and inspiring event moved me to learn more, and to take action. There should be videos up from the day soon; I especially recommend Long Beach Vice-Mayor Suja Lowenthal's talk on the costs and imperatives of cleaning up a downstream city, Beth Terry's "My Plastic-Free Life," and student activist Jordan Howard's talk on her transformation from studious but self-involved teen to outspoken catalyst for change. (Hey! All ladies, whaddya know?) Out of many excellent talks, these three did an exceptional job of delivering information in a compelling way that made me want to jump up and take action. (Poetry lovers, you will adore Ellyn Maybe's delightful poem!)

Colleen of the Present (ongoing projects)

xxx
c

Image by madnzany via Flickr, used under a Creative Commons license.

Frrrrriday Rrrrroundup! #25

kid in a darth vader costume

An end-of-weekly roundup collecting fffffive of the fffffantabulous things I find stumbling around the web during the week here, but which I post on one of the many other Internet outlets I stop by (or tweet at) during my travels. More about the genesis here.

Incredibly moving story of how the iPad is changing the world of the disabled.  [delicious-ed, via Daring Fireball]

Hilarious conversation between anthropomorphized iPhones illuminates all. Warning: full of my favorite thing, judicious usage of swears. [Google Reader-ed]

A mom's story of her son deciding to go as "Daphne" from Scooby-Do for Halloween. [Tumbled, via numerous people on Facebook]

Rude, clueless editor gets gigantic wakeup call, Internet-style. [Facebook-ed, of course!]

xxx
c

Image by ScottSimpson via Flickr, used under a Creative Commons license.

Still crazy after all six years

In the six years I've kept at this blogging thing, there have been long, loooong stretches of daily writing. And a longer stretch of almost-daily writing. And a few obviously unlinkable stretches of almost no writing at all.

There have been, despite my certainty that there never would be, both poems and video. A little whining. A little explicating. A lot of figuring stuff out, out loud.

Some of the stuff I've said has wound up other places, never the stuff I thought would (which should tell you something about something), and mostly thanks to Laura.

What I'm trying to say, albeit rather clumsily, is that a lot of the time, the reason to write is just that, to write. You can write to promote yourself or write to make money or even write to find yourself but ultimately, you write to write. To be able to keep on writing. To be able to keep on getting better at writing. To be able, god willing, to write long enough that you write well enough to actually say something that will live on after you are no longer there to write.

But even if you don't, even nobody reads your writing while you are alive and all your writing dies with you, if you are a writer (and maybe even if you are not), you are the better for having written.

Now, write.

xxx c

Photo of me with delicious SCD-legal pie made for me by my friend, Heather, taken by my friend, Dyana.

Frrrrriday Rrrrroundup! #24

girl in mid-air, jumping on beach

An end-of-weekly roundup collecting fffffive of the fffffantabulous things I find stumbling around the web during the week here, but which I post on one of the many other Internet outlets I stop by (or tweet at) during my travels. More about the genesis here.

This manifesto on tolerance from Episcopal Bishop John Shelby Sprong first made the rounds last year around this time, but it is (sadly) more timely than ever.  [delicious-ed, via Bryan Fuller]

Penelope Trunk has been killing it lately. This piece on why she now sorts her books by color is, like the best kinds of essays, about that and so much more. [Google Reader-ed]

I think I lost a year of my own life reading this harrowing story of a young man's two-year stretch for armed robbery. He told it in a series of posts to a forum he frequented before doing time; someone compiled all the pieces, as well as his answers to further questions posted by other forum members. Caveat: while it's really well-told, it's about prison, i.e., not for the faint of heart. [Tumbled]

Even if the story is 100% false (and hey, don't believe everything you see on the TV news), the footage of this lion greeting his Good Samaritan after a long absence is wonderful to watch. [Facebook-ed]

xxx
c

Image by kiwipecora via Flickr, used under a Creative Commons license.

Frrrrriday Rrrrround-up! #23

a young foal on wobbly legs

An end-of-weekly roundup collecting fffffive of the fffffantabulous things I find stumbling around the web during the week here, but which I post on one of the many other Internet outlets I stop by (or tweet at) during my travels. More about the genesis here.

I'd actually sampled that magic pickle thing that makes everything taste sweet after you eat it, so naturally, I was fascinated to read about this stuff that removes all of the sweet taste in anything so you can taste what's left behind. [Facebook-ed]

Raw, brave post about giving up the bottle.  [delicious-ed]

LOVED this piece from my friend, Danielle LaPorte, about transparency: when it's good, and when/how it goes awry. [Google Reader-ed]

I think I sang this song about 400 times in the car on the way to and from Portland, so naturally, I had to find (and Stumble) the video of it. [Stumbled]

xxx
c

Image by me'nthedogs via Flickr, used under a Creative Commons license.

What's up & what's gone down :: October 2010

A mostly monthly but forever occasional round-up of what I've been up to and what I plan to be. For full credits and details, see this entry.

Colleen of the future (places I'll be)

  • October L.A. Biznik Mixer at Jerry's Famous [Los Angeles], Finally, I'm ba-a-a-ck from all my travels, and ready to rock some networking, L.A.-style. If you haven't been, Biznik events are networking the way God intended, non-sucky, with none of the usual shovery of cards in people's faces uninvited. Join up here (free membership, which is nice), then sign up here.
  • Teaching some kind of "non-awful mastery of the web for your creative and promotional purposes" class at w o r d s p a c e [Los Angeles] , I co-taught a successful pilot workshop with Erin Jourdan a few months ago, and Brenda wants to do more. Sign up for the free newsletter or "like" the Facebook page to stay in the loop.
  • World-Domination Summit, June 2011 [Portland, OR], Without knowing Thing #1 about the agenda, I signed on the dotted line. I'm a big Guillebeau fan from way back, and every event I've been to that gathers around Chris has been great. Ergo, this thing is going to rock. Small group, so you should think about getting in while you can.

Colleen of the Past (stuff I did you might not know about)

  • Ignite Portland 9 , Sophomore efforts are always an order of magnitude more difficult to pull off. In my case, that thing about having your whole life to do your first album is the truth: the little talk I gave last year about liked my bloody insides was the culmination of 48 years of living, including six years of processing that crazy episode. This time, I gave a mini-acting class in five minutes. It's not my favorite talk I've given, but some people were moved to submit their own talk ideas by it, and that will have to do. Plus, I learned a ton about what to do and not do, as I usually do when I fall short of my own expectations. You can click to view it, below, or if whatever device you're reading this in won't let you, you can stroll over to YouTube and see it here.

[youtube=http://www.youtube.com/watch?v=Ha5fR60DrlM&w=475&h=292]

  • L.A. Examiner interview , Brenda Spandrio, fellow enthusiast both of reading and of the wildly popular Women's Business Socials, so enjoyed my crazy sticky-note hack, she wanted more details about it and anything else that helped me reach my 2010 goal of reading 52 books by August 16.
  • Work Happy Now review , My friend Karl Staib really went above and beyond any expectations I might ever have had for how someone processes my process. His piece is complimentary, so YES, hooray and stuff. But it also sums up quite well why I try to do what I do, and how it might benefit someone else. Other than "She writes these crazy poems!" or "She swears a lot on video!", both of which are certainly true!
  • Amazon (video) book review This time, I review Cheryl Richardson's Life Makeovers. The short of it? Some good tips and many, many phenomenal resources.

Colleen of the Present (ongoing projects)

xxx
c

Image by madnzany via Flickr, used under a Creative Commons license.

Selling My Crap on eBay, Day 21: Moving on

This is Day 21 of a 21-day series. More scoop on the who/what/why, here. I grew up to the drone of an endless series of angel/devil discussions, my paternal grandfather lecturing me on the value of this item or that, supporting his claims with the odd magazine or newspaper or even catalogue clipping on how much this rare book or that Indian artifact or those other old advertising mementos were now worth, while his wife, my sweet, quiet Gram, hissed into my ear, sotto voce, "Sell it!"

He was a teller of stories, an acquirer of things and experiences, a desirer of fame and glory; she was a lover, of people, especially babies, and of love itself. Not that Les Weinrott didn't love; he did. He loved his father, his son, his friends. He loved us, his grandchildren, robustly and effusively and wide-openly. He loved his adoptive city, Chicago, and his country, the United States of America, in the way that probably only first-generation countrymen can, especially those who spring from centuries of persecution and diaspora.

But he also loved things: pretty things, rich things, delightful things, sentimental things. He loved ideas, too, but he anchored himself with things, as if those things proved, for a time, anyway, until they didn't, his value. This breaks my heart, because of all the things he and Gram gave me, the thing I value most of all is what I think all of us do, the way they made me feel, smart, important, delightful and most of all, loved. When things were difficult between me and my mother, or me and my father, or me and any stupid boy who was too dumb to see how smart, important, delightful and lovable I was, it was the love of my grandparents that steered me through the rocks back to safety. And it was especially the love of my grandmother, whose love was absolutely unconditional, for which I am grateful. I have learned many, many great lessons from many, many great teachers, but without that base of unconditional love, I doubt very much whether I'd have been able to stay alive and buoyant enough to weave together anything really meaningful and useful out of them. Which, you know, I'm just getting started doing now.

* * *

This is a ring that was Gram's. It is what they call a "cocktail ring", designed to be dazzling, and to be worn on a non-usual ring finger, in this case, the pinky (although I wore it on my ring finger, as my pinkies are a bit scrawny).

The 'tater has been dealing with a vast quantity of personal stuff, so she has not had a chance yet to photograph the ring for this series. It is gold, 14 or 18K, I think, although she can fill you in, set with baguette stones of a reddish-pink hue, and some diamonds. The center stone is a star sapphire, and was apparently a replacement for a diamond they inexplicably had taken out. I say "inexplicably" because they could not come up with a satisfactory explanation for me, someone who never, ever got the appeal of star sapphires, especially as compared to diamonds, but oh, well. Perhaps it matches more this way; perhaps it is more dazzling, in the cocktail-ring tradition.

It almost matched the hideous cap-and-gown combo I graduated from high school in. (Vile, vile school colors.) I wore it because it was the first Really Valuable Thing my grandparents had given it to me, and thus that I owned. It made me feel rich, and it made me feel like things were possible, which is how one should feel upon graduating from high school.

There is a downside to having valuable things, though, and that is that they can be taken from you. Perhaps I made the right call, leaving this valuable ring with someone back home while I went off to school, considering that the ring was awfully portable and I had the misfortune of sharing a dorm with a soon-to-be-notorious kleptomaniac. But in my absence, the caretaker of the ring saw fit to wear it as she pleased, and in doing so, lost one of the baguettes, which she flatly refused to replace, saying, if memory serves, that this is the condition in which she received it. So, in other words, I employed a liar to protect my "valuable" possession from a kleptomaniac. Brilliant.

Neither the kleptomaniac nor the liar ever came clean. I lost track of the klepto, who was never a really close friend, but I gather she outgrew or outran her kleptomania enough to live a reasonably happy and settled life. The liar, sadly, just went on to tell bigger and more damaging lies, both to herself and to those around her, about herself and about me and finally, untenably, about someone I love. There are things up with which I will not put, and trashing the people I truly love is one of them.

Thus, the liar and I parted ways, and violently. I steadfastly maintain that there is, to quote my ex, The Youngster, "always room for sorry." However, "sorry" must truly be so, and openly so, with attendant and appropriate reparations, penance and submission, and I ain't holding my breath where the liar is concerned. There is just too, too much at stake for the liar to come around, I fear. Thus, I have understanding, and even some compassion, but no more room for the liar.

It is a beautiful ring, and I would love for someone else slip it on her own finger and start a new chapter in the ring's life. I would like for the ring to carry forth more stories, and more learning, and more sparkle, and more joy. If this is not to be, then the 'tater and I will pull out all of the stones, sell it for scrap, and someone else would truly change the life of this ring.

I am a believer in redemption, though, and our ability to change. I am a believer in building on the knowledge and experience we have, and of fusing those lessons and pain and experiences into something freshly wonderful, but rich with history.

Are you a part of this ring's story? Email the 'tater: miz.tater AT gmail DOT com.

xxx c

Selling My Crap on eBay, Day 20: It's all in the wrist

This is Day 20 of a 21-day series. More scoop on the who/what/why, here. three sets of cufflinks and a silver tie clip

My grandmother was a great beauty and awfully stylish when she was in the mood, but like many people who grow up with money and all the fine things it can buy, in and and especially toward the end she didn't give much of a hoot for anything beyond comfort and shmoopies with her grandbabies. (Or anyone else's grandbabies, really, Gramma was a great fan of all things baby.)

the author's dapper grandfather in college

Gramps, on the other hand, came from very humble beginnings and was scrupulously careful about the image he projected. He  was one of the most dapper men I've met to date, outside of perhaps one or two gents whose existence only serves to prove the rule.

Were you to show up unannounced at their home, Gramps would still be better-dressed than you, at the very least wearing a woven (not knit) shirt and a vest, knit or woven (which he refused to call by anything other than its proper name, "waistcoat," and with the old-timey English pronunciation). With any advance notice whatsoever, there was a jacket involved, and usually a tie (he'd switch between regular and bow versions). But he'd sooner answer the door in the altogether than without something about the neck, a cravat or a kerchief, depending on his mood and ensemble.

In warmer weather, he might sport a short-sleeved shirt, hemmed to a straight edge (no tails, please!), but he also kept a couple of casual long-sleeved shirts, a red and white check, a la Studs Terkel, or a chambray he liked to wear with a turquoise bolo tie he and Gram bought on one of their trips to Santa Fe, way, way before it was a trendy destination. (Or rather, one of the very first times it was a trendy destination.)

knot cufflinks

Year-round, he'd take a daily constitutional, to Potash Brothers, the local family-run grocery store, or to the post office, or later, to the video store I bought them a subscription to so they could watch their old favorite movies at home (they never had cable TV). If he had no errands to run, he'd just take a stroll up and down a boulevard: Michigan Avenue, for most of his life, then a northerly stretch of Sheridan Road towards the end, when Dad moved them into an assisted-care building. But wherever he walked, Gramps carried a walking stick, just for show, early on, then utility, toward the end, but always, always, beautiful.

Most of his shirts fastened with buttons, but even toward the end, he had a goodly number that required cufflinks. Besides, as Jesse points out, cufflinks are the most fun form of Universally-Acceptable Male Jewelry (although Gramps, who never wore a wedding band, was known to sport a tasteful man's pinky ring, in the fashion of the day.)

silver cufflinks

Over the years, many of my significant others have been the beneficiaries of Gramps' compulsive collecting of cufflinks, and a few were turned into stud earrings for the ladies, so we're down to the last few pairs extant. The 'tater and I decided to sell them all together as a lot, and to throw in a jaunty tie clip, as well. (It's quite small, and best for narrower ties.) The knots are brass, the ovals are gold with some kind of chip stone inset, and the round ones are sterling. At least, I think they are, the 'tater has them all in her possession, and can answer any questions you might have.

Interested? Make an offer: miz.tater AT gmail DOT com

xxx c

Selling My Crap on eBay, Day 19: Art of Chicago

This is Day 19 of a 21-day series. More scoop on the who/what/why, here.

book titled "Art of Today: Chicago–1933"

My grandparents changed apartments over the years, but from home to sweet home, one constant was the art.

The pieces they'd collected over the years followed them from place to place, and many of them would end up in a configuration my grandfather called a "picture wall," something which came into style in the 1950s. Here's a stunning shot of their first and best picture wall, which crept up a story and a half in my favorite of their apartments. The colors have shifted in the 50 or so years since the photo was taken, but the feel still comes through loud and strong.

inside front page of "Art of Today: Chicago, 1933"

They collected many pieces from local artists, and were champion supporters of a select few. John Averill, an art director (I think) at one of the agencies my gramps worked at, and Victor Ing, who worked beautifully both in oils and watercolor. (You can spot an Ing on the wall above my desk, the monkey hanging from a branch, as well as an Averill linoleum block print of a cat and butterfly.)

I never became the devotée I'm sure Gramps wished I'd become when he passed along his copy of Art of Today: Chicago, 1933, a book filled with plates of paintings by artists whom he knew and collected. I probably wasn't even suitably impressed that he owned the originals of one or two pieces from the book. I've only ever really been moved by what I've been moved by, and that dark oil of the two ladies top row, center, sisters, I think, mostly freaked me out.

But maybe you are from Chicago, and collect the art of mid-Century Chicago artists. Or maybe you know someone who does. In either case, this would be a lovely book for you, I'm sure, and one we'll let go of for a song. The right song, and postage.

Email the 'tater: miz.tater AT gmail DOT com.

xxx
c

Selling My Crap on eBay, Day 18: From the library

This is Day 18 of a 21-day series. More scoop on the who/what/why here.

inside title page of old edition of voltaire's candide

You don't have to look far to find the source of my booklust.

The photos of it are buried in a pile of other photos, to be rescued and scanned, finally, Sally, upon my return to Los Angeles, but my Grandfather Weinrott, a.k.a. "Gramps," a.k.a. Les, had the library full of them I was sure I'd have when I grew up.

There were always books everywhere at Gramma & Grampa's: bestsellers (including a few written by friends) on reading tables next to rocking chairs, and under a good light; sci-fi and thrillers in nightstands and nearby overflow cases; a mixed-bag of titles piled up next to every toilet in the house; glossy coffee-table books tucked neatly in a sturdy low bookcase near another reading chair. (I

The crème de la crème made it into Gramps' study, to become part of his real library, what he called a "working" library, a thing he insisted every writer worth her salt had to maintain. A working library included reference books, of course, but also seminal works one would want at one's disposal while writing various books, articles or lessons of note. Your Plato, your Shakespeare, your myths and and your history (European, North American and Balkan, for sure); the Greek plays, the German philosophers, the "important" modern writers of fiction and nonfiction (and "modern" went back to Wilde for a man born in 1907.)

What was loveliest to me about this working library was not the content of the books, most of which, for better or for worse (probably worse) never really appealed, but the books themselves. Gramps came up in a time where books were rare and precious things, like all things, because things were still expensive to produce, ergo good things, like the Great Works, were worth making well. His books were as beautifully made as most everything he collected, partly because he liked nice things, and partly because things were nicer. Many of the books had "plates," not to be confused with bookplates, which my Gramps was also partial to, and which are affixed to many of his books, and many more had illustrations, a word Gramps always pronounced in the archaic fashion, with the stress on the second syllable. (He also used that sexy, old-timer hard-g for "Los Angeles," not out of affectation, but because that's how people pronounced it when he lived there, back in the early 1930s.)

busted spine of an old copy of candide

The 'tater can give you any particular info you might want on this edition of Voltaire's classic Candide. It was published by Three Sirens Press, and features ilLUStrations by Mahlon Blaine, who seems to have been rather something in his heyday. I'm guessing this was originally given to me after either some conversation about the text, which I read in high school, or Aubrey Beardsley, whom I was obsessed with in high school. The ilLUStration featured here, for instance, had that kind of lush decadence that thrilled me in Beardsley's raciest stuff, like his own iLUStrations for Wilde's Salomé.

As you can see, the poor book has taken a beating over the years; you're not getting some mint-condition prize to haul off to Antiques Roadshow and make a killing on. But if you like old books printed on fine paper, or are a Pangloss-head, or wanna get your Mahlon Blaine on*, or just feel like owning something that was passed on from Lester to Colleen to you, well, you would probably like owning this.

Email the 'tater: miz.tater AT gmail DOT com.

xxx
c

*Someone has also created a whole lot of Mahlon Blaine merch for CaféPress, so you can REALLY get your Mahlon on if you want to!

Selling My Crap on eBay, Day 17: More (g)loves

This is Day 17 of a 21-day series. More scoop on the who/what/why, here.


blurry shot of two-tone above-the-wrist ladies gloves


I knew it was bound to happen, 17 days in, the 'tater is starting to show signs of battle fatigue. So weak, she can barely pick up a camera, much less hold it steady.

This is hard work, people, getting all of this stuff up on the eBay, out to the postal scales, into the mail to you! Not to mention all the emails back and forth.

So. These are the last of the last of the Great Glove Collection of Betty Weinrott (save the few that are still in my collection, getting daily use in cooler weather). When these are gone, that's it. That other pair? Snapped up faster than you can say jack rabbit goes to town in top hat and tails.

These are truly beauties. The caramel-brown body is doeskin-soft suede, like buttah; the thumbs are a contrasting very, very dark brown. Or black. Really, hard to tell, and hardly matters. I think Gram bought them a half-size too small, because they looked brand new when I got them, and I've only worn them to try them on. If I had to guess, I'd say size 7, since I'm a 7 1/2. They're so nice, you almost just want to put them in a nice shadow box, hang them on the wall, and call it a day. Either way, lovely gloves, of a quality just not seen anymore.

Email the 'tater with an offer. No effin' around, people, I need her for another week!

xxx
c

Selling My Crap on eBay, Day 16: Fabulous Palm Springs

This is Day 16 of a 21-day series. More scoop on the who/what/why, here.

November 1957 issue of the Palm Springs Villager magazine

There is a part of me that wants to live in 1957.

Or rather, that longs for a completely phony 1957, a mid-Century that Madison Avenue and Hollywood colluded to provide us with, in glorious Technicolor and tufted leatherette. A grownup, made-up 1957 that always existed just outside my reach as a real child born in 1961. I would only ever get to enjoy the ladies-in-gloves/men-in-ties styling, the swank "Continental" and exotic Polynesian dining, the cigarettes proffered on every coffee table from one step removed.

the author's parents in a speedboat, March 1961

Of all the storied places from my aspirational youth, the one that intrigued me the most was Palm Springs, the spot where my parents madly, all-too-quickly fell in love, at Jack Webb's house, no less. According to my grandfather (who was known to embellish the yarns he spun, so, you know, caveat, etc.), Jack Webb was a man who enjoyed the company of young people so much that on occasion, he had a batch of them imported to his place in Bel Air and/or his fabulous Palm Springs getaway. My parents, according to legend, met at the former and, three days later, announced their engagement via telephone at the latter.

I wish I could tell you they all lived happily ever after, but they did not, neither severally nor together. The various twists and turns of fate that helped drive them apart I'll save for another time; for now, suffice to say that one should be wary of falling in love with gloss, or at least that one should reserve gloss-lust for objets, not people.

inside page of Nov 1957 Palm Springs Villager

This here magazine is some of that acceptable gloss. This particular issue of The Villager, "the magazine of fine desert living," is from November of 1957, and sports a Spanish-y theme. ¡Olé! The articles are, well, pretty much what you'd expect: innocuous, non-noteworthy advertorial-type filler. But oh, my, the photos and advertisements! If you are a fan of mid-Century typefaces, you will be in hog heaven: it's all Futura and swooshy, handmade serifs inside.

There is even a hint of mildewy-old scent, to conjure up images of kidney-shaped pools wrapped by Case Study houses in that indoor-outdoor California style of yore. (No actual mildew, just a bit of funk to keep it real.)

Would this item complete your homage-to-mid-Century-eclectic sunken living room? Email the 'tater and make us an offer: miz.tater AT gmail DOT com.

xxx
c

Selling My Crap on eBay, Day 15: (S)crap

This is Day 15 of a 21-day series. More scoop on the who/what/why, here.

handmade sterling jewelry on a postal scale

Change happens a little bit at a time, then all at once.

Or at least, it seems to happen all at once. Ten-year "overnight" successes are inevitably outed as a series of dreary, plodding steps, missteps and backtracking, fueled by hope and intermittent peeks under the tents of greatness. And usually, there's something horrible in there, nadir-wise, like living in a car you're about to turn around and point towards your hometown while there's still enough gas to get you there RIGHT BEFORE the big break comes. (Only if you look closer, it's never even a big break, just the right level of readiness meeting the right brand of opportunity.)

Did things start working for me when I had my bloody epiphany? Or did they start when I first became truly disillusioned with my big, fat advertising job in New York City, some 17 years before? Or was it the next crushing blow, in Chicago, the trifecta of new horrible job, old boss who brought me there abandoning me within two months, Love of My Life dumping me inside of 11?

The answer is yes. And in between, there were a lot more "yes"-es. There was my first-shrink-slash-astrologer, who made me understand that I could be deeply broken and still work. There was volunteering. There was a new job, and agency, and a marriage, and a move, and an end of the marriage, and yoga, and a hating of yoga, and Nei Kung, which is (knock wood/so far) still pretty awesome and showing signs of staying power, and a new career, and another new career, and the same amount of new significant others.

Oh, yeah, and a blog.

Somewhere in there was a whole lot of sanding and polishing. I forget how I stumbled upon it, but I fell into and subsequently became kind of (surprise, surprise) obsessed with metalsmithing. It was the first non-writing practice I found that I liked, and I loved it: the fussing with details, the acquisition of new skills, the making of an actual thing. It was my own first meditative practice that actually worked: the ungodly amounts of polishing and sanding involved turned out to be highly enjoyable and therapeutic; if they didn't prove to translate literally to Karate Kid-style wax-on/wax-off training, they definitely opened the door to...something. A series of other doors, perhaps, leading to where I am now. (And as soon as I figure out where that is, you'll be the second to know.)

I dragged my findings and scrap and new-in-box equipment from Chicago to Los Angeles, always thinking I'd pick it all up again, maybe even become a real metalsmith! But I finally realized earlier this year that the only thing that all that stuff was doing these days was filling up an out-of-reach cupboard in my kitchen, and let all of it go for $100 to someone at a different part of the trajectory. A thousand-dollar, 18-year lesson. (What can I say? Some of us learn more slowly than others.)

sterling silver jewelry arranged on a countertop

Now we come to the finished jewelry itself. I am hanging onto a very, very few pieces left which I still wear and love; the rest, I'm letting go of in one lot. It weighs 2.2 ounces, according to the 'tater, who dragged it to the Mayberry P.O. to get weighed. That includes whatever stones, all cabachons, none precious, that are set in the pieces, and the findings, which may be silver, but I can't say. I can say that any of those pin-backs I shaped myself, because our teacher was kind of Miyagi-like in her insistence on form.

I will also say that I had a penchant for filing things to a rather sharp edge, and a couple of the pins could probably double as a throwing star.

Of course, if you like not-very-beautifully-designed sterling jewelry, you could have a big set instantly, for cheap. Or a lot of holiday "shopping" done in a heartbeat.

I'm really kind of hoping that some nice metalsmith who casts will buy the lot, though, and transform it. Circle of life, etc.

Is that you? Or someone you know? Email the 'tater: miz.tater AT gmail DOT com.

xxx
c

Selling My Crap on eBay, Day 14: Infinite Elsa

This is Day 14 of a 21-day series. More scoop on the who/what/why, here.

the author in full preppy regalia circa 1980

By the time I got to the end of my senior year of high school, my Elsa love had grown from a single bean to include a sterling teardrop pendant and a knock-off of her famed (and oft-knocked-off) floating heart pendant, also in silver.

For my graduation, I got my first piece of Tiffany Peretti gold: an "infinity" loop pendant on a 15" gold chain. I wore it for years, off and on, here, you see me in my first official photo as a Delta Gamma at Cornell. The Preppy Handbook was all the rage (as it looks like Lisa's new book, done with Chip Kidd, may be now); not a bona fide prepster myself, I learned to copy their ways as best I could, but it was never quite right: my turtlenecks were never Skyr, my crew neck Shetlands were never true Scots versions.

Even my Elsa Peretti, I'm sure, was not quite right. I dangled it over my unfolded turtleneck anyway, in the style of the day, and pretended to be a sorority girl. I definitely never got that one right, while I met some wonderful women there, a few of whom are good friends to this day, the house on Triphammer Road never truly felt like home, and I always felt like an actor playing a part.

gold elsa peretti "infinity" pendant with dime

While the chain broke and got tossed long ago (oh, lordy! the symbolism!), I somehow managed to hang onto the loop pendant. I'd try wearing it with some other gold chain now and again, but gold just ain't my thang. Neither are earrings and crew-neck Shetland sweaters. Although I still wear my turtlenecks as high as I can.

If you like dainty things and gold, this will probably look lovely on you. Or if you have a charm bracelet, you could add it to that. Come to think of it, if none of you buy it, I may add it to mine.

Really, though, I'd rather it dangle from some nice young lady's neck. Know one? Email the 'tater and make an offer: miz.tater AT gmail DOT com.

xxx
c

Selling My Crap on eBay, Day 13: Bean there, done that

This is Day 13 of a 21-day series. More scoop on the who/what/why here.

photo of the author sporting a grin and an Elsa Peretti bean necklace

I was always a precocious child in ways that would annoy a grownup, but keep me from getting into any serious kind of trouble.

Loved Dover sole almondine, for example, but never developed a taste for setting things on fire. Cultivated a girlhood crush on Dorothy Parker and Oscar Wilde but remained a virgin until the embarrassingly late age of 19. (Saddest of all? Not for want of trying to GIVE the damned thing away.)

Those sorts of things.

From eighth grade through high school, which I attended at the height of the sexay 'seventies (1974 - '79), I became obsessed with Elsa Peretti. Obsessed! I'd cut out pictures of Tiffany ads for her stuff, devour any article about her that came my way (this was pre-Internet, remember) and drool at the tiny windows of Tiffany's on Michigan Avenue. Anytime I made lists of stuff I wanted, things like "Elsa Peretti pendant" or "Elsa Peretti coke spoon" inevitably ended up there alongside "unstructured linen jacket with sleeves I can push up," "alligator shirt," and "car." (Kidding, I did not do coke until shortly after I lost my virginity. I mean, never.)

elsa peretti sterling bean pendant for tiffany & co

At some point between 8th-grade graduation and my 16th birthday, my mom gave me the Elsa Peretti bean necklace I'd been long coveting. I wore it pretty much every day for the next five years, the above is a shot of me in either the Senior Lounge or the cafeteria of Evanston Township High School in 1978. (The shit-eating grin is courtesy of having had my braces removed, FINALLY, after 2+ years of suffering. And I do not exaggerate: my dentists now have all confirmed that the principle reason for my ridonkulous rate of gum recession was the way-too-aggressive moving of my toofs in my 'teens.)

I still like the pendant, but I like the idea of passing it along to the next happy owner even more. Is it you, perhaps? Someone you know? Email the 'tater: miz.tater AT gmail DOT com.

xxx
c

Selling My Crap on eBay, Day 12: Stupid jump rope

This is Day 12 of a 21-day series. More scoop on the who/what/why here.

[youtube=http://www.youtube.com/watch?v=CIz87-FOmC0&w=480&h=385]

I know, I know, you're thinking, "She's selling a stupid jump rope? Double-u Tee Eff?"

But I'm not selling a stupid jump rope; I'm selling a piece of history. The Maginot Line of my fight against advancing old age.

NOW are you interested? Email the 'tater: miz.tater AT gmail DOT com.

xxx
c

*No, this does not make you the German Army. Are you "Advancing Old Age"? No. You see?

Selling My Crap on eBay, Day 11: Snotty ladies, part two

This is Day 11 of a 21-day series. For more scoop on the who/what/why, go here.

a gold-tipped ebony cane

The cane above, tipped in real gold at the business end, ivory street-side, and ebony in between, was mine in the game of Snotty Ladies, because it was the finest, and I was the originatrix of the game. Droit de mademoiselle, or something like that.

small child stabbing stack of pancakes with a knife as grandparent and sister look on

My sister, who used to play Snotty Ladies with Chicago Jan and me, pointed out that the Naked Lady "cane" which I put on the block yesterday (in "quotes," because it is actually a swagger stick) used to be hers.

This is true, but only in the latter days of playing. Because as she full well knows, when she first asked to play Snotty Ladies with us, she was only allowed to play as the maid. And as everyone knows, maids don't get to wield canes, short or no.

The story about her shift from downstairs to upstairs is brief but hilarious, ergo worth sharing:

YOUNGER SISTER: (running to paternal grandfather) Boohoohoohoohoo!

GRAMPS: (alarmed) Honey! What's wrong?

YOUNGER SISTER: I don't want to be the maid; I WANT TO BE A SNOTTY LADY.*

Fin.

As I recall, the game did not last long after that. High society is just no fun without an underclass to oppress.

Fortunately, my sister and I made up. I mean, really fortunately, since I'd probably be dead if she hadn't tricked me into going to the emergency room eight years ago.

Ah, memories.

OKAY. Enough of that crap. You want to own a piece of Wainwright-Weinrott history? Make with the offers, peoples, before it goes up on eBay: email the 'tater (miz.tater AT gmail DOT com) right now. Operators standing by!

xxx
c

*Trivia: For some reason, this has always reminded me of the last line Alice Kramden delivers to her husband, Ralph, in the episode where she talks him into buying them a television set: I wanna look at Liberace! Weird, huh? (Enh. You don't know the half of it. If I could sell tickets for a ride in my brain, I'd be a bazillionaire. Or incarcerated in a mental ward.)

Selling My Crap on eBay, Day 10: Snotty ladies, part one

This is Day 10 of a 21-day series. For more scoop on the who/what/why, go here.

Once upon a time, on the shores of a great lake in the center-right of a large country, there lived a tiny Jewish-Catholic principessa.

The only grandchild of two doting grandparents who had waited far, far too long for her arrival, she was indulged in myriad ways with all sorts of riches. They dreamed up delectable treats to tempt her finicky tastes. They amused her with small gifts and family trinkets, each of which came with its own set of stories, told and told again, to the tiny princess' delight. They regaled her with tales of their glamorous past from days gone by. They took her on outings to ride wild pandas and shop for charming dresses and books. They indulged her budding interest in the intersection of art and commerce.

But her favorite pastime of all was a game the grandfather dreamt up in a particularly inspired fit of genius, called "Snotty Ladies."

In this game, the princess and her handmaiden would dress themselves in the grandmother's finery, and be served high tea by the grandmother and grandfather, whom they called "Maid!" and "Butler!," respectively (and repeatedly, to the delight of all parties concerned.) The outfits were made particularly fine by the addition of specially chosen accessories from the grandfather's prized collection of rare walking sticks, the choicest of which were the gold-tipped ebony stick (see tomorrow's entry) and the "naked lady cane," which was actually not a cane at all, but a swagger stick, a short stick meant to be carried under the arm while reviewing the troops.

the author demonstrates the proper way to hold a swagger stick

The game of Snotty Ladies now lives on, strangely enough, in the very empowering tradition of the Women's Business Socials, a ladies-only networking group founded by Ms. Jodi Womack of Ojai, California. Over a year ago, in early 2009, Ms. Womack approached the author looking for a clever tagline to accompany the stylized drawing of an haute, remote looking lady advertising the very first Women's Social; yours truly told her the story of the principessa's girlhood game, and suggested the line, "Snotty Ladies Not Allowed." Eventually, around the time that the chic Ojai Valley Inn & Spa created the namesake WBS drink, the line morphed to "Snooty Ladies," as everyone allowed that snot and drinks do not mix particularly well, but the fusion had happened.

a swagger stick with a naked lady on the handly

Now, it's time to release the stick into the wild, and let our Naked Lady find her next adventure. Will you lead her there? Email the 'tater (miz.tater AT gmail DOT com) and let's work this out, shall we?

xxx
c

Selling My Crap on eBay, Day 9: Elbow-Deep in Luxury

This is Day 9 of a 21-day series. For more scoop on the who/what/why, go here. For more detail on the whole, freaky globe-fixation thing, go here.

the author's grandparents on Atlantic City boardwalk, ca. 1928 (?)

Once upon a time, a very glamorous girl from Jewish Insurance Money in Des Moines, Iowa met the scrappy son of a Russian-born dry-goods salesman from Moline, Illinois. She was sweet and beautiful, he was determined and wily and, after spending four-ish on-and-off years together at the University of Illinois, they ran off to a Justice of the Peace, got hitched, and lived happily (on-and-off) ever after.

Two of Gramps' chief virtues (or failings, depending on whom you asked, and when) were his intrepid zest for adventure and his fearlessness in the face of bankruptcy. It became a thing with them: he would finagle his way into some cushy gig doing something exotic for the time (radio plays! advertising! the OSS!), do the sh*t out of it, and then, when it or his patience had run out, pull everything out of the bank save $200 and book passage to some far-flung somewhere. And in style, baby, no steerage for Les and his baby, Betty.

This drove my dear, sweet, non-adventurous, and, of the two of them, frugal, Gram nuts, but she was pretty nuts about him, and a product of their era, so she generally went along quietly. On these trips they bought all kinds of crazy stuff, for themselves and as gifts for loved ones; back then, you had to actually go places to acquire indigenous goods, or the best selection, anyway. While they traveled through the Panama Canal, up to Alaska, all over the U.S., they were especially partial to Europe.

Did you know they make excellent ladies' gloves in the fine countries of Europe? Well, they do. Did. Probably still do, but no one wears gloves anymore like they wore gloves back then. Possibly because they transformed my not-particularly-comely hands into something of grace and style, I developed a massive glove fetish, and ended up with most of my Gram's extensive collection.

a group in halloween costume, ca. 1993

I am down to the last few pairs, having worn out or lost or given away most of the rest over the years. These are dark-brown and opera length, my 'tater will get you a measurement, if you like, and are either a 7 1/4 or 7 1/2. They've stretched a bit, and been worn, if not extensively, then with ardor. Yes, ironically, but I came up at the end of the last century, not the beginning, and, save a few wack-a-doo periods in my late teens and early 20s, never really took dressing all that seriously. (I mean, seriously, I was, what? 47 before I finally figured out what silhouette was flattering?)

My 1993 stint as Holly Golightly was pretty much my last hurrah with the gloves, or even in costume. Once I started acting in earnest, playing dressup was a busman's holiday. So these have been in the drawer for some time, and it's high time some stylish, fun-loving, size 7 1/4 - 1/2-handed gal took ownership of these puppies.

Will it be you? I hope so...

xxx
c

Do you love gloves, too? Email the 'tater (miz.tater AT gmail DOT com) and make an offer. We will certainly let these go for a reasonable sum, maybe less, if there's a great story attached. We do love a great story!